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La luna

  • 1979
  • 16
  • 2h 22min
NOTE IMDb
6,4/10
5,7 k
MA NOTE
Jill Clayburgh and Matthew Barry in La luna (1979)
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Lire trailer0:35
1 Video
84 photos
DrameDrame psychologiqueTragédie

Lors d'une tournée en Italie, une chanteuse d'opéra américaine récemment devenue veuve entretient une relation incestueuse avec son fils de 15 ans pour l'aider à surmonter sa dépendance à l'... Tout lireLors d'une tournée en Italie, une chanteuse d'opéra américaine récemment devenue veuve entretient une relation incestueuse avec son fils de 15 ans pour l'aider à surmonter sa dépendance à l'héroïne.Lors d'une tournée en Italie, une chanteuse d'opéra américaine récemment devenue veuve entretient une relation incestueuse avec son fils de 15 ans pour l'aider à surmonter sa dépendance à l'héroïne.

  • Réalisation
    • Bernardo Bertolucci
  • Scénario
    • Franco Arcalli
    • Bernardo Bertolucci
    • Giuseppe Bertolucci
  • Casting principal
    • Jill Clayburgh
    • Matthew Barry
    • Veronica Lazar
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    5,7 k
    MA NOTE
    • Réalisation
      • Bernardo Bertolucci
    • Scénario
      • Franco Arcalli
      • Bernardo Bertolucci
      • Giuseppe Bertolucci
    • Casting principal
      • Jill Clayburgh
      • Matthew Barry
      • Veronica Lazar
    • 46avis d'utilisateurs
    • 40avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 0:35
    Official Trailer

    Photos84

    Voir l'affiche
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    + 78
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    Rôles principaux35

    Modifier
    Jill Clayburgh
    Jill Clayburgh
    • Caterina Silveri
    Matthew Barry
    Matthew Barry
    • Joe Silveri
    Veronica Lazar
    Veronica Lazar
    • Marina
    Renato Salvatori
    Renato Salvatori
    • Communist
    Fred Gwynne
    Fred Gwynne
    • Douglas Winter
    Alida Valli
    Alida Valli
    • Giuseppe's Mother
    Elisabetta Campeti
    • Arianna
    Franco Citti
    Franco Citti
    • Man in Bar
    Roberto Benigni
    Roberto Benigni
    • Upholsterer
    Carlo Verdone
    Carlo Verdone
    • Director of Caracalla
    Peter Eyre
    Peter Eyre
    • Edward
    Mustapha Barat
    • Mustafa
    • (as Stéphane Barat)
    Pippo Campanini
    • Innkeeper
    Rodolfo Lodi
    • Maestro Giancarlo Calo
    Sara Di Nepi
    • Concetta
    • (as Shara Di Nepi)
    Jole Silvani
    • Wardrobe Mistress
    • (as Iole Silvani)
    Francesco Mei
    • Barman
    Ronaldo Bonacchi
    • Barmen
    • Réalisation
      • Bernardo Bertolucci
    • Scénario
      • Franco Arcalli
      • Bernardo Bertolucci
      • Giuseppe Bertolucci
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs46

    6,45.7K
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    Avis à la une

    vic-12

    Heavy-duty incestuous involvement of mother and son.

    Jill Clayburg's acting was powerful and melodramatic as she attempts to use sex and herself to lure this disturbed son away from cocaine addiction. It gets almost pornographic and thereby uncomfortable to watch as the boy was only about 14. One could argue that he was an under-age actor who was being sexually exploited while Bertolucci was acting out some of his own problems while in psychoanalysis.

    On the other hand, such movie-makers do the audience a service in bringing incestuous behavior and psychology to consciousness, where it lurks unconsciously in most people. Mother-son seductiveness is not that rare but is mostly denied and rationalized.
    8videorama-759-859391

    La Bertolucci

    Another memorably visual movie piece to add to this cult director's belt, and again, I was not disappointed, and more so appeased, as I really enjoyed this one, more than I thought I would, by some stretch. If you analyze the story, it actually makes sense. Let's face it, mother-son incest, is not too appealing, but this movie doesn't exploit, but more rationalize it, in a tame and poignant way. The wonderful Clayburgh, really carries this film, with such a roping performance, as a widowed mother and opera singer, who lost her husband (Gwynne) of all people, to a heart attack. She and young son, move to Italy, and it's not the best choice, as son merges with the wrong crowd of friends, and falls victim to heroin, supplied by a local town punk or playboy, who Clayburgh confronts later, and throws him an offer. Such a strong message is plastered across the screen about parent neglect, and we so much feel for the poor son, any mother would be proud to have, who's just drowning in a sea of self worthlessness, and there are moments, when we really hate Clayburgh's character, but we know why she has become, like this. The chosen locations of Italy are beautiful, especially the night shot ones. The opening scene, was beautifully shot and unexpecting, but totally pulled me in, part metaphor if you decide to watch this film , which I highly encourage you to do. Son and mother performance are equally impressive, and Clayburgh, is like a hot potato. You don't know how she'll react, and what she'll do next. The ending is mesmerizingly thought stirring, visually as well. I suggest you take a good look at La Luna. I'm glad I did. A stand alone, stylish, original treasure.
    7howie73

    A riposte to Freudianism?

