Moonraker
- 1979
- Tous publics
- 2h 6min
NOTE IMDb
6,3/10
113 k
MA NOTE
James Bond enquête sur le vol d'une navette spatiale et découvre un complot de génocide mondial.James Bond enquête sur le vol d'une navette spatiale et découvre un complot de génocide mondial.James Bond enquête sur le vol d'une navette spatiale et découvre un complot de génocide mondial.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 7 nominations au total
Corinne Cléry
- Corinne Dufour
- (as Corinne Clery)
Toshirô Suga
- Chang
- (as Toshiro Suga)
Mike Marshall
- Col. Scott
- (as Michael Marshall)
Jean-Pierre Castaldi
- Pilot Private Jet
- (as Jean Pierre Castaldi)
Avis à la une
Moonraker is directed by Lewis Gilbert and adapted to screenplay by Christopher Wood from the novel written by Ian Fleming. It stars Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel and Corinne Dufour. Music is scored by John Barry and cinematography by Jean Tournier.
Bond 11 and 007 is tasked with finding out what happened to the Moonraker space shuttle that mysteriously disappeared up in space. His investigation takes him to the billionaire builder of the craft, Hugo Drax, where Bond discovers a fiendish plot to start a new world of perfect human beings.
At the end of The Spy Who Loved Me we were told that James Bond would return in For Your Eyes Only, but the gargantuan success of Star Wars and a rekindling of all things sci-fi led Albert Broccoli to send 007 out into space! Armed with a $30 million budget and using only the core base plotting of Fleming's novel, the makers crafted what many feel is the runt of the James Bond litter. The money "is" up there on the screen, it's excess overdrive, outlandish from start to finish and actually is very very entertaining. The problem is that in James Bond terms it barely feels like a Bond movie, it actually could be any bloke propelling the story, this is a guy reliant on gadgets and not his brain or brawn, quipping away purely for the sake of a cheap laugh. Ultimately it's a cash in, both in terms of the sci-fi boom hitting the late 70s and of the James Bond name.
If judged away from the Bond universe on its own popcorn terms, film is a blast, literally. As a whole it's a bit choppy, but many of the parts desperately trying to make up a cohesive blockbuster are great entertainment. Mid air scrap for a parachute, a cable car sequence brilliantly realised, centrifuge chamber peril, boat chase, laser fight and much space age malarkey, the film is chocked full of crowd pleasing moments. In fact it's often mistaken as being a film set in space, when in fact the action doesn't move up there until the last half hour, the previous hour and a half is spread out over France, Italy, Brazil, USA, Gutemala and of course England. The score and the title song, however, are very much Bond. With Barry and Bassey back respectively, film is filled with appropriate atmospheric space strains and a hauntingly emotive theme song.
Charaterisations are a mixed bag. Lonsdale's Hugo Drax is one of the better Bond villains, dignified, well educated and wallowing in a life of luxury, he's perfectly understated in Lonsdale's hands and in fact steals every scene he shares with Moore's Bond. Holly Goodhead (Chiles) is a bold Bond girl with many skills, she's a scientist and an astronaut, attractive and decently played by Chiles, if a touch unmemorable in the Bond girl universe. Kiel is back as Jaws, with the makers choosing to make him some love sick puppy dog, where once was a unique villain, now is cypher for slapstick and a crappy flip-flop of plotting, while the "love interest" for Jaws, Dolly (Blanche Ravalec), is cringe worthy. Sadly this would be the last appearance of Bernard Lee as M, but he leaves a favourable mark, as does Desomond Llewelyn as Q, but once again Moneypenny (Lois Maxwell) is all too brief, the flirt and banter she used to share with Bond now seems long gone.
