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4,8/10
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Ajouter une intrigue dans votre langueA lesbian vampire's soul is kept on in the bodies of her descendants.A lesbian vampire's soul is kept on in the bodies of her descendants.A lesbian vampire's soul is kept on in the bodies of her descendants.
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Joe Sarno has never quite achieved the respect or notoriety of other sex/genre directors like Jess Franco or Russ Meyer largely because he was a very workman-like director without a really distinctive style of his own. However, unlike Franco, who only made movies in Europe, or Meyer, who only made movies in America, Sarno was able to go back and forth across the Atlantic making low-budget classics like "Sin in the Suburbs" in the US and "Inga" and "Young Playthings" in Europe. Like Franco and Meyer, he definitely had an eye for pretty girls. In America he helped discover several bra popping ingénues like Uschi Digart, Marsha Jordan, and Audrey Landers while in Sweden he discovered some truly impressive beauties like Marie Lillejahl, Christine Lindberg, and the star of this picture, Maria Forse.
Forse, the only Swede in an otherwise German cast, plays a schoolgirl who is lured with her friend to a remote castle as part of some plot by a coven of witches/vampires to snare a brother and sister in order that they can resurrect the siblings' ancestor, a long dead witch (or something like that). Her friend becomes a vampire while she falls in love with the brother. Much nudity, ritualistic dancing, and softcore groping ensues. The plot really isn't that important though--this is another European film where the producers apparently had access to an old castle and some actresses willing to disrobe so they decided to make a movie. The results kind of resemble a Jean Rollins film like "Requiem for a Vampire" but less arty, or a Renato Polselli like "The Reincarnation of Isabel" but less insane. It's more a sex film than a horror film, but interestingly, judging from some of the footage in the DVD supplements, Retroseduction did not include the strongest possible cut sex-wise. This is probably just as well as this barely qualifies as horror film as it is. If you want to see a pure Sarno sex film I'd recommend either the arty but barely legal (if that) Swedish film "Inga" or the godawful American bored housewife romp "Pleasures of Woman" (which Retroseduction also recently released on DVD-- along with a shot-by-shot "remake" with their in-house silicone cyborg girls just in case you want to watch it twice). Pick your poison.
Next to the very hard-to-find "Young Playthings", this is probably Sarno's best film though--for whatever that's worth
Forse, the only Swede in an otherwise German cast, plays a schoolgirl who is lured with her friend to a remote castle as part of some plot by a coven of witches/vampires to snare a brother and sister in order that they can resurrect the siblings' ancestor, a long dead witch (or something like that). Her friend becomes a vampire while she falls in love with the brother. Much nudity, ritualistic dancing, and softcore groping ensues. The plot really isn't that important though--this is another European film where the producers apparently had access to an old castle and some actresses willing to disrobe so they decided to make a movie. The results kind of resemble a Jean Rollins film like "Requiem for a Vampire" but less arty, or a Renato Polselli like "The Reincarnation of Isabel" but less insane. It's more a sex film than a horror film, but interestingly, judging from some of the footage in the DVD supplements, Retroseduction did not include the strongest possible cut sex-wise. This is probably just as well as this barely qualifies as horror film as it is. If you want to see a pure Sarno sex film I'd recommend either the arty but barely legal (if that) Swedish film "Inga" or the godawful American bored housewife romp "Pleasures of Woman" (which Retroseduction also recently released on DVD-- along with a shot-by-shot "remake" with their in-house silicone cyborg girls just in case you want to watch it twice). Pick your poison.
Next to the very hard-to-find "Young Playthings", this is probably Sarno's best film though--for whatever that's worth
Der Flutch der Schwarzen Schwestern (called by it's UK release title The Devil's Plaything, on my copy)is an experiment in eroto horror that never really takes off.
What plot there is to be had involves the spirit of a vampiric baroness whom has been kept alive by her cult of attendants, so as to possess the body of a young woman and be reborn. Once resurrected, she can continue her bloodlust eternally, provided she drinks the blood of the descendants of her executioners.
