Porridge

What is odd about this film is that i didnt know it existed.There are many spin off films made from British Comedy series's such as Steptoe and Son , On The Buses and Are You Being Served all of which are shown at christmas at far too shorter intervals and all are far inferior to the actual TV shows. Porridge is different. This has hardly ever been seen on TV and is very funny , even funnier than the TV series. Ronnie Barker has a fantastic knack of comedy timing. When he delivers the punch lines you cant help but smile or in the case of this film laugh out loud. The film is very true to the programme and has all the characters we have grown to love over the years.The story is nothing spectacular but it does not need to be because the interaction between wardens and lags is what makes the film. This is one of the best comedy series to film i have ever seen. 8 out of 10.

Dick Clement and Ian La Frenais seized the opportunity the 1970s genre of British sitcom movies offered. they took it, few other scriptwriters did. This was, namely, the chance to do on the silver screen what they could not do on prime-time BBC.

Lovable caricatures are subtly toned down here - Fletcher begins with the persona from the sitcom then changes. The quipping, upbeat Fletcher is revealed as a mask for the born loser/survivor he truly is.

The opening scenes where new character 'Grudge', a new, young inmate, is booked in and led around by the wardens could easily have been taken from John McKenzie's 'A Sense of Freedom'. Mckay, too, is deftly rendered a touch more three-dimensional. His mantra bemoaning the inmates' status as lower than normal people betrays his true feelings.

Peter Vaughan's Kray-like 'Grout' again all but turns to the camera and says "That's a cartoon version of me on the telly - I'm really a nasty piece of work'. The film very subtly does that which recent Brit comedy-turned-movie 'The League of Gentlemen's Apocalypse' deliberately attempted - the creation of real-world versions, far less comfortable versions, of the stalwart caricatures of the TV show's pantheon.

If you're going to make a film of Porridge, this is it. The nature of film demands a "big" storyline, and what could be bigger than the plot of this?

Some people have said that the film doesn't quite have the same zest as the series. That is true - but then it goes to show how amazing the series was, because this is one heck of a good film.

It has also been said that the plot (which I won't give away for people who haven't seen it) is weak. Here I disagree. The only minus point I have about the plot is the fact that the subplot about new arrival Rudge disappears about 2/3 of the way in. As for the main plot, see above. It's the only story you could do when making a film of Porridge!

OK, so the pace of the film is a little slow - BUT you must remember that some people watching the film aren't familiar with the TV series, so they had to set the scene first.

They could easily have re-used hundreds of scenes and lines from the series, but to their credit, they didn't - both Fletch and Godber are nearing the end of their stretches, and they brought in a new "first-offender", the aforementioned Rudge - that way, Fletch is able to dish out a little bit of advice to him the way he did to Godber in the series - again, to ease in "first time" Porridge-viewers.

When you consider the number of TV sitcoms that were adapted for the big screen, and how much the quality varied, the good ones stand out all the more. And this is one of the best.

Porridge concerns the lives of a group of prison inmates. The brilliant Ronnie Barker plays Fletch, cheeky, good-natured, optimistic, quick-witted and able to handle all the little foibles of the other prisoners and guards to his advantage. Think of an Ivan Denisovich without the Siberian background. The trouble begins when Mr Grout, an aristocratic crime boss at the top of the prison hierarchy, 'requests' Fletch to suggest to the guards a celebrity football match, where a team of famous faces will play a team of prisoners.

Never having seen the Porridge TV-series, I can't comment on any differences or similarities. However, it is hard to top the quality of this little comedy. The script is an excellent mix of character, witty word-play, amusing plot and some physical comedy, done in a way that only the British seem to do so competently. The situations in the prison are believable, and even the minor parts are well-rounded characters. Almost every other line contains some memorable gag. Some examples "Beware of him. He's known as the butcher of Slade Prison." "What did he do?" "Fiddled the VAT on some sausages." And then there's: "What's a peccadillo?" "South African bird that flies backwards to keep the sand out of its eyes." "No, that's not it. But I know what you're thinking of. That's called an armour-dildo." Oh, and how about that scene of the governor losing his self-respect and teeth in a huge pot of curry?

A brilliantly written and well-acted comedy. Highly recommended.

Porridge is a spin off film from the successful TV series of the same name that aired on British BBC1 between 1974 and 1977. It's directed by Dick Clement who also co-writes with Ian La Frenais. It stars Ronnie Barker, Richard Beckinsale, Fulton Mackay, Brian Wilde and Peter Vaughn.

Lets face it, and lets be honest here, for many Brits who grew up with the TV show, Porridge is simply one of the greatest shows Britain has ever produced. Sharp and on the money in writing and characterisations, and boasting a cast that were always irresistible, it still manages to enthral millions today during continuous reruns on cable and satellite TV. In light of the regard and popularity the show had, it was perhaps inevitable that a film production was just a matter of time, because, well, all the great British comedies of the past had feature films made. But of course not all were particularly any good.

So it's with much relief to find that the film version of Porridge is a very decent offering. The plot sees Fletcher (Barker) involved as the manager of the prison football team, to which, unbeknown to the wily old lag, is being used as a front for an escape attempt by Oakes (Barrie Rutter), and naturally the smarmy menace of Grouty (Vaughn) is pulling the strings. Fletcher & Godber (Beckinsale) then accidentally get caught up in the escape and thus have to break back into the prison before anyone catches them! This set-up is wonderful and makes for some very funny comedy, executed with aplomb by Barker, Mackay and co. True that taking the characters out of the confines of the prison strips away much of what made the TV series so special, but the characters are so strong, the actors chemistry so evident, film stands tall enough to not sully the reputation of the show.

It's a delightful way to spend an hour and half with your feet up, as a stand alone film it entertains those not familiar with the TV show. While for us fans? It sits nicely alongside the show as an extended viewing of comic genius behind and in front of the camera. 8/10

R.I.P. fellas, your legacy lives on always.