With a committed Bond fan base trudging through the turnstiles to see the latest instalment, the sci-fi fans intrigued by the themes of the story, and the general blockbuster loving crowd, Moonraker made a colossal $203 million at the worldwide box office. Making it the highest grossing Bond film so far, a record that would stick until Brosnan's debut in 1995. While critical notices were not as bad as some would have you believe, the critics clearly judging it on non Bond terms. Broccoli took notice of the fans, though, who were upset by the lack of respect to the serious side of Bond. He promised things would be different for Bond 12. 7/10
Bond 11 and 007 is tasked with finding out what happened to the Moonraker space shuttle that mysteriously disappeared up in space. His investigation takes him to the billionaire builder of the craft, Hugo Drax, where Bond discovers a fiendish plot to start a new world of perfect human beings.
At the end of The Spy Who Loved Me we were told that James Bond would return in For Your Eyes Only, but the gargantuan success of Star Wars and a rekindling of all things sci-fi led Albert Broccoli to send 007 out into space! Armed with a $30 million budget and using only the core base plotting of Fleming's novel, the makers crafted what many feel is the runt of the James Bond litter. The money "is" up there on the screen, it's excess overdrive, outlandish from start to finish and actually is very very entertaining. The problem is that in James Bond terms it barely feels like a Bond movie, it actually could be any bloke propelling the story, this is a guy reliant on gadgets and not his brain or brawn, quipping away purely for the sake of a cheap laugh. Ultimately it's a cash in, both in terms of the sci-fi boom hitting the late 70s and of the James Bond name.
If judged away from the Bond universe on its own popcorn terms, film is a blast, literally. As a whole it's a bit choppy, but many of the parts desperately trying to make up a cohesive blockbuster are great entertainment. Mid air scrap for a parachute, a cable car sequence brilliantly realised, centrifuge chamber peril, boat chase, laser fight and much space age malarkey, the film is chocked full of crowd pleasing moments. In fact it's often mistaken as being a film set in space, when in fact the action doesn't move up there until the last half hour, the previous hour and a half is spread out over France, Italy, Brazil, USA, Gutemala and of course England. The score and the title song, however, are very much Bond. With Barry and Bassey back respectively, film is filled with appropriate atmospheric space strains and a hauntingly emotive theme song.
Charaterisations are a mixed bag. Lonsdale's Hugo Drax is one of the better Bond villains, dignified, well educated and wallowing in a life of luxury, he's perfectly understated in Lonsdale's hands and in fact steals every scene he shares with Moore's Bond. Holly Goodhead (Chiles) is a bold Bond girl with many skills, she's a scientist and an astronaut, attractive and decently played by Chiles, if a touch unmemorable in the Bond girl universe. Kiel is back as Jaws, with the makers choosing to make him some love sick puppy dog, where once was a unique villain, now is cypher for slapstick and a crappy flip-flop of plotting, while the "love interest" for Jaws, Dolly (Blanche Ravalec), is cringe worthy. Sadly this would be the last appearance of Bernard Lee as M, but he leaves a favourable mark, as does Desomond Llewelyn as Q, but once again Moneypenny (Lois Maxwell) is all too brief, the flirt and banter she used to share with Bond now seems long gone.
With a committed Bond fan base trudging through the turnstiles to see the latest instalment, the sci-fi fans intrigued by the themes of the story, and the general blockbuster loving crowd, Moonraker made a colossal $203 million at the worldwide box office. Making it the highest grossing Bond film so far, a record that would stick until Brosnan's debut in 1995. While critical notices were not as bad as some would have you believe, the critics clearly judging it on non Bond terms. Broccoli took notice of the fans, though, who were upset by the lack of respect to the serious side of Bond. He promised things would be different for Bond 12. 7/10
After "The spy who loved me" Bond producers wanted to do "For your eyes only". But the massive "Star Wars" success made them change their mind -sending 007 to space.
"Moonraker" (1979) is maybe too fanciful and slapstick, with too many special effects, stunts and gadgets. The film goes too far away also from the previous movie ("The spy"), which was perfect.
But "Moonraker" is very well done, from a technical point of view it's a masterpiece. It's surprising to see how everything was made with accuracy -for movies, in 1978-79, there were neither computers nor CGI effects.