The stilted dialogue and even worse acting make the storyline damned hard to follow (worsened by a very poor audio mix and no subtitles).
It's pretty evident the plot is a wash about 15 minutes in, and had there been enough half clothed starlets, all would've been forgiven.
Instead there's random cut scenes of naked girls dancing to bongos(while wearing body paint reminiscent of extras from Laugh In), lots of spell induced heavy breathing in sheer nighties(resembling those shampoo as orgasm Herbal Essences commercials) and a weird incest subplot, with the girls being fairly below par overall (The castle's housekeeper/leader of the cult is probably the worst of the lot, looking like a man in drag in most camera angles) This movie is fence sitting between the two genres, and it's lack of commitment to either is what makes it a lot less interesting than it could've been. There's too little plot to be scary (having actors look about aimlessly is not an effective suspense building tool) and too little quality skin to be sexy.
3 stars. (1 for genuine castle setting, 1 for the god awful shadow puppet special effects in the bat attack scene, 1 for an interesting but wasted premise)
What plot there is to be had involves the spirit of a vampiric baroness whom has been kept alive by her cult of attendants, so as to possess the body of a young woman and be reborn. Once resurrected, she can continue her bloodlust eternally, provided she drinks the blood of the descendants of her executioners.
The stilted dialogue and even worse acting make the storyline damned hard to follow (worsened by a very poor audio mix and no subtitles).
It's pretty evident the plot is a wash about 15 minutes in, and had there been enough half clothed starlets, all would've been forgiven.
Instead there's random cut scenes of naked girls dancing to bongos(while wearing body paint reminiscent of extras from Laugh In), lots of spell induced heavy breathing in sheer nighties(resembling those shampoo as orgasm Herbal Essences commercials) and a weird incest subplot, with the girls being fairly below par overall (The castle's housekeeper/leader of the cult is probably the worst of the lot, looking like a man in drag in most camera angles) This movie is fence sitting between the two genres, and it's lack of commitment to either is what makes it a lot less interesting than it could've been. There's too little plot to be scary (having actors look about aimlessly is not an effective suspense building tool) and too little quality skin to be sexy.
3 stars. (1 for genuine castle setting, 1 for the god awful shadow puppet special effects in the bat attack scene, 1 for an interesting but wasted premise)
This masterpiece of lesbian horror comes from exploitation master Joseph W.Sarno.It features plenty of soft core sex,really hot lesbian sequences plus a lot of naked women.The acting is pretty good and the film is quite atmospheric and well-made.Marie Forsa is one of the hottest chicks I have ever seen in a horror movie-it's a visual pleasure to see her wonderful body.Sarno really knows how to pick up hot looking ladies.A must see for fans of sexploitation!
"Vampire Ecstasy," ( aka "Devil's Plaything") released in 1973, is a gem in the realm of cult erotic horror cinema. This film, directed by Joseph W. Sarno, stands out for its unique blend of sensuality and the supernatural, offering an unconventional take on the vampire genre.
One of the most striking aspects of "Vampire Ecstasy" is its artistry. Sarno's direction brings an almost dreamlike quality to the film, with lush visuals and a hauntingly atmospheric soundtrack that creates an entrancing and immersive experience. The cinematography is seductive, and the use of lighting and shadows adds a mysterious allure to the story.
The film also stands out for its alluring and charismatic cast. Marianne Prevost, as Countess Nadine, delivers a captivating performance with a mesmerizing blend of sensuality and a hint of menace. She's supported by a cast that's equally engaging, bringing to life a world of decadence and desire.
What truly sets "Vampire Ecstasy" apart is its approach to the vampire mythos. It's not your typical fang-and-blood horror story. Instead, it explores the erotic and psychological elements of the vampire legend, making it a distinctive and daring entry in the genre. The film delves into themes of lust, power, and seduction, making it an exploration of human desires in a way that few vampire films do.