    Not many discuss Bertolucci's La Luna as one of his most challenging films but I beg to differ. In 1979 I presume the film's campy allure had not been registered but today it's all to be seen; call it kitsch or ironic, but la Luna encapsulates two worlds Bertolucci tried to negotiate in most of his films - the world of appearances and surfaces against the inner world of the protagonist. La Luna plays both against each other as a masquerade, because what we think we are getting is not what we really are seeing. Bertolucci presents the first part as a post-Freudian fable in late 70s Rome where an Opera singer and her son indulge in an Oedipal relationship. Bertolucci then introduces the lost but real father to the scene as if to eradicate Freudian psychoanalysis as a spurious retelling of Greek myth. It seems the son only wants his father's recognition and love, while the mother is marginalized. It's a very masculine thesis for Bertolucci, one that reinforces the illusory fundamentals of Patriarchy, while negating the matriarchal as a mere bypass to the final journey(father's love).

    Jill Clayburgh's acting is off-key most of the time but this unwittingly invests the film with its latter-day camp quality, while Matthew Barry looks dazed and confused throughout the entire film. Rome is undoubtedly the best part of the film as well as the sumptuous visuals that capture its sun-drenched beauty and decaying but grand monuments.
    8abelardo64

    Mother

    A childhood memory, looking into his mother's face with a full moon creating a halo around her. Beautiful and so Italian. The mother in this case is Jill Claybourgh, she was raiding the crest of the wave then and it's very telling that she would choose to play a part that required, not just appearing completely nude but making love to her teen age junkie of a son. She is awkwardly terrific. Her face is a voyage in itself. I would have use quite a different wardrobe for her character as well as make up and hair style but maybe that was just a sign of its day. Jill laughs saying "I am crazy" and that would explain some of the dangerous nuttiness she indulges in here. Her son, played beautifully, by unknown - before and since - Matthew Barry. A Bertoluccian teen sex object if I ever so one. The film has oodles of moments to cherish. Tomas Milian plays the boy's real father. They've never met, His father still lives in a rather intense relationship with his mother, the stunning Alida Valli. In small, very small parts, Carlo Verdone, Roberto Benigni and Renato Salvatori. A film to enjoy with your heart, your gut and your libido but not your brain. Just live your brain for other Bertolucci jewels.
    TimWil014-1

    I actually auditioned for this film

    I actually auditioned for the role of the son when the mother was originally supposed to be played by Liv Ullman I think I read for it twice but was ultimately rejected because I looked too American in a Tom Sawyer kind of way-the boy who ended up doing it had a European quality in his face which Bertolucci wanted for the role. I saw it twice when it came out in the US, both times at the Loews Twin Cinemas. I remember it as having been gorgeously shot. The performances by Clayburgh and Barry are extremely good. Alida Valli is superb. The opera scenes were fantastic. Why isn't this out on DVD? Will we have to wait until after Bertolucci's death?

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Italian producers were so outraged by this film's story line that they forbid the director to shoot the film with a local cast and as such the roles played by Jill Clayburgh and Matthew Barry had to be changed to be Americans.
    • Citations

      Joe Silveri: Your face is a mess. I'll clean it up.

      [starts licking her face]

      Caterina Silveri: It's good.

      Joe Silveri: Hold still.

    • Versions alternatives
      After being banned in the Canadian province of Ontario. 20th century fox agreed to make cuts to 7 scenes showing incest and the film was given a 'Restricted' rating.
    • Connexions
      Featured in Sneak Previews: Meteor/Luna/And Justice for All/The Silent Partner/Nosferatu the Vampyre (1979)
    • Bandes originales
      Night Fever
      Composed by Barry Gibb, Robin Gibb and Maurice Gibb

      Performed by The Bee Gees

      Courtesy of RSO Records Inc.

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    FAQ

    • How long is Luna?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 octobre 1979 (France)
    • Pays d’origine
      • Italie
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Luna
    • Lieux de tournage
      • Caracalla Thermals, Rome, Lazio, Italie
    • Sociétés de production
      • Fiction Cinematografica
      • Twentieth Century Fox
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 22 minutes
    • Couleur
      • Color
    • Mixage
      • Mono

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