NOTE IMDb
7,0/10
16 k
MA NOTE
Quatre hommes, au beau milieu de l'hiver, fatigués de leurs vies ennuyeuses et de leurs désirs inassouvis, décident de s'enfermer dans une villa pour ce qu'ils appellent un ''séminaire gastr... Tout lireQuatre hommes, au beau milieu de l'hiver, fatigués de leurs vies ennuyeuses et de leurs désirs inassouvis, décident de s'enfermer dans une villa pour ce qu'ils appellent un ''séminaire gastronomique''.Quatre hommes, au beau milieu de l'hiver, fatigués de leurs vies ennuyeuses et de leurs désirs inassouvis, décident de s'enfermer dans une villa pour ce qu'ils appellent un ''séminaire gastronomique''.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Andréa Ferréol
- Andrea
- (as Andréa Ferreol)
Avis à la une
Marco Ferreri is one of my all time favourite directors, for both his fearlessness in pushing boundaries and his piercing originality. Ferreri's greatest achievement was making relentlessly intellectual films that also managed to entertain. While many other European directors could get caught up in their own genius, Marco Ferreri was never pretentious enough to forget about his audience.
La Grande Bouffe is one of Ferreri's best and most notorious films. The premise is infamous, four friends gather at a country mansion with the intention of literally eating themselves to death. When this becomes tiresome they hire three prostitutes and invite the local school teacher to join them. This is not a film that follows a linear narrative, instead it expertly crafts a sense of atmosphere from a series of acutely observed vignettes. There are enough unforgettable images and surreal happenings in this film to make Salvador Dali green with envy. The meat garden, Andrea and Michel's flatulent love making and Philippe's relationship with his nanny are just three that come to mind. There is genius at work here, this is not an exercise in empty symbolism but a disturbing slice of modern life.
The impact of La Grande Bouffe has not wearied with age. The sex scenes are possibly less confronting (although Marcello's inventive use of a champagne bottle still raises eyebrows) but the film's psychological impact has not been dulled. The characters' ruthless pursuit of death is all the more disturbing given their unadulterated appreciation for life's pleasures. For a film with such disturbing content, La Grande Bouffe is also effortlessly entertaining. Ferreri somehow manages to balance the building tension with black humour, raunchy sex scenes and even budding romance.
This is probably a good time to mention the cast. Ferreri has gathered together a who's who of European cinema. Ferreri regulars like Mastroianni and Tognazzi combine brilliantly with French heavyweights like Piccoli and Noiret. Andrea Ferreol more than matches it with these acting giants. She deserves significant credit for her illuminating performance as the open minded school teacher with the appetite of a blue whale.
La Grande Bouffe is intelligent, disturbing and unrelenting. Most importantly, it is also entirely non-judgemental. Ferreri would never insult his audience by suggesting to them what they should think. If only more modern directors had taken note.
La Grande Bouffe is one of Ferreri's best and most notorious films. The premise is infamous, four friends gather at a country mansion with the intention of literally eating themselves to death. When this becomes tiresome they hire three prostitutes and invite the local school teacher to join them. This is not a film that follows a linear narrative, instead it expertly crafts a sense of atmosphere from a series of acutely observed vignettes. There are enough unforgettable images and surreal happenings in this film to make Salvador Dali green with envy. The meat garden, Andrea and Michel's flatulent love making and Philippe's relationship with his nanny are just three that come to mind. There is genius at work here, this is not an exercise in empty symbolism but a disturbing slice of modern life.
The impact of La Grande Bouffe has not wearied with age. The sex scenes are possibly less confronting (although Marcello's inventive use of a champagne bottle still raises eyebrows) but the film's psychological impact has not been dulled. The characters' ruthless pursuit of death is all the more disturbing given their unadulterated appreciation for life's pleasures. For a film with such disturbing content, La Grande Bouffe is also effortlessly entertaining. Ferreri somehow manages to balance the building tension with black humour, raunchy sex scenes and even budding romance.
This is probably a good time to mention the cast. Ferreri has gathered together a who's who of European cinema. Ferreri regulars like Mastroianni and Tognazzi combine brilliantly with French heavyweights like Piccoli and Noiret. Andrea Ferreol more than matches it with these acting giants. She deserves significant credit for her illuminating performance as the open minded school teacher with the appetite of a blue whale.
La Grande Bouffe is intelligent, disturbing and unrelenting. Most importantly, it is also entirely non-judgemental. Ferreri would never insult his audience by suggesting to them what they should think. If only more modern directors had taken note.
Superb black comedy of an ageing quartet gathered for a feast of epic proportions in which they indulge every gluttonous whim with culinary abandon. Their erotic gorging, groping and fondling of food and flesh is both appetising and arresting, as one by one, they stuff themselves to morbidity. It's with a tinge of sadness that their food fornication gradually comes to a halt, when the last man can no longer brook another chocolate pudding or roast pig.
