NOTE IMDb
5,3/10
629
MA NOTE
En 1916, un groupe de prisonniers complote leur évasion de la célèbre forteresse située dans Français Guyane.En 1916, un groupe de prisonniers complote leur évasion de la célèbre forteresse située dans Français Guyane.En 1916, un groupe de prisonniers complote leur évasion de la célèbre forteresse située dans Français Guyane.
- Réalisation
- Scénario
- Casting principal
Christopher George
- Davert
- (as Chris George)
Richard Ely
- Jo-Jo
- (as Rick Ely)
Bob Harris
- The Barber
- (as Roland 'Bob' Harris)
Enrique Lucero
- Esteban
- (as Ewrique Lucero)
Avis à la une
There are many stories arising from the infamous and nightmarish prison on French Guiana. This film, " I escaped From Devil's Island " is one of them. If one is not too critical, which is easy, then the movie is good entertainment as it's got several ingredients of a plausible and brutal prison scenario. It has harsh treatment, unconscionable deaths and the social turmoil of a savage structure gone wild. Still, it endeavors to please. The star of the film is acclaimed athlete Jim Brown who plays Labras, which is strange as he is listed on the IMDb board as a minor player. He and Christopher George, Richard Ely and James Luisi execute an escape which is desperate and clumsy at best. With Major Marteau (Paul Richards) chasing them from the island to the mainland, makes for exciting pursuit. In addition the pretty sexy local distractions they meet along the way, proves that brief nudity might make up for a lackluster script. As a result and despite the convoluted story which lacks necessary elements, the movie ends up becoming a poor-man's Papillon. Nevertheless, I think it tries hard to entertain and I would give it an 'A' for effort. ***
If they had released this movie in Britain, it would have likely become one of the infamous video nasties. It has all the elements: low production costs, natives in various stages of undress, animal abuse, shark attacks, cannibalism, torture.
It just didn't really cross the line, however. The torture was not overtly explicit, the cannibals were never shown eating their victims, the undress was not excessive.
If it had come out a month later and starred Steve McQueen and Dustin Hoffman, instead of Jim Brown and Christopher George, they might have named it Papillon, and given it an Oscar or Golden Globe nomination. But, this is a Roger Corman production, so it is the R rated version of Papillon.
Paul Richards, as Major Marteau, the head of Devil's Island, gave the best line after they tortured a woman to get information on the escaped prisoners: "She doesn't know any more. Anything else would be lies." He knew even then the uselessness of water-boarding.
Great ending!
It just didn't really cross the line, however. The torture was not overtly explicit, the cannibals were never shown eating their victims, the undress was not excessive.
If it had come out a month later and starred Steve McQueen and Dustin Hoffman, instead of Jim Brown and Christopher George, they might have named it Papillon, and given it an Oscar or Golden Globe nomination. But, this is a Roger Corman production, so it is the R rated version of Papillon.
Paul Richards, as Major Marteau, the head of Devil's Island, gave the best line after they tortured a woman to get information on the escaped prisoners: "She doesn't know any more. Anything else would be lies." He knew even then the uselessness of water-boarding.
Great ending!
Straying from his usual racially-driven blaxploitation, Jim Brown in I ESCAPED FROM DEVIL'S ISLAND is not only pure exploitation, attempting to bank on the popularity of the novel turned adapted motion picture PAPILLON about a French prisoner who escapes this movie's titular island, but it's practically an outright remake...
Jim Brown has the Steve McQueen part, strong, brave, and escape-minded while the weak-link Dustin Hoffman sidekick part goes to Christopher George, a passive progressive that Brown has to carry (while semi-strong arms Robert Phillips and James Luisi both fill Woodrow Palfrey's middleman shoes), and, starting from the beach-set makeshift prison, where brutal guard Richard Rust (UNDERWORLD USA) reigns, there's even a resilient homosexual escapee...
The budget is excruciatingly low, almost a no-budget indie, resembling more of PAPILLON author Henri Charrière's 1971 heist-flick THE BUTTERFLY AFFAIR, each being nearly impossible to see the actors or their actions at night -- although much of this initial escape's under bright sunlight, lying on familiar makeshift-coconut rafts: which ends the McQueen feature and is the center-piece here (meanwhile a stock footage manipulated shark attack is included)...
Thereafter, much of the rather sluggish adventure takes place in what's intended as the jungles of Venezuela (actually shot in Acapulco, funded by producer Roger Corman) where, like McQueen, Brown's given his own Indian girl for sex and a cozy hut... even better than the criminal life in homeland France, which -- during the 11th hour at a colorful carnival - only Christopher George yearns for, but not without Brown's further assistance, doing his usual action-blasting thing, and even a nostalgic football tackle in what seems more fun to have filmed than to actually watch -- after all, who wouldn't rather work in the tropics than the slums?
Jim Brown has the Steve McQueen part, strong, brave, and escape-minded while the weak-link Dustin Hoffman sidekick part goes to Christopher George, a passive progressive that Brown has to carry (while semi-strong arms Robert Phillips and James Luisi both fill Woodrow Palfrey's middleman shoes), and, starting from the beach-set makeshift prison, where brutal guard Richard Rust (UNDERWORLD USA) reigns, there's even a resilient homosexual escapee...
The budget is excruciatingly low, almost a no-budget indie, resembling more of PAPILLON author Henri Charrière's 1971 heist-flick THE BUTTERFLY AFFAIR, each being nearly impossible to see the actors or their actions at night -- although much of this initial escape's under bright sunlight, lying on familiar makeshift-coconut rafts: which ends the McQueen feature and is the center-piece here (meanwhile a stock footage manipulated shark attack is included)...
