NOTE IMDb
5,2/10
6,4 k
MA NOTE
Une expédition dans les Indes orientales, rencontre non seulement les cannibales qu'ils recherchaient, mais aussi un scientifique diabolique et son armée de zombies.Une expédition dans les Indes orientales, rencontre non seulement les cannibales qu'ils recherchaient, mais aussi un scientifique diabolique et son armée de zombies.Une expédition dans les Indes orientales, rencontre non seulement les cannibales qu'ils recherchaient, mais aussi un scientifique diabolique et son armée de zombies.
- Réalisation
- Scénario
- Casting principal
Sergio Ukmar
- Driver
- (as Giovanni Ukmar)
Alba Maiolini
- Zombie Woman
- (non crédité)
Turam Quibo
- Toran - Cannibal Orderly
- (non crédité)
Romano Scandariato
- Prof. Stafford
- (non crédité)
Avis à la une
Being an obsessive-compulsive fan of old-fashioned Euro-gore for several years now, I've come to expect the absurd (and usually nonsensical) plots, the constant 'borrowing' from other films, and the over-the-top gore, all mixed together to form what is usually an enjoyably trashy cocktail. I picked up "Zombie Holocaust" with some optimism and a little knowledge of its reputation, and after watching it, could only help but wonder what had just happened. No, it wasn't the incoherently surreal thrill of watching "City of the Living Dead," but a general, head-scratching confusion that raised questions such as: "How was this awful waste of time ever released?" As Tom Servo would say: "Meanwhile, in YET ANOTHER MOVIE..." "Zombie Holocaust" doesn't have a brain in its head (even though the title Doctor is a deranged neurosurgeon)--it's a low-budget splatter flick without even the slightest hint of innovation. It borrows settings and characters from Fulci's "Zombie" (not to mention a few actual snippets from that film), jungle savages from "Make Them Die Slowly," and a couple bronze-faced zombies that look an awful lot like the wooden-toothed wonders in "Burial Ground." Sounds like a swinging good time, but the movie is downright distracting in its own indecisiveness, flipping back and forth between these awkwardly, incompetently blended genres without a hint of wit or style. Perhaps this is attributable to Fabrizio de Angelis, who is known less for his screen writing capabilities than as a producer on Lucio Fulci's most notable works. It is conceivable that the producers wanted to churn out a genre-bending smörgåsbord knowing they would get some return on it, but the utter ridiculousness of the finished product is an endurance test for the viewer's patience.
Ian McCulloch (his usual stuffy self) and Alexandra Delli Colli ("New York Ripper") venture off to some faraway island to investigate a doctor's odd practices. Along the way, they encounter hostile natives, zombies, and an climax that looks suspiciously like another, better zombie flick. Eyeballs are gouged out, entrails are eaten, and Delli Colli is painted in the nude for a "Laugh-In" audition.
There's ultimately nothing in "Zombie Holocaust" that hasn't been done before, and better. Pass.
Ian McCulloch (his usual stuffy self) and Alexandra Delli Colli ("New York Ripper") venture off to some faraway island to investigate a doctor's odd practices. Along the way, they encounter hostile natives, zombies, and an climax that looks suspiciously like another, better zombie flick. Eyeballs are gouged out, entrails are eaten, and Delli Colli is painted in the nude for a "Laugh-In" audition.
There's ultimately nothing in "Zombie Holocaust" that hasn't been done before, and better. Pass.
Another film known by many names (eight, to be precise, that IMDB has been able to track down), Zombi Holocaust is probably best known by American cult-film devotees as Dr. Butcher, MD. I ended up picking this one up because there are a rather large number of crossovers with Lucio Fulci's brilliant splatterfest Zombie-- writer Fabrizio DeAngelis was one of the producers of Fulci's film, male lead Ian McCulloch was the lead in Zombie, character actor Dakkar plays a native guide in both, etc. (Most interesting, one of the film's actors, Walter Patriarca, was Zombie's costume designer. Go figger.)
Simple plot, which should sound familiar to anyone who's seen Fulci's film; a number of deaths occur in New York City, and Ian McCollouch, a beautiful sidekick, and two of their pals end up going to a remote Caribbean island where there's an English-speaking doctor who treats the natives. Sound familiar?
For about the first forty-five minutes of this film, I was too busy thinking that it was exactly like Zombie to be impressed. (No one, these days, is sure which film came out first, and most people also draw parallels to another classic of the genre that came out the same year, Ruggero Deodato's Cannibal Holocaust.) Then Ian McCollouch disposes of a zombie with a motorboat motor, and suddenly things started getting a whole lot more fun. Rather like The Evil Dead, this is a film where there's a whole lot of setup (though Raimi pulled it off miles better), but when the gore starts, the director lays it on thick, fast, and ugly. And while death-by-propeller is probably the funniest and nastiest scene in the film, there's certainly more than enough blood flowing/spraying/dripping/being drunk/etc. to please most fans of hardcore horror. Pound for pound, though, in comparison to Zombie, the latter stands up as the better film. As one reviewer put it, "Fulci... might have had the sauce, but [he] passed on the cheese." Fulci's obsessive attention to detail, better scriptwriting, and stunning score give Fulci the edge over Girolami. But man, it's fun to be the judge. ***
Simple plot, which should sound familiar to anyone who's seen Fulci's film; a number of deaths occur in New York City, and Ian McCollouch, a beautiful sidekick, and two of their pals end up going to a remote Caribbean island where there's an English-speaking doctor who treats the natives. Sound familiar?
For about the first forty-five minutes of this film, I was too busy thinking that it was exactly like Zombie to be impressed. (No one, these days, is sure which film came out first, and most people also draw parallels to another classic of the genre that came out the same year, Ruggero Deodato's Cannibal Holocaust.) Then Ian McCollouch disposes of a zombie with a motorboat motor, and suddenly things started getting a whole lot more fun. Rather like The Evil Dead, this is a film where there's a whole lot of setup (though Raimi pulled it off miles better), but when the gore starts, the director lays it on thick, fast, and ugly. And while death-by-propeller is probably the funniest and nastiest scene in the film, there's certainly more than enough blood flowing/spraying/dripping/being drunk/etc. to please most fans of hardcore horror. Pound for pound, though, in comparison to Zombie, the latter stands up as the better film. As one reviewer put it, "Fulci... might have had the sauce, but [he] passed on the cheese." Fulci's obsessive attention to detail, better scriptwriting, and stunning score give Fulci the edge over Girolami. But man, it's fun to be the judge. ***
Dr. Obrero (Dan O' Brien) is experimenting on corpses on a remote Island. Well, an expedition team (which includes Zombi 2's Ian McCulloch) ends up on the island-and runs into the Docotor, who has some plans-as well as cannibals and zombies-in store for them.
Titled "Dr Butcher M.D." when it came to video in the 80's, "Zombie Holocaust" is an interesting-and fun-blend of two different kinds of Italian Gore flicks: The Italian Zombie movie, and the Italian Cannibal movie-only without any of the animal torture and mutilation of the later.
The movie has some nice gore (surgical and otherwise-including an awesome motorboat engine to the head death) and nudity to liven things up, as well as a fun score and tons of camp. Also, unlike other Italian gore flicks of the time, the movie features a little intentional humor to go with it ("The patients screaming disturbed me, performed removal of vocal chords"-that line always gets me), which after the downbeat feeling of Fulci's zombie movies, is something of a breath of undead air. It's nice to see an Italian gore flick that doesn't take itself too seriously for a change.
If there is any problem, it's that the zombie aspect feels rather underplayed, as they aren't used for much. Sure, there's that aforementioned death by boat motor, but they don't do a whole lot to threaten the team, as the cannibals are more of a threat. Still, "Zombie Holocaust" is a blast of exploitation that fans of over the top Italian Horror might enjoy. I know I did.
Titled "Dr Butcher M.D." when it came to video in the 80's, "Zombie Holocaust" is an interesting-and fun-blend of two different kinds of Italian Gore flicks: The Italian Zombie movie, and the Italian Cannibal movie-only without any of the animal torture and mutilation of the later.
The movie has some nice gore (surgical and otherwise-including an awesome motorboat engine to the head death) and nudity to liven things up, as well as a fun score and tons of camp. Also, unlike other Italian gore flicks of the time, the movie features a little intentional humor to go with it ("The patients screaming disturbed me, performed removal of vocal chords"-that line always gets me), which after the downbeat feeling of Fulci's zombie movies, is something of a breath of undead air. It's nice to see an Italian gore flick that doesn't take itself too seriously for a change.