Those who appreciate gourmet cooking might find appeal in the vast menu, but will likely be shocked by the flatulence-passing, naked-backside food preparation techniques of these randy chefs. The cast periodically combine their appetite for food with unbridled sexual encounters while they prepare meals, to which the viewer is treated in full detail. But while the sets, costumes and dialogue are all, equally colourful, there's a distinct lack of momentum and coherent storyline in the near two-and-a-half hour epic. I submit, respectfully, there's only so many kitchen orgies one film can sustain (particularly as this isn't a loop) without a more concrete purpose.
The cast are formidable in their distinct characterisations (and appetites), and it seems as though each has resigned to his own despair at a life unfulfilled. While Mastroianni does little cooking by comparison with Piccoli, he more than compensates with his sexual appetite at any number of the prostitutes assembled for their last supper. "Le Grande Bouffe" is a raw, uncompromising comedy like no other and should be seen to be believed.
Those who appreciate gourmet cooking might find appeal in the vast menu, but will likely be shocked by the flatulence-passing, naked-backside food preparation techniques of these randy chefs. The cast periodically combine their appetite for food with unbridled sexual encounters while they prepare meals, to which the viewer is treated in full detail. But while the sets, costumes and dialogue are all, equally colourful, there's a distinct lack of momentum and coherent storyline in the near two-and-a-half hour epic. I submit, respectfully, there's only so many kitchen orgies one film can sustain (particularly as this isn't a loop) without a more concrete purpose.
The cast are formidable in their distinct characterisations (and appetites), and it seems as though each has resigned to his own despair at a life unfulfilled. While Mastroianni does little cooking by comparison with Piccoli, he more than compensates with his sexual appetite at any number of the prostitutes assembled for their last supper. "Le Grande Bouffe" is a raw, uncompromising comedy like no other and should be seen to be believed.
Four affluent middle-aged men (Marcello Mastroianni, Michel Piccoli, Philippe Noiret & Ugo Tognazzi) close themselves off in a château for a weekend of stuffing themselves with gourmet food. They are joined by three prostitutes and a school teacher. It gradually becomes clear that this is a suicide pact ... the four intend to eat themselves to death. I love this film. It's somewhere between Bunuel and "Salo" ... or a version of "Salo" that is not hijacked as an indictment of fascism and is perhaps closer to De Sade. What starts as a fairly sensual enjoyment of food and sex gradually transforms into a grim and tawdry march to death. The film doesn't blink, but it also isn't really condemning men for their bloody minded self-hating lust for pleasure. It's both satire and celebration in an odd way.
10Sudek
A pilot, a cook, a choreographer, and a judge (+ a teacher!). Every key aspect of the western culture is present in this brilliant, surreal farce. The only ideology the men and the poor Andréa hold is one of hedonistic consumption of food and sex. The prostitutes are the sensible ones, leaving out of the game in time. They represent the "outsiders", people who refuse to take part in the destructive lifestyle, and are saved.
If you hate symbolism, you might watch this as a very funny and brilliantly acted comedy. If you don't mind the symbolism, every time you watch it again you'll find new depths in Ferreri's witty commentary of modern western lifestyle. Personally I don't mind it, hence 10/10. Belongs to my top 10 of all times.
If you hate symbolism, you might watch this as a very funny and brilliantly acted comedy. If you don't mind the symbolism, every time you watch it again you'll find new depths in Ferreri's witty commentary of modern western lifestyle. Personally I don't mind it, hence 10/10. Belongs to my top 10 of all times.
10JustApt
What can be a better protest against hedonism than to kill oneself in the most hedonistic way: to sate oneself with food and luxury and sex to death? So four old friends gather together in the luxuriant family villa belonging to the one of the participants and start devouring their way to exotic quietus, I should warn you though, the spectacle isn't for the hungry, and however difficult the task may seem it turns out to be quite feasible. What is the most great in this movie is its thick atmosphere of absurdity and surreality of everything happening on the screen and at the same time a verisimilitude of this occurrence. This movie also brilliantly managed to catch a zeitgeist of its epoch. At the time the film was announced to be a scandal of the year.
Le saviez-vous
- AnecdotesIn the final scene in the garden - where Philipe is sitting on the bench, there is a poem by Dorothy Frances Gurney written on the bench. Many garden lovers have this poem written in their gardens. It says: "Kiss of the sun for pardon. Song of the birds for mirth. You're closer to God's heart in a garden than any place else on earth."
- GaffesBefore Philippe says to Nicole "actor incombit probatio", a person that should not be in the scene is visible through a glass paneled door.
- Versions alternativesThe second German VHS release by Marketing was cut by almost 30 minutes. This was not done to secure a rating but to avoid costs for longer VHS tapes.
- ConnexionsEdited into Marcello, una vita dolce (2006)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Big Feast?Alimenté par Alexa
Détails
- Durée2 heures 10 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant