Murder by Natural Causes

A "professional" mind reader post-heart attack: He has recovered enough, but . . .

This man is worth Millions. His dutiful wife would love to divorce him for her boyfriend. But she had signed a pesky pre-nuptual agreement, only giving her a portion of his Millions. Unfortunately, for him, she wants it ALL.

With the scene set, she devises a plot so that her young actor boyfriend can use his acting skills to ramp-up the stress on hubby, so he has another heart attack, this time not bothering to call for medical help (just the coroner, later).

As others have made perfectly clear this movie ends in a torrent of plot twists. This can (and will) cause you dizziness.

A lot of the movie shows (quite interestingly), the behind-the-scenes life of a mentalist, preparing for each performance. Then it shows his performances (seamlessly incorporating his prep work).

I have looked for this movie to re-run for about 20 years (so far). I cannot believe that this hasn't been released onto video. It is a killer.

Probably the best of the Levinson/Link made for TV movies. They take the audience by the hand, and lead them completely in the wrong direction. I would defy anyone seeing this for the first time, to pick the ending. This is great "edge of the seat" stuff, but don't miss a word of the dialogue, especially the last 20 minutes, as there are more twists than a corkscrew.

Writers Richard Levinson and William Link wrote some great scripts in the sixties and seventies, including some for Hitchcock. A psychological thriller that first aired in 1979, "Murder By Natural Causes", is arguably Levinson and Link's best work. With twist upon twist upon twist, and subtle dialogue clues scattered throughout the plot, it's a film that fans of suspense thrillers need to see, as an example of superior script writing.

Forty-something and wealthy entertainer Arthur Sinclair (Hal Holbrook) wows audiences with his mental telepathy skills as he seemingly reads peoples minds. Allison (Katharine Ross) is his attractive thirty-something wife, a person with a roving eye and a desire for riches. What kind of story do you think this setup suggests? Can you guess how the film ends? Don't bet on it.

The film could easily be transformed into a stage play since most scenes take place indoors on sets. Production design is adequate. Intermittent background music is at times spooky, and there are a couple of scenes wherein the music is reminiscent of the shower scene in Hitchcock's "Psycho", shrieking and shrill. Good editing keeps the plot flowing nicely for the most part, though the middle Act trends a bit talky in a couple of scenes. Color cinematography is adequate. Casting and acting cannot be improved upon.

All film elements come together perfectly in that final sequence when a character walks in the front door of Aruthur's big house. The dialogue here is entrancing. Camera movement is faultless. And that final scene where the camera moves in close to a character's eyes is breathtakingly dramatic. It's one of the great final sequences in film history.

It's too bad this film never received a theatrical release. It is far better and more entertaining than most major Hollywood thrillers of the last fifty years that I have seen. The film won an Edgar Allan Poe Award for best television film of 1980. One might even assert that "Murder By Natural Causes" is the best TV movie ever made. I probably would not argue with that assessment.

It happens occasionally that I stumble upon the IMDb pages of made-for-television movies, usually from the 1970s, with incredibly high ratings and almost exclusively praising user-comments. I'm intrigued by those titles and promptly seek them out to watch next. Not necessarily because I'm convinced they truly will be great, but to try and capture the experience & emotions of all my fellow reviewers. For you see, most of the hyper-positive ratings and reviews are based on fond memories. Fans who watched the films on television, often just once and at a very young age. The films haven't been shown anywhere since and never got released on DVD, but they made an everlasting impression.

Please, do believe me when I state that I DO NOT consider those ratings and reviews invaluable or overly subjective. Quite the contrary, I'm often jealous that I was born in the wrong decade and truly wish to have been able to experience the glorious era of genuinely intelligent and qualitative movies for free on cable television! And - just to be clear - many of these TV-movies are REALLY good, like my most recent discoveries "One of my Wives is Missing" and this "Murder by Natural Causes".

The sadly forgotten gem "Murder by Natural Causes" is a tour-de-force collaboration of excellent writing (courtesy of the team behind "Columbo") and even better acting. What starts as a simple story about adultery and a banal conspiracy to murder an unsuspecting husband unfolds into a convoluted thriller with surprising twists and sardonic characters. Revealing anything about the plot would be a shame, but I guarantee you'll be glued to the screen and guessing. The unearthly beautiful Katharine Ross plays a role that is quite out of her comfort zone, but I've never seen her so sexy. Hal Holbrook, who's always been underrated in my opinion, is fantastic as the charismatic showman with a niftily constructed mind-reading act.

I have to this one gets very suspenseful and has a couple of unexpected turns but the ending came a no big surprise but played a little differently than I guessed.

Hal Holbrook was the real star of the show (and such an underrated actor), but are also awesome performances by both Katharine Ross and Barry Bostwick. The three of them took center stage for a while but Richard Anderson showed up to give another super performance. Everyone in this film is very convincing.

If you are married to a mentalist who has a good detective on his side then I don't recommend cheating on them, you might be left with three alternatives.

8/10