If there is any problem, it's that the zombie aspect feels rather underplayed, as they aren't used for much. Sure, there's that aforementioned death by boat motor, but they don't do a whole lot to threaten the team, as the cannibals are more of a threat. Still, "Zombie Holocaust" is a blast of exploitation that fans of over the top Italian Horror might enjoy. I know I did.
A splatter classic, Marino Girolami's "Zombi Holocaust" of 1980 doesn't scant with blood and gore. A true B-movie and pure exploitation, this movie is probably not high art, however, I don't suppose that anybody who is about to watch a movie entitled "Zombie Holocaust" is gonna expect Citizen Kane.
After several mutilations of corpses in the morgue of a New York hospital, and the appearance of a mysterious cannibal sign, a group of people, amongst them a beautiful female doctor and a bitchy journalist, decide to go on an expedition to a tropical island, where they expect to find out about the sign's origin. This is, of course, not a very good idea. Not only is the island inhabited by cannibals, but it is also haunted by the living dead.
One of the classic Italian splatter flicks, "Zombi Holocaust", is a fun and entertaining, although not very thrilling movie, that mainly concentrates on the enormous amounts of blood and gore and on constant very graphical violence. The acting in this movie differs. As a huge fan of Spaghetti Westerns, I found it cool to see Donal O'Brien, who delivers a great performance as a mad scientist in this, in a non-western role. The Italian and English title is maybe not the best to describe the movie, since its the Cannibals, and not the Zombies who kill the most people. The German title "Zombies Unter Kannibalen" ("Zombies Amongst Cannibals") is probably better to describe the film's content.
All things considered, "Zombie Holocaust" is a highly entertaining and very bloody Gorefest that fans of the Cannibal subgenre should not miss. Entertainment guaranteed!
After several mutilations of corpses in the morgue of a New York hospital, and the appearance of a mysterious cannibal sign, a group of people, amongst them a beautiful female doctor and a bitchy journalist, decide to go on an expedition to a tropical island, where they expect to find out about the sign's origin. This is, of course, not a very good idea. Not only is the island inhabited by cannibals, but it is also haunted by the living dead.
One of the classic Italian splatter flicks, "Zombi Holocaust", is a fun and entertaining, although not very thrilling movie, that mainly concentrates on the enormous amounts of blood and gore and on constant very graphical violence. The acting in this movie differs. As a huge fan of Spaghetti Westerns, I found it cool to see Donal O'Brien, who delivers a great performance as a mad scientist in this, in a non-western role. The Italian and English title is maybe not the best to describe the movie, since its the Cannibals, and not the Zombies who kill the most people. The German title "Zombies Unter Kannibalen" ("Zombies Amongst Cannibals") is probably better to describe the film's content.
All things considered, "Zombie Holocaust" is a highly entertaining and very bloody Gorefest that fans of the Cannibal subgenre should not miss. Entertainment guaranteed!
"Zombie Holocaust" has a little bit of charm and an idea of what it's going for, but a lot of (or almost all of it) the atmosphere is sacrificed because of the gore. But even with the gore, "Zombie Holocaust" is a very boring movie with few interesting scenes sprinkled throughout the whole thing and the glorious beauty of Alexandra Delli Colli whose nude scenes are one of the rare moments of joy in this movie. Because of that, I can't give this movie a higher score than 5.5/10! Only the most hardcore fans of B movies and horror movies will find something to like here, others should avoid it...
Le saviez-vous
- AnecdotesFilmed simultaneously with Lucio Fulci's L'Enfer des zombies (1979) in the summer of 1979, and even reuses some of the same sets, but that film was released five months earlier.
- GaffesWhen the orderly dives through the hospital window, his stunt-dummy's arm snaps off as it hits the ground.
- Citations
Dr. Obrero: The patient's screaming disturbing me, performed removal of vocal chords.
- Versions alternativesGerman retail DVD from KSM/Laser Paradise is edited down to approx. 72 minutes to secure a "Not under 16" rating.
- ConnexionsEdited from L'Enfer des zombies (1979)
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- How long is Zombie Holocaust?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Anthropophage Holocaust : La Terreur des zombies
- Lieux de tournage
- Latina, Lazio, Italie(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 24min(84 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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