The film is really funny and entertaining, with beautiful sceneries and sets. Venice, France, California, Brazil and Guatemala are the fantastic locations. Scenes in the space are only in the last 30 minutes of the movie -so it's not true that the film is entirely set in the space, as some detractors say.
The film contains also homages to "The magnificent seven", "Close encounters of the third kind" and "2001" -discover them! 7,5/10
"Moonraker" (1979) is maybe too fanciful and slapstick, with too many special effects, stunts and gadgets. The film goes too far away also from the previous movie ("The spy"), which was perfect.
But "Moonraker" is very well done, from a technical point of view it's a masterpiece. It's surprising to see how everything was made with accuracy -for movies, in 1978-79, there were neither computers nor CGI effects.
The film is really funny and entertaining, with beautiful sceneries and sets. Venice, France, California, Brazil and Guatemala are the fantastic locations. Scenes in the space are only in the last 30 minutes of the movie -so it's not true that the film is entirely set in the space, as some detractors say.
The film contains also homages to "The magnificent seven", "Close encounters of the third kind" and "2001" -discover them! 7,5/10
My Take: The comedy is occasionally off, but the special effects and action sequences are terrific.
Why do some viewers think this entry in the series is by far the weakest of Bond. I beg to differ, I actually think this is one of the better Bonds with Roger Moore. Despite its occasional decline to over-silliness (even for Bond standards), I actually find it more entertaining than Roger Moore's early entry "The Man with the Golden Gun".
The plot, which is more like a variation of THE SPY WHO LOVED ME and YOU ONLY LIVE TWICE (only a little sillier), involves the theft of the Moonraker space shuttles. 007 is sent to Drax Industries, the manufacturers or these shuttles. He soon discovers that the owner, Hugo Drax (Michael Lonsdale) uses this rockets to fulfill his dastardly plans to create another civilization.
One of the main reasons that critics mistreat this Bond entry is because it doesn't go with the trend of the other Bonds. MOONRAKER tries to be more faithful to the then-popular trend of science fiction movies (after the enduring success of such classic as STAR WARS and CLOSE ENCOUNTERS). Another would be its occasion to go beyond the level of silliness and not knowing when to stop. A humorous moment where Bond drives a gondola with wheels is OK, but it's other scenes like Jaws (Richard Kiel) finding a girlfriend are just too silly. More extreme silliness ensues (there are moments of true high-camp standards here), but as long as the sharp wit, the panache and style made famous by many other Bond films are there, there's no real harm in trying something else to go along with it.
Rating: ***1/2 out of 5.
Why do some viewers think this entry in the series is by far the weakest of Bond. I beg to differ, I actually think this is one of the better Bonds with Roger Moore. Despite its occasional decline to over-silliness (even for Bond standards), I actually find it more entertaining than Roger Moore's early entry "The Man with the Golden Gun".
The plot, which is more like a variation of THE SPY WHO LOVED ME and YOU ONLY LIVE TWICE (only a little sillier), involves the theft of the Moonraker space shuttles. 007 is sent to Drax Industries, the manufacturers or these shuttles. He soon discovers that the owner, Hugo Drax (Michael Lonsdale) uses this rockets to fulfill his dastardly plans to create another civilization.
One of the main reasons that critics mistreat this Bond entry is because it doesn't go with the trend of the other Bonds. MOONRAKER tries to be more faithful to the then-popular trend of science fiction movies (after the enduring success of such classic as STAR WARS and CLOSE ENCOUNTERS). Another would be its occasion to go beyond the level of silliness and not knowing when to stop. A humorous moment where Bond drives a gondola with wheels is OK, but it's other scenes like Jaws (Richard Kiel) finding a girlfriend are just too silly. More extreme silliness ensues (there are moments of true high-camp standards here), but as long as the sharp wit, the panache and style made famous by many other Bond films are there, there's no real harm in trying something else to go along with it.
Rating: ***1/2 out of 5.