Thereafter, much of the rather sluggish adventure takes place in what's intended as the jungles of Venezuela (actually shot in Acapulco, funded by producer Roger Corman) where, like McQueen, Brown's given his own Indian girl for sex and a cozy hut... even better than the criminal life in homeland France, which -- during the 11th hour at a colorful carnival - only Christopher George yearns for, but not without Brown's further assistance, doing his usual action-blasting thing, and even a nostalgic football tackle in what seems more fun to have filmed than to actually watch -- after all, who wouldn't rather work in the tropics than the slums?
Superstar athlete Jim Brown plays Le Bras, one of many inmates at the notorious prison fortress Devil's Island in French Guiana in the early 20th century. He butts heads with pacifistic convict Davert (Christopher George) while also trying to deal with nasty and sadistic guards. When he gets the chance to make a break for it, he takes it, along with fellow prisoners Jo-Jo (Richard Ely), Dazzas (James Luisi), and a reluctant Davert. The four men make it to the mainland, with prison personnel, led by Major Marteau (Paul Richards), in hot pursuit.
From then on, things get rather episodic as Le Bras and his comrades encounter lepers and Indians (not to mention a shark), and when they make it to a colourful community, Le Bras decides that he rather likes it there.
Directed by veteran filmmaker William Witney for the Corman brothers, Roger and Gene, and filmed in Mexico, "I Escaped from Devil's Island" is passable entertainment. It's not strong on story; in fact, this story starts to get more incoherent as the movie goes on, but in terms of delivering exploitation, it does its job. There's gore aplenty as well as the requisite female nudity. There's some socio-political subtext, but it never gets in the way of the admittedly lurid thrills. The photography, by Rosalio Solano, is just gorgeous, and Les Baxter composes a flavourful and fun music score. The acting is decent from our principals; Brown is commanding as usual, he and George act well together, and Richards and especially Richard Rust make for a very effective pair of thoroughly disagreeable villains.
Overall this is pretty easy to forget but it kills time in an entertaining enough manner.
Six out of 10.
From then on, things get rather episodic as Le Bras and his comrades encounter lepers and Indians (not to mention a shark), and when they make it to a colourful community, Le Bras decides that he rather likes it there.
Directed by veteran filmmaker William Witney for the Corman brothers, Roger and Gene, and filmed in Mexico, "I Escaped from Devil's Island" is passable entertainment. It's not strong on story; in fact, this story starts to get more incoherent as the movie goes on, but in terms of delivering exploitation, it does its job. There's gore aplenty as well as the requisite female nudity. There's some socio-political subtext, but it never gets in the way of the admittedly lurid thrills. The photography, by Rosalio Solano, is just gorgeous, and Les Baxter composes a flavourful and fun music score. The acting is decent from our principals; Brown is commanding as usual, he and George act well together, and Richards and especially Richard Rust make for a very effective pair of thoroughly disagreeable villains.
Overall this is pretty easy to forget but it kills time in an entertaining enough manner.
Six out of 10.
I Escaped from Devil's Island (1973)
** (out of 4)
This exploitation film from Roger and Gene Corman beat PAPILLON to theaters by a month and features Jim Brown and Christopher George playing prisoners on Devils Island who plan an escape to get away from the sadistic guards. They duo end up on an island with many beautiful women but soon enough the prison guards come calling. I ESCAPED FROM DEVIL'S ISLAND is somewhat entertaining for the fifty-minutes or so but once we're out of the prison things really slow down and the second half of the film is a major chore to sit through. Veteran director William Witney does a pretty good job at making this low-budget film look like it had higher production values than you know it had. The first portion of the film inside the prison features all sorts of silly violence dealing with the prisoners being beaten, thrown in the hot box and various other items that we've seen in countless prison movies. This remains somewhat fun as both Brown and George are such enjoyable actors that you can get caught up with them and this helps the film move a little bit. Fans of the two actors will probably want to sit through this even though the end result isn't as good as you're going to hope. Brown has no problems playing the tough guy and there's plenty of action built around him. George plays a political prisoner who is against violence and the two actors really work well together and build up some nice chemistry. The problem in the second half of the film is simply the fact that nothing entertaining happens. We see the men fight, argue, fight some more and it just grows tiresome after a while. The exploitation level really needed to be pumped up in the second half as did the energy because the film pretty much just runs out of gas.
** (out of 4)
This exploitation film from Roger and Gene Corman beat PAPILLON to theaters by a month and features Jim Brown and Christopher George playing prisoners on Devils Island who plan an escape to get away from the sadistic guards. They duo end up on an island with many beautiful women but soon enough the prison guards come calling. I ESCAPED FROM DEVIL'S ISLAND is somewhat entertaining for the fifty-minutes or so but once we're out of the prison things really slow down and the second half of the film is a major chore to sit through. Veteran director William Witney does a pretty good job at making this low-budget film look like it had higher production values than you know it had. The first portion of the film inside the prison features all sorts of silly violence dealing with the prisoners being beaten, thrown in the hot box and various other items that we've seen in countless prison movies. This remains somewhat fun as both Brown and George are such enjoyable actors that you can get caught up with them and this helps the film move a little bit. Fans of the two actors will probably want to sit through this even though the end result isn't as good as you're going to hope. Brown has no problems playing the tough guy and there's plenty of action built around him. George plays a political prisoner who is against violence and the two actors really work well together and build up some nice chemistry. The problem in the second half of the film is simply the fact that nothing entertaining happens. We see the men fight, argue, fight some more and it just grows tiresome after a while. The exploitation level really needed to be pumped up in the second half as did the energy because the film pretty much just runs out of gas.
Le saviez-vous
- AnecdotesThe success of Henri Charrière's bestseller "Papillon" prompted Roger Corman and Gene Corman to produce a more exploitative version.
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- How long is I Escaped from Devil's Island?Alimenté par Alexa
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