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7,0/10
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Quatre hommes, au beau milieu de l'hiver, fatigués de leurs vies ennuyeuses et de leurs désirs inassouvis, décident de s'enfermer dans une villa pour ce qu'ils appellent un ''séminaire gastr... Tout lireQuatre hommes, au beau milieu de l'hiver, fatigués de leurs vies ennuyeuses et de leurs désirs inassouvis, décident de s'enfermer dans une villa pour ce qu'ils appellent un ''séminaire gastronomique''.Quatre hommes, au beau milieu de l'hiver, fatigués de leurs vies ennuyeuses et de leurs désirs inassouvis, décident de s'enfermer dans une villa pour ce qu'ils appellent un ''séminaire gastronomique''.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Andréa Ferréol
- Andrea
- (as Andréa Ferreol)
Avis à la une
Four affluent middle-aged men (Marcello Mastroianni, Michel Piccoli, Philippe Noiret & Ugo Tognazzi) close themselves off in a château for a weekend of stuffing themselves with gourmet food. They are joined by three prostitutes and a school teacher. It gradually becomes clear that this is a suicide pact ... the four intend to eat themselves to death. I love this film. It's somewhere between Bunuel and "Salo" ... or a version of "Salo" that is not hijacked as an indictment of fascism and is perhaps closer to De Sade. What starts as a fairly sensual enjoyment of food and sex gradually transforms into a grim and tawdry march to death. The film doesn't blink, but it also isn't really condemning men for their bloody minded self-hating lust for pleasure. It's both satire and celebration in an odd way.
The two other Marco Ferreri films I've seen, Dillinger Is Dead and Bye Bye Monkey, I found utterly boring, I must admit. I was a little wary of La grande bouffe, though I had always wanted to see it. I've always been drawn to stories where a group of people (or more usually a couple) lock themselves up together and slowly kill themselves, or screw each others brains out. In this film, four men (Marcello Mastroianni, Michel Piccoli, Philippe Noiret and Ugo Tognazzi, all playing characters who use the actors' real first names) come together in a palatial estate to screw prostitutes and eat themselves to death. No real reason is given. The prostitutes don't make it very long. The constant feasting disgusts them, and they leave. The only woman who does stay is a Reubenesque teacher named Andrea (Andrea Ferreol), who is intrigued by both the food and sex (unlike the other women, the idea of food and sex together turns her on). This movie is a tad too slow. At it's best, though, it's fascinating and hilariously gross. Food seems quite unappetizing after about a half hour of this. I loved the performances. Definitely of interest.
Superb black comedy of an ageing quartet gathered for a feast of epic proportions in which they indulge every gluttonous whim with culinary abandon. Their erotic gorging, groping and fondling of food and flesh is both appetising and arresting, as one by one, they stuff themselves to morbidity. It's with a tinge of sadness that their food fornication gradually comes to a halt, when the last man can no longer brook another chocolate pudding or roast pig.
Those who appreciate gourmet cooking might find appeal in the vast menu, but will likely be shocked by the flatulence-passing, naked-backside food preparation techniques of these randy chefs. The cast periodically combine their appetite for food with unbridled sexual encounters while they prepare meals, to which the viewer is treated in full detail. But while the sets, costumes and dialogue are all, equally colourful, there's a distinct lack of momentum and coherent storyline in the near two-and-a-half hour epic. I submit, respectfully, there's only so many kitchen orgies one film can sustain (particularly as this isn't a loop) without a more concrete purpose.
The cast are formidable in their distinct characterisations (and appetites), and it seems as though each has resigned to his own despair at a life unfulfilled. While Mastroianni does little cooking by comparison with Piccoli, he more than compensates with his sexual appetite at any number of the prostitutes assembled for their last supper. "Le Grande Bouffe" is a raw, uncompromising comedy like no other and should be seen to be believed.
Those who appreciate gourmet cooking might find appeal in the vast menu, but will likely be shocked by the flatulence-passing, naked-backside food preparation techniques of these randy chefs. The cast periodically combine their appetite for food with unbridled sexual encounters while they prepare meals, to which the viewer is treated in full detail. But while the sets, costumes and dialogue are all, equally colourful, there's a distinct lack of momentum and coherent storyline in the near two-and-a-half hour epic. I submit, respectfully, there's only so many kitchen orgies one film can sustain (particularly as this isn't a loop) without a more concrete purpose.
The cast are formidable in their distinct characterisations (and appetites), and it seems as though each has resigned to his own despair at a life unfulfilled. While Mastroianni does little cooking by comparison with Piccoli, he more than compensates with his sexual appetite at any number of the prostitutes assembled for their last supper. "Le Grande Bouffe" is a raw, uncompromising comedy like no other and should be seen to be believed.
10JustApt
What can be a better protest against hedonism than to kill oneself in the most hedonistic way: to sate oneself with food and luxury and sex to death? So four old friends gather together in the luxuriant family villa belonging to the one of the participants and start devouring their way to exotic quietus, I should warn you though, the spectacle isn't for the hungry, and however difficult the task may seem it turns out to be quite feasible. What is the most great in this movie is its thick atmosphere of absurdity and surreality of everything happening on the screen and at the same time a verisimilitude of this occurrence. This movie also brilliantly managed to catch a zeitgeist of its epoch. At the time the film was announced to be a scandal of the year.
The aircraft pilot Marcello, the chef Ugo, the TV choreographer Michel and the judge Phillipe decide to terminate their lives with a great pleasure, eating and having sex with three prostitutes and one school teacher invited to participate in their orgy.
I watched this unforgettable film in the 70's and I was very disturbed with this impressive metaphoric movie. In Brazil, it remained unreleased on video until a couple of months ago, when fortunately it was 'rescued' and released on DVD by the Brazilian distributor 'Versátil', specialized in masterpieces such as Fellini, Rosselini and Visconti. Now I have just had the chance to watch again this weird and daring movie about the decay of the society of consumption, empty and compulsive, searching for "sex and food" (material goods) much more than they need. The main characters use their Christian names. This movie is also a great black humor comedy. My vote is nine.
Title (Brazil): "A Comilança" ("The Binge")
I watched this unforgettable film in the 70's and I was very disturbed with this impressive metaphoric movie. In Brazil, it remained unreleased on video until a couple of months ago, when fortunately it was 'rescued' and released on DVD by the Brazilian distributor 'Versátil', specialized in masterpieces such as Fellini, Rosselini and Visconti. Now I have just had the chance to watch again this weird and daring movie about the decay of the society of consumption, empty and compulsive, searching for "sex and food" (material goods) much more than they need. The main characters use their Christian names. This movie is also a great black humor comedy. My vote is nine.
Title (Brazil): "A Comilança" ("The Binge")
Le saviez-vous
- AnecdotesIn the final scene in the garden - where Philipe is sitting on the bench, there is a poem by Dorothy Frances Gurney written on the bench. Many garden lovers have this poem written in their gardens. It says: "Kiss of the sun for pardon. Song of the birds for mirth. You're closer to God's heart in a garden than any place else on earth."
- GaffesBefore Philippe says to Nicole "actor incombit probatio", a person that should not be in the scene is visible through a glass paneled door.
- Versions alternativesThe second German VHS release by Marketing was cut by almost 30 minutes. This was not done to secure a rating but to avoid costs for longer VHS tapes.
- ConnexionsEdited into Marcello, una vita dolce (2006)
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- How long is The Big Feast?Alimenté par Alexa
Détails
- Durée2 heures 10 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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