This James Bond adventure from 1979 takes our beloved agent 007 to outer space after he chases the crooks all over the world. He goes there with Dr. Holly Goodhead (Lois Chines) and after them is the steel teeth Jaws (Richard Kiel) so that life in space doesn't get too boring.
Roger Moore does his job well without taking it too seriously.Humor has a big part in this movie.Moonraker is an excellent Bond adventure which is a little underrated.It has some brilliant action scenes for you to enjoy.
I really envy James Bond because he gets all the ladies and he gets to travel all over the world and in outer space.Sure his life is in danger all the time but that's what it takes to be a super agent.
If you want to see James Bond going sci-fi then this is a movie for you to watch.
Roger Moore does his job well without taking it too seriously.Humor has a big part in this movie.Moonraker is an excellent Bond adventure which is a little underrated.It has some brilliant action scenes for you to enjoy.
I really envy James Bond because he gets all the ladies and he gets to travel all over the world and in outer space.Sure his life is in danger all the time but that's what it takes to be a super agent.
If you want to see James Bond going sci-fi then this is a movie for you to watch.
This is a truly great film. It has a low rating 5.2/10 and even less in others but in my opinion was the (second) most enjoyable "Bond" film that i have seen. I have seen all of them all except the most recent and they are all good in their own right, but this is one of the best. Not only that, but it stars Roger Moore who was the best "Bond." Thank-you.
Le saviez-vous
- AnecdotesExcept for a few brief close-ups, the entire sequence of Bond, Jaws and the pilot falling from the plane, with Bond and the pilot fighting for a single parachute, was shot in free fall. The seven-pound camera for these sequences was mounted on the helmet of another skydiver, and a few shots are of the cameraman's own arms and legs. Stuntmen Jake Lombard and B.J. Worth wore parachutes concealed within their suits. The "parachute" over which they fight is actually a dummy chute, which had to be removed before the stuntman could use the real parachute underneath. Stuntman Jake Lombard would don and remove the dummy chute up to three times in a single jump. The actual parachutes used by the stuntmen had a main and reserve chute concealed within the suitcoats. A breakaway seam ran down the back, which allowed the parachute to be opened without the need to remove the coat. There were only sixty to seventy seconds of free fall time, between when the stunt performers exited the aircraft and when they had to activate their chutes. After factoring in the time needed to get the performers and cameraman into position after leaving their plane, only a few seconds of film could be shot per jump. Therefore, the entire sequence required eighty-eight jumps, and five weeks to film, just to produce the two minutes of footage in the final movie.
- GaffesIn the opening sequence, James Bond, Jaws, and the pilot free fall for nearly two minutes. For that amount of free fall time, the jump would have to be made at or above above 25,000 feet, which would require oxygen equipment.
- Citations
Sir Frederick Gray, Minister of Defence: My God, what's Bond doing?
Q: I think he's attempting re-entry, sir.
- Crédits fous[Filmed at ...] Pinewood Studios (London) and on location in Italy, Brazil, Guatemala, U.S.A. and Outer Space!
- Versions alternativesThe end credits differ slightly between various prints. To tell some apart, for example, on the Blu-ray edition large Panavision and Dolby Stereo credits fade in on their own after the cast list (and the 5th row of names is too far to the right so Serge Douy becomes Serge Dou), whereas on older DVD, laserdisc, and VHS releases the crawl is more simplified with small Panavision and Dolby credits that move along with the rest (and enough room for Serge Douy's name). It is possible that the latter was recreated quickly to fix the name problem. Both versions have slightly different timing to the appearance of the different components (filming locations, crawl, The End and For Your Eyes Only teaser).
- ConnexionsEdited into Milk is Supreme Commercial (1979)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 007: Misión espacial
- Lieux de tournage
- Château de Guermantes, Seine-et-Marne, France(Drax's mansion - interiors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 34 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 70 308 099 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 108 344 $US
- 1 juil. 1979
- Montant brut mondial
- 210 308 099 $US
- Durée2 heures 6 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant