Savage Weekend

There is just something compelling about this little known slasher/mystery, produced in the late 70's. The acting is solid, the characters seem realistic, and even though not much happens in the first 40 or so minutes, the trashy sex scenes and slow character development keep you hooked, until the murders start. The murders are seriously not the most memorable, (except for maybe the needle in the head) but Savage Weekend keeps the viewer watching, with a lurid story filled with sex and climaxing with violent murders. The revealing of the killer is not exactly shocking, if you pay attention either. Consider it a slasher with some melodrama.

Writer / director David Paulsen ("Schizoid") got something of a head start on the slasher craze with this offering. It predates Carpenters' "Halloween" by two years; it was filmed in 1976, but not released until 1980. It's just weird enough - and kinky enough - to be watchable, although it may not appeal to some hardcore devotees of the genre as it takes a long time to begin its murder spree, and even at that point there's really no gore to speak of. Instead, what we get is a lot of odd touches and interesting character details, not to mention a fair bit of humour.

Marie (Marilyn Hamlin) goes on a weekend excursion to the country with her new husband Robert (Jim Doerr), her younger sister Shirley (Caitlin O'Heaney, "He Knows You're Alone"), and their openly gay friend Nicky (Christopher Allport, "Dead & Buried"). Soon, their good time is ruined by a psychopath wearing a goofy Halloween mask.

While there are no real A-list stars here, there are certainly some very recognizable faces. O'Heaney has some seriously sexy moments (viewers will definitely appreciate the doses of nudity in this film). Allport is amusing, even if his character is somewhat stereotypical. It's great fun to see David Gale of future "Re-Animator" fame as a lumber man providing wood for a boat that Robert is building with some associates. Top notch character actor William Sanderson is a vivid, unkempt redneck / red herring. A very young Yancy Butler makes her film debut. It's not surprising that Hamlin never got much acting work, because she's simply atrocious here.

There might not be enough here to completely satisfy some slasher fans, but it remains rather offbeat for its 88 minute time and it is worth a look.

Six out of 10.

Five people take a trip to a backwoods community where one of them is restoring a large boat, the ownership of which is a matter of considerable anger on behalf of local yokel Otis (Sanderson) whose father, and the original owner of the boat, has recently died. Otis is "none too pleased" that city folk are taking away his blood, sweat and tears and he plans to get even. Meanwhile, promiscuous Shirley (O'Heaney) sunbathes naked, has random sexual encounters with Jay (Goldenberg) while the new boat owner (Doerr) and his girlfriend Marie (Hamilin, essentially the central character) are also indulging their carnal desires at every given opportunity. Flamboyant queen Chris Allport minces about, making salads and peeping lustfully as the two couples cavort, all the while Otis is plotting his revenge by his late-father's grave-stone.

It reminds me of a poor man's "Deliverance" in some respects and while at first glance, the cast may be unfamiliar, many of the faces are recognisable. Sanderson, Allport and Pomerantz have become better known actors, while Gale (pre "Re-Animator") appears in an early role as the sinister-looking Mac, all-purpose local man who could be a hero or a villain. Despite these names, it's Caitlin O'Heaney's presence that really emboldens this low-budget slasher flick. Light years before "Tales of the Gold Monkey", the brassy brunette is like a divine nymph and between Allport's colourful peacock like performance, the two make an odd yet engaging pair.

If you can overlook the moments of despair (Hamlin's cow-milking scene or the irritating banjo music spring to mind), there's enough material in this low-budget shocker to make it worthwhile. And while the climax descends into little more than a killing spree, it's energetic, gruesome and the plot twists satisfying. I watched this film many years ago and found it underwhelming, but on second more recent viewing, there's more depth in the cast and sub-text than perhaps initially meets the eye.

Low budget "slasher" film of a very odd, sometimes interesting nature about a group of people going to upstate New York for the weekend only to find death. It seems that the man who owns the property there is building/restoring a boat - which otherwise does not figure prominently into the story. While some of the scenes are very tense and horrific, the film also has oodles of gratuitous nudity, a homosexual man flaunting it and sticking sharp objects into himself for no apparent reasons, and some really strange locals that make upstate New York look like Hillbilly land. The cast is made up of unknowns, but most of them are adequate in their limited roles. There is a bizarre sexual current throughout the film. The first "real" death doesn't come for almost an hour, so this isn't that fast-paced in any way. Yet, despite its inadequacies, Savage Weekend is not your average, run-of-the-mill slasher film. There are, as previously mentioned, some very shockingly filmed scenes. The basement scene with the saw being one EXCEPT for the resolution of that scene. The film has a hanging, a duel with a machete and a chainsaw, an impaling, and one individual is needled in the most extreme manner. What was that whole scene with the hook about?

Savage Weekend is quite an interesting movie. It's intriguing because, while it looks like many of the countless slice and dice flicks that made up the slasher cycle, it was in fact made some time before these films became popularised and clichéd. It displays some facets that would go on to constitute the classic style slasher film, yet it was made in 1976 and only released three years later in the wake of the huge success of Halloween (1978). It seems to clearly have been a movie somewhat ahead of its time in this respect. Its story is one that would go on to become fairly standard in this sub-genre. A group of rich urban friends travel to a remote location for some R&R, before long a masked psychopath begins picking them off.

Notably, the characters here are adults, in this respect it deviates from the later slasher template which focused almost exclusively on teenagers. One thing these adults do have in common with their teenage descendants, however, is that they seem to spend an inordinate amount of time having sex. In fact Savage Weekend is pretty ram packed with abundant nudity. On the other hand, it also spends an unusually long time on the plot set-up, with a reasonable amount of character development before the killer finally kicks into action. Maybe it spends a little too long on the build-up in fairness, as it does feel at times that the movie could do with a little more thrills and suspense but in the final half hour, the bloody action is certainly ramped up.

The cast was also quite notable for featuring a couple of actors who would go on to star in two 80's cult classics - William (Blade Runner) Sanderson and David (Re-Animator) Gale play a couple of the local hicks. The other most prominent presence in the film was unquestionably the boom mic, which popped up so often and in such hilariously prominent ways that I felt that it should really have been given a special mention in the end credits.