L'Esprit de la ruche

"Spirit of the Beehive (El Espíritu de la colmena)" is a lovely insight into the mind of a child, where fantasy mixes with reality and stories with dreams. This is a beautiful metaphor for the magic of the movies and co-writer/director Víctor Erice illustrates the connection further by having the impact of the film "Frankenstein" with Boris Karloff on a young girl as the pivotal plot point.

Ana Torrent is a wide-eyed innocent who carries the film, as we completely enter into how she integrates her daily life, both the quotidian happenings and the unusual, with scary stories her older sister teases her with and with the film. Her beautiful eyes are expressive and haunting. As someone who had an older sister with all kinds of outlandish tales that were gullibly believed, the sibling teasing is the most natural I've seen on film.

Erice has a completely original take on the Frankenstein story, no matter how many times it has been referenced in other movies. "Ana" powerfully relates to the little girl in the film, even though she does not understand any of the darker emotions or outcomes. The film inspires her to seek out misfits and outcasts, with unintended consequences and impacts on the adult world.

The adult world is the weakest part of the film, or it's so heavy with symbolism about the 1940's period when the film takes place or of the end of Francoism in Spain when the film was made that it's lost for a viewer first seeing the film today. While sometimes the parents', teachers' and servants' behavior seems mysterious if we were just seeing it from her perspective, their obliviousness and self-involvement in their own intellectual and romantic pursuits aren't really explained, even as her father's pompous hobby somehow gives the film its title. It might be some sort of commentary on how adults have their own way of blending fantasy and reality or some other political commentary.

Seen in a new 35 MM print at NYC's Film Forum, the cinematography by Luis Cuadrado was stunning. The rural scenes of fields, forest and horizon --where dangers and threats always lurk beneath the pastoral--are beautiful, with simply gorgeous looking vignettes of childhood experiences.

I wonder if this insightful look inside a child's mind influenced such films as "I'm Not Scared (Io non ho paura)" and "Paperhouse." but the film seems so fresh and creative I was surprised that it was made in 1973.

As you can see on IMDb there is a lot of praise for this film. It is my understanding that it was voted within the third greatest Spanish films ever made. It's good but I wouldn't go that far..

Many people here have mentioned the historical metaphors within the film but I won't delve into that, I thought the story was completely about the main character Ana.

First off, the actress who played Ana was very authentic, with a striking face full of emotion. She genuinely believed a lot of what was happening in the film including the Frankenstein monster being real! Such authenticity means it's worth seeing it for that alone and that is where the films true beauty lies...

For all this though, for what is essentially a beautifully shot film with great cinematography and performances, the film was a bit dull! It was only after the first 45 minutes or so that I started to wake up. There was a whole sub-plot between the parents marriage which I felt added little weight to the rest of the story.. There just wasn't a whole lot I felt I hadn't seen before.

So for me, I can see the film for what it was worth and why it received such accolades. But it was a little too dull for me to consider it "Great"

I recall one of my absolute favourite films ever The Fall, which also included a little girl who believed so much of the movie around her, that film was gripping from start to finish and never dull for a moment. Strange it hasn't gotten the praise it so deserved..

Has a child performer given as pure and brilliant a performance as Ana Torrent did in Victor Erice's allegorical masterpiece? This film has everything going for it; great performances, a honey hued atmosphere courtesy of Luis Cuadrado's genius as a cinematographer, and subtle, dreamy direction by Mr. Erice. I had often heard many works described as "dreams" in particular Bergman's works ("The Silence," "Hour of the Wolf"). As far as I'm concerned, this film ranks right beside the works of the master. It is an intense and involving work of art, which beckons us to look at a violent world, through the eyes of the children populating the screen. Many images stand out; among them the girls jumping over a fire and Ana sitting next to the "monster." This film should be seen by anyone who appreciates brilliant cinema. It will not dissapoint you, I guarantee.

Erice's film about a young girl who sits through a screening of the l931 classic Frankenstein with her older sister moves slowly along but has some startling moments that unexpectedly bubble up. The girl (Ana Torrent) has a face that would melt anyone's heart and gives a terrific performance for a child (or anyone). The older sister (Isabel Telleria) also terrific, likes to lead her little sister along, and convinces her that Frankenstein exists in the here and now and can be easily found in an abandoned farm or by simply closing your eyes. The farm is a much more compelling setting and seeing the little girl alone there gives you the chills because you know one day someone might actually show up and while it probably won't be Frankenstein, it could be someone dangerous. Her inevitable disillusionment is dramatically presented when she runs away from her home. Her adventure takes the viewer along on a emotional ride especially when we see our little friend sitting down beside the toxic mushrooms that her father told her and her sister never to eat. Set in the seemingly endless Spanish countryside in 1940 and nicely filmed in color, it is a quiet little film with a big dramatic impact.

There is beauty in the simplicity of this film. It's quiet, but it is also extremely passionate about trying to find understanding in the life we've been given. It's a love letter to those that make up stories to better understand reality and innocence lost and childhood in general. I would absolutely recommend this film, but be prepared for minimalist dialogue, long takes, and subtle hints that move the characters forward. This is a film that deserves to be seen, but only if you've got the patience to wade through it.