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La luna

  • 1979
  • 16
  • 2h 22min
NOTE IMDb
6,4/10
5,7 k
MA NOTE
Jill Clayburgh and Matthew Barry in La luna (1979)
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Lire trailer0:35
1 Video
84 photos
DrameDrame psychologiqueTragédie

Lors d'une tournée en Italie, une chanteuse d'opéra américaine récemment devenue veuve entretient une relation incestueuse avec son fils de 15 ans pour l'aider à surmonter sa dépendance à l'... Tout lireLors d'une tournée en Italie, une chanteuse d'opéra américaine récemment devenue veuve entretient une relation incestueuse avec son fils de 15 ans pour l'aider à surmonter sa dépendance à l'héroïne.Lors d'une tournée en Italie, une chanteuse d'opéra américaine récemment devenue veuve entretient une relation incestueuse avec son fils de 15 ans pour l'aider à surmonter sa dépendance à l'héroïne.

  • Réalisation
    • Bernardo Bertolucci
  • Scénario
    • Franco Arcalli
    • Bernardo Bertolucci
    • Giuseppe Bertolucci
  • Casting principal
    • Jill Clayburgh
    • Matthew Barry
    • Veronica Lazar
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    5,7 k
    MA NOTE
    • Réalisation
      • Bernardo Bertolucci
    • Scénario
      • Franco Arcalli
      • Bernardo Bertolucci
      • Giuseppe Bertolucci
    • Casting principal
      • Jill Clayburgh
      • Matthew Barry
      • Veronica Lazar
    • 46avis d'utilisateurs
    • 40avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 0:35
    Official Trailer

    Photos84

    Voir l'affiche
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    + 78
    Voir l'affiche

    Rôles principaux35

    Modifier
    Jill Clayburgh
    Jill Clayburgh
    • Caterina Silveri
    Matthew Barry
    Matthew Barry
    • Joe Silveri
    Veronica Lazar
    Veronica Lazar
    • Marina
    Renato Salvatori
    Renato Salvatori
    • Communist
    Fred Gwynne
    Fred Gwynne
    • Douglas Winter
    Alida Valli
    Alida Valli
    • Giuseppe's Mother
    Elisabetta Campeti
    • Arianna
    Franco Citti
    Franco Citti
    • Man in Bar
    Roberto Benigni
    Roberto Benigni
    • Upholsterer
    Carlo Verdone
    Carlo Verdone
    • Director of Caracalla
    Peter Eyre
    Peter Eyre
    • Edward
    Mustapha Barat
    • Mustafa
    • (as Stéphane Barat)
    Pippo Campanini
    • Innkeeper
    Rodolfo Lodi
    • Maestro Giancarlo Calo
    Sara Di Nepi
    • Concetta
    • (as Shara Di Nepi)
    Jole Silvani
    • Wardrobe Mistress
    • (as Iole Silvani)
    Francesco Mei
    • Barman
    Ronaldo Bonacchi
    • Barmen
    • Réalisation
      • Bernardo Bertolucci
    • Scénario
      • Franco Arcalli
      • Bernardo Bertolucci
      • Giuseppe Bertolucci
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs46

    6,45.7K
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    Avis à la une

    leventhal-1

    Disturbing but excellent exploration of the Oedipal

    This is one of Bertolucci's best films. After the sudden death of his stepfather, whom he believes was his real father, the teenager Joe and his famous mother (played by Jill Clayburgh) depart for Italy. There, the unresolved enigma of his real father, his erotic attachment to his mother, the narcissism of the mother, and his own inability to truly connect with anybody else drive Joe into the world of heroin. His mother discovers his habit, and out of a combination of guilt and her own narcissistic loss of boundaries, first colludes with him to procure the drug, and then attempts to soothe him in his despair through sexual stimulation, and gets drawn into the Oedipal vortex into which Joe has plunged. This film demonstrates with great power the devastating consequences of the failure to resolve the Oedipal conflict. The film is difficult to find in America, but is well worth the effort.
    8abelardo64

    Mother

    A childhood memory, looking into his mother's face with a full moon creating a halo around her. Beautiful and so Italian. The mother in this case is Jill Claybourgh, she was raiding the crest of the wave then and it's very telling that she would choose to play a part that required, not just appearing completely nude but making love to her teen age junkie of a son. She is awkwardly terrific. Her face is a voyage in itself. I would have use quite a different wardrobe for her character as well as make up and hair style but maybe that was just a sign of its day. Jill laughs saying "I am crazy" and that would explain some of the dangerous nuttiness she indulges in here. Her son, played beautifully, by unknown - before and since - Matthew Barry. A Bertoluccian teen sex object if I ever so one. The film has oodles of moments to cherish. Tomas Milian plays the boy's real father. They've never met, His father still lives in a rather intense relationship with his mother, the stunning Alida Valli. In small, very small parts, Carlo Verdone, Roberto Benigni and Renato Salvatori. A film to enjoy with your heart, your gut and your libido but not your brain. Just live your brain for other Bertolucci jewels.
    7howie73

    A riposte to Freudianism?

    Not many discuss Bertolucci's La Luna as one of his most challenging films but I beg to differ. In 1979 I presume the film's campy allure had not been registered but today it's all to be seen; call it kitsch or ironic, but la Luna encapsulates two worlds Bertolucci tried to negotiate in most of his films - the world of appearances and surfaces against the inner world of the protagonist. La Luna plays both against each other as a masquerade, because what we think we are getting is not what we really are seeing. Bertolucci presents the first part as a post-Freudian fable in late 70s Rome where an Opera singer and her son indulge in an Oedipal relationship. Bertolucci then introduces the lost but real father to the scene as if to eradicate Freudian psychoanalysis as a spurious retelling of Greek myth. It seems the son only wants his father's recognition and love, while the mother is marginalized. It's a very masculine thesis for Bertolucci, one that reinforces the illusory fundamentals of Patriarchy, while negating the matriarchal as a mere bypass to the final journey(father's love).

    Jill Clayburgh's acting is off-key most of the time but this unwittingly invests the film with its latter-day camp quality, while Matthew Barry looks dazed and confused throughout the entire film. Rome is undoubtedly the best part of the film as well as the sumptuous visuals that capture its sun-drenched beauty and decaying but grand monuments.
    Tim-120

    A very odd and disturbing movie

    This was an odd movie that I am still not quite sure how to evaluate. The first time I saw it I was merely disgusted. The second time, I got more out of it, but I am not certain that it was worth the effort. Despite some good, and risky, performances, the story simply does not hold together well. By the end of the movie, it is very hard to care about any of the characters or the plot, despite the undeniable beauty of the film. Give it a try if you are in the mood for something different, but don't expect too much.
    mortiis25

    Ultimate Beauty in it's Purest Form.

    Well well well, what do we have here? Another one of Bertolucci's earlier films? Yes and No. This is one of Bernardo Bertolucci's earlier films (1979), but it is unlike anything that he had done before or ever did again.

    La Luna is something that is a gem of film-making history, even though it is virtually impossible to get on video (and it will most probably never be shown on Television again).

    It tells the sad, depressing (yet beautiful) tale of a young boy's growth into adolescence , while experimenting with drugs and eventually (as they always do) ends up becoming addicted to Heroin.

    His Mother(played ever so beautifully by Jill Clayburge), in an effort to try and 'wean him' off the drugs develops an incestuous relationship with her son.

    Shocking as the description above may sound at first, please do not let it put you off seeing this fantastic film, as it is only a small slice of the cinematically glorious outing that this film is!

    The photography portrayed in this film is the best that bertolucci has ever achieved (Yes, even the fantastic The Last Emperor and Little Buddah). When I say a film is utterly breath-taking (I am a hard person to please when it comes to films, just read my other reviews here!), then you know you're in for a treat and a half.

    But, what is the point of this review unless people have a chance to witness the sheer beauty for themselves?

    I saw this film when I was 15 years of age. I am now 26 and have never forgotten a single FRAME of La Luna. Every word, every scene sticks in my mind like a vivid memory, and I in some ways feel that I was in the film somehow and was able to feel all the anger, all the pain and all the love that surrounded it.

    For a film to make this much of an impression on someone and for that impression to still be fresh in the person's mind eleven years later, you also know this film has to be a good thing.

    You people, I am very sad to say, will probably never have the chance to see this film (as it has not been released on Video - I have tried nearly every day for eleven years to find a copy!!!).

    But let what I have said stick in your mind, just as La Luna hopefully will some day...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Italian producers were so outraged by this film's story line that they forbid the director to shoot the film with a local cast and as such the roles played by Jill Clayburgh and Matthew Barry had to be changed to be Americans.
    • Citations

      Joe Silveri: Your face is a mess. I'll clean it up.

      [starts licking her face]

      Caterina Silveri: It's good.

      Joe Silveri: Hold still.

    • Versions alternatives
      After being banned in the Canadian province of Ontario. 20th century fox agreed to make cuts to 7 scenes showing incest and the film was given a 'Restricted' rating.
    • Connexions
      Featured in Sneak Previews: Meteor/Luna/And Justice for All/The Silent Partner/Nosferatu the Vampyre (1979)
    • Bandes originales
      Night Fever
      Composed by Barry Gibb, Robin Gibb and Maurice Gibb

      Performed by The Bee Gees

      Courtesy of RSO Records Inc.

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    FAQ

    • How long is Luna?
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    Détails

    Modifier
    • Date de sortie
      • 3 octobre 1979 (France)
    • Pays d’origine
      • Italie
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Luna
    • Lieux de tournage
      • Caracalla Thermals, Rome, Lazio, Italie
    • Sociétés de production
      • Fiction Cinematografica
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 22 minutes
    • Couleur
      • Color
    • Mixage
      • Mono

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