Le Héros magnifique

Magnificent Butcher is one of those classic Kung Fu movies - the ones with all the camera zooms and overly emphasized hitting sounds like sound like twigs breaking. Sammo Hung is Butcher Wing, a somewhat clumsy and confused butcher...who also happens to know Kung Fu. Through plot machinations worthy of a daytime soap opera, it is Butcher Wing who must defend his dojo and the baseless accusations against him.

There's far more Kung Fu in this movie than actual movie. This is a good thing. The fights are amazingly choreographed and never "cheat" like so many movies of its kind do today. In other words, instead of seeing flashes of action which are cut together to make a fight scene, the entire scene is played out in a master shot where you can watch these athletes in action.

For the fan of the classic Hong Kong kung fu movie, this one is just plain fun. Sammo Hung is comic, fierce, expressive, and a joy to watch in action. Yuen Biao is conniving, devious, and mean. The action is wild, the kung fu is fast and furious, the stunts are convincing, all in all a great chop-sockey type movie. If you enjoy this sort of thing, give it a try!

Without the aid of their buddy Jackie Chan, the icons of Hong Kong cinema demonstrates that kung fu comedy exists before and after Jackie appeared on the scene. Magnificent Butcher is one of the many examples of great Kung Fu minus the action superstar, the story follows many strands of the Kung Fu genre with masters and schools coming against eachother, complete with climactic battles and a heavy dose of boys own humour that is the template of this succesful era of kung fu. What makes this one of the greats is its simple charm, Yuen Woo Ping breathes so much life into this movie by treating the audience to a feast of distintly Hong Kong movie ideas.

Only in Hong Kong action could their contain a scene whereby a characters uses the infamous farting technique to shame his opponent, or a blind begger mistakes a water vase being held by Samo as a toilet, and in the same movie contain an attempted rape, knives being plunged into the stomachs and the lead actor smashing his enemies head with a pray stone in extra slow-mo. Only in Hong Kong would a director attempt to gel these distinctly contrasting scenes and attempt to convey a cohesive story. And in Magnificent Butcher we have something close to success, as Samo effectively conveys emotions of comedy and extreme outrage in the blink of an eye. What is strange is how quickly these charaters forget their injustices and gripes which eventually lead to the climactic fight sequence where everything ends in triumpth, as we the viewer dispel with the plot and relish the movies subsequent closing. Magnificent Butcher, or Lin shi rong, is part of the era of Hong Kong movie making whereby anything that makes the audience laugh and cry for its duration was deemed a success, as the emphasis of movies made in this era was fun twinned with an element of truth, and this calloboration between Yuen Woo Ping and Samo sets the precedent for nearly everything that has been great about Hong Kong cinema ever since.

Kung fu comedy at its most shameless, an undeniable classic for fans of Hong Kong cinema.

I really like this movie for a number of reasons. Way back in my early teens this was the first time I found the legend that it Samo Hung, and his magnificent brand of kung fu comedy. This film holds up well today probably because of the stellar crew behind the scenes including the legend Woo-Ping Yuen. Hung here plays Butcher Wing' the apprentice in a dojo who constantly finds himself caught up in mischief. Wing gets caught up in a series of events that conspire to make him enemy no.1 and lead to some truly amazing fight sequences that truly have to be seen to be believed. Where this film is a departure from the traditional historic kung fu movie is there are no grand themes or sense of the epic just a nice tight small story and some incredible scenes all laced with some incredible physicality both of the violent and comedic nature. A true kung fu classic. Enjoy it again and again.

I'm usually very picky about which films I buy for my private film collection, because I have limited amount of space and no free spot for bad films, so I guess it was a bit of a gamble buying the film box from Eureka Video with three of Sammo Hung's films. But, then again, with Sammo, you know you'll get entertainment and some good kung fu. And kung fu you got, from beginning to end, you can't really complain about this film not having enough fights, it's filled with it from beginning to end.

So why do I only give it a 7 when the fight scenes are so great? The fight scenes alone are 9-10 points worthy and I was entertained all the time a fight started. The story however was shifting in tone all the time, from light-hearted comedy to brutal murder. Growing up with film from US and England, I guess I have a limited view of how comedies and actions should work. Although, I've seen quite a few Hong Kong action comedies from the 80s and they did get less violent for the next decade. Just like the other films in the Sammo-box, there's some deaths that just doesn't feel necessary compared to what the rest of the story is.

The film also take place in an alternate universe where people are slow-minded and easily fooled. Obviously it wouldn't have been a film if people would've explained stuff to the end, instead Sammo beats up a stranger because someone else called that person a thief. That person then tell his master that's a kung fu fighter that Sammo called him a "phony" and lots of other bad things about his school. The Kung Fu master then goes to Sammo's Master and begins to fight him even before asking if any of it is true. Sure, we get an amazing fight scene involving a brush. But looking through the film, there are so many liars that get away easily while some other people end up in brutal fights because of them.

I really loved the relation between the drunk beggar and Sammo's character and reminded me of Drunken Master (same director). His comments during the fights as well as his silly grin made me chuckle a lot throughout the film. I also think that the titles of this film and another film from the box, The Iron-Fisted Monk (1977), had some strange titles to them. We didn't see Sammo do much butchery at all in this film, just carrying some pigs in the beginning of the film. And the Iron-fisted monk, there wasn't really a specific iron-fist through the film, just lots of normal punches. At least this film had some more special fists/palms to it and would probably make more sense if it was called "The Iron-fisted butcher" or something like that.

A slight spoiler ahead - but was the father of the rapist/murder son really a bad guy? All he wanted was to avenge his goddaughter and son for their deaths, and it looked to me that he never really got anything explained to him what really happened.

Don't think too much about the story while watching the film, enjoy the fights.