Les vampires de Salem

I was fourteen years old when this film was released, and it was really a shocker for its time. Although I can see the points raised by detractors of this film, nevertheless, it is, in my opinion, one of the most truly terrifying movies I have ever seen. The scenes in which first Ralphie and then Danny Glick appear in windows at night, scratching to be let in, were utterly horrifying, as were the scenes with Mike Ryerson in Jason Burke's guest bedroom ("Looooook at me ... I will see you sleep like the dead, teacher") and Marjorie Glick in the mortuary. Along with the original "Halloween," this is a film that really, really scared me, and I feel that a key element was the lack of gore (which is probably a disappointment to younger viewers used to explicit splatter). The nonverbal dialogue of expressions and actions, the music, and the significantly occurring silences resulted in the suspense which makes a film truly frightening in my opinion.

Having said this, I do feel that the book was much, much better than the movie, and I would recommend it as one of the best vampire stories ever written (sorry, Anne Rice, but it's true). But let's be fair and realistic. It's a rare film that excels the book on which it was based. Not one of Stephen King's wonderfully (and horribly) imaginative works has EVER been committed to film in a way that has equaled the written work. Never, ever, EVER. That is something that will just never happen. If it were possible, then nobody would bother to read his books, he would become a screenwriter, and that would be a real loss for the horror genre.

The story is pretty interesting and is build up well. The miniseries does an amazing job on building up the atmosphere when the vampires arrived. I really like how the vampirism spreads throughout the townsfolks. The creepiness factor really works well when the vampire shows up because it gives off a eerie vibe to it. And the climax is pretty suspenseful. There's a few flaws with this miniseries. One is that some scenes feels unnecessary and I didn't get the point of it. Also the main vampire doesn't appear a lot and only shows up 2 hours into the miniseries. While he doesn't appear a lot, he's definitely the scariest vampire I ever seen. He looks so freaky and is really threatening villain. The vampire makeup effects are really well made. I really like how the makeup looks so creepy with it's yellow eyes and Barlow blue face. The atmosphere is the best part of the movie. The miniseries does an amazing job building up the suspense to it and the vampire scenes are really effective to be creepy.

This movie is an odd cross between "Peyton Place" and "Nosferatu"...and it works! Set in the small, isolated and somewhat inbred community of Jerusalems Lot (called Salems Lot by the locals) this film is more about small town dirty secrets which are really not secret at all. Everyone knows everyone else's business, gossip is a way of life and the town's mistrust of outsiders is both expected and justified when two men show up in town and a little boy goes missing. This is a story about a small town that just happens to have a vampire in it.

James Mason is elegance personified as the "Renfield" character who sticks out like a sore thumb in this tight-knit community and makes himself the object of suspicion when he moves into the local haunted house and opens up an antique shop. His European accent, expensive suits and somewhat prissy manners make him a hot item of gossip. So too does the arrival of Ben Mears also cause local tongues to start wagging. Mears was born and raised in Salems Lot, having moved away as a small child. He returns as a semi-successful author and a recent widower, haunted by childhood memories of the Marsten House - the local haunted house in which James Mason now resides. Yet another outsider is Mark, a new teen in town with a morbid collection of horror movie paraphernalia. These three characters are drawn together by force as more people go missing and the small town residents, with their narrow vision, cannot accept what is really happening. It is up to the outsiders - the author who knows, the teenager who believes and the human who is a monster - to solve the mystery.

When the vampire finally appears, it is a frightening, exhilarating experience. Reggie Nalder as Barlow, the ancient Master whom James Mason serves, is a disgusting parasite, a physical homage to Nosferatu with his rat-like teeth, his long bony fingers and his hypnotic eyes. He is the frosting on the cake for this excellent film. By the time he makes his appearance, it is almost unnecessary. The paranoia has already decimated the town, and the fear of the unknown is the greatest monster of all. But though he may be unnecessary, he is not unwelcome. He is a wonderful vampire, a truly hideous beast, a fine salute to what a vampire should be - ugly, vile and obscene.

This is one of my all time favorite vampire films, right up there with Nosferatu and Subspecies. To hell with whining, pretentious vampire Pretty Boys - this is the real stuff, and it doesn't get much better than this.

I recently read Stephen Kings novel (one of his first major successes), so I thought of checking out this mini-series. It's by now more than 40 years old, and that of course shows. The pace is slower than we are now used to (the overlong almost three and a half hours didn't help with that) and the special effects are modest.

But director Tobe Hooper created a pleasantly creepy atmosphere, building up the tension gradually but very effectively; the photography is at times great (the scene of the undertaker on the graveyard for instance); the eerie musical score is exactly right; and there is some solid acting, especially by David Soul and by old school actor James Mason, who excels in his aloof and over-civilized attitude. Some scenes, like the floating vampires by the windows, now make a rather simple impression, but the make-up of the master vampire, like a Nosferatu in colour, is absolutely top-notch scary!

The series follows the novel pretty closely, they only brought back the amount of characters a bit, probably to keep everything more surveyable. The epilogue is essentially different from the book and comes a bit out of the blue, but as an (open) closure to the movie it worked fine enough.

Without a doubt this television movie based on Stephen King's grand horror opus pales in comparison to its literary counterpart. But isn't that usually the case? Although missing some subplots, many characters, and having some major script changes here and there, Tobe Hooper's Salem's Lot is indeed enjoyable. I watched it right after having read the book, and although I spent a lot of time seeing what it did not have...I have to confess that there were many good points. For starters, let me list some of my major complaints. The whole framed narrative story in the movie is ridiculous and very clumsily made. I also have a big problem with the gaping holes in the script with regard to characters popping up here and there with little or no expository introduction. Some characters were used to help move the plot and then discarded. Names were needlessly changed from the novel. That being said there was a great sense of style to the picture which must be credited to Hooper. Overall the acting is quite good. David Soul is very credible in his leading role, as are Lance Kerwin, Bonnie Bedelia, Lew Ayres and Ed Flanders. James Mason makes a stunning villain. Mason uses charm as a weapon and eats up the scenery with subtlety and wit. The vampire is played by horror veteran Reggie Nalder, and although he says not one word...he is very effective. The make-up on him is very reminiscent of Nosferatu. The lead-ins to commercials show the film to be dated by today's standards, but it has enough in it to be an entertaining diversion. However, PLEASE read the book first as it is one of the best of its kind and will make the film all the more enjoyable if for no other reason than seeing its defects.