The pacing of the film is deliberate, allowing the audience to savor the tension and build-up of desire. It's a slow burn that immerses you in its world, making each revelation and twist all the more intriguing. The film's narrative is intricate and unpredictable, keeping you engaged from start to finish.
In conclusion, "Vampire Ecstasy" is a captivating and alluring entry into the world of erotic horror cinema. It dares to explore the darker aspects of human desire and the supernatural, wrapped in a beautifully crafted package. If you're a fan of artful and unconventional horror that pushes boundaries and challenges traditional genre conventions, this film is a must-see. It's an erotic and atmospheric journey into the realm of the undead that will leave you both fascinated and bewitched.
One of the most striking aspects of "Vampire Ecstasy" is its artistry. Sarno's direction brings an almost dreamlike quality to the film, with lush visuals and a hauntingly atmospheric soundtrack that creates an entrancing and immersive experience. The cinematography is seductive, and the use of lighting and shadows adds a mysterious allure to the story.
The film also stands out for its alluring and charismatic cast. Marianne Prevost, as Countess Nadine, delivers a captivating performance with a mesmerizing blend of sensuality and a hint of menace. She's supported by a cast that's equally engaging, bringing to life a world of decadence and desire.
What truly sets "Vampire Ecstasy" apart is its approach to the vampire mythos. It's not your typical fang-and-blood horror story. Instead, it explores the erotic and psychological elements of the vampire legend, making it a distinctive and daring entry in the genre. The film delves into themes of lust, power, and seduction, making it an exploration of human desires in a way that few vampire films do.
The pacing of the film is deliberate, allowing the audience to savor the tension and build-up of desire. It's a slow burn that immerses you in its world, making each revelation and twist all the more intriguing. The film's narrative is intricate and unpredictable, keeping you engaged from start to finish.
In conclusion, "Vampire Ecstasy" is a captivating and alluring entry into the world of erotic horror cinema. It dares to explore the darker aspects of human desire and the supernatural, wrapped in a beautifully crafted package. If you're a fan of artful and unconventional horror that pushes boundaries and challenges traditional genre conventions, this film is a must-see. It's an erotic and atmospheric journey into the realm of the undead that will leave you both fascinated and bewitched.
I bought "The Devil's Plaything" under the alternative title "Vampire Ecstasy" uncut on British DVD release, set in a German castle it is a tale of vampires, rituals and lots of sex. I won't beat about the bush (pun intended, ha, ha!) but this is a soft core skin flick dressed up as a horror movie. Erotic horror if you like, director Joseph Sarno was apparently one of the pioneers of this sub genre. The Gothic castle is set amongst beautiful German mountain scenery, impressive but the female vampires seem immune to sunlight (though not garlic or crosses), and there's not a set of fangs in sight. Barely any blood either. The cast consists of European actors who appear to have been speaking in English. If this were the case then credit to them for doing this, however their performances do come across as very wooden and would probably have been better filmed in German with English subtitles or dubbed into English. Apart from a disfigured, creepy male servant all of the cast get naked and this probably makes up about half of the move's running time. The sexy female vampires perform rituals in the castle's dungeon, gyrating to a repetitive drumbeat and doing suggestive things with phallic shaped candles! There are also several sex scenes though nothing of the hardcore variety. My problem is that after a while this just became very repetitive and lost its eroticism, not helped by a running time of 103 minutes. As a horror movie this is lame, as a European sexploitation flick then it's worth a look.
Le saviez-vous
- AnecdotesDebut credited role for Swedish skin flick star Marie Forså. She was a mere 16 when filming her extensive and explicit nude scenes.
- GaffesWhen Wanda tells Julia that her ancestor was unfaithful to the Baroness, she says: she "betraded her" instead of "betrayed".
- ConnexionsFeatured in Joe Sarno: A Touch of Horror (2005)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Le Château des messes noires
- Lieux de tournage
- Berchtesgadener Land, Bavaria, Allemagne(main filming location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 43 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Les vierges des messes noires (1973) officially released in India in English?
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