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Du rouge pour un truand

Titre original : The Lady in Red
  • 1979
  • 13
  • 1h 33min
NOTE IMDb
6,3/10
1,6 k
MA NOTE
Du rouge pour un truand (1979)
Drames historiquesActionCriminalitéDrameRomance

La vie d'une fermière naïve bascule après avoir été au mauvais endroit au mauvais moment. Elle déménage à Chicago et se retrouve piégée dans un cercle vicieux de prostitution et de crime.La vie d'une fermière naïve bascule après avoir été au mauvais endroit au mauvais moment. Elle déménage à Chicago et se retrouve piégée dans un cercle vicieux de prostitution et de crime.La vie d'une fermière naïve bascule après avoir été au mauvais endroit au mauvais moment. Elle déménage à Chicago et se retrouve piégée dans un cercle vicieux de prostitution et de crime.

  • Réalisation
    • Lewis Teague
  • Scénario
    • John Sayles
  • Casting principal
    • Pamela Sue Martin
    • Robert Conrad
    • Louise Fletcher
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    1,6 k
    MA NOTE
    • Réalisation
      • Lewis Teague
    • Scénario
      • John Sayles
    • Casting principal
      • Pamela Sue Martin
      • Robert Conrad
      • Louise Fletcher
    • 16avis d'utilisateurs
    • 23avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:43
    Trailer

    Photos29

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    + 24
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    Rôles principaux31

    Modifier
    Pamela Sue Martin
    Pamela Sue Martin
    • Polly Franklin
    Robert Conrad
    Robert Conrad
    • John Dillinger
    Louise Fletcher
    Louise Fletcher
    • Anna Sage
    Robert Hogan
    Robert Hogan
    • Jake Lingle
    Laurie Heineman
    • Rose Shimkus
    Glenn Withrow
    Glenn Withrow
    • Eddie
    Rod Gist
    • Pinetop
    Peter Hobbs
    Peter Hobbs
    • Pops Geissler
    Christopher Lloyd
    Christopher Lloyd
    • Frognose
    Dick Miller
    Dick Miller
    • Patek
    Nancy Parsons
    Nancy Parsons
    • Tiny Alice
    • (as Nancy Anne Parsons)
    Alan Vint
    Alan Vint
    • Melvin Purvis
    Milt Kogan
    Milt Kogan
    • Preacher
    Chip Fields
    Chip Fields
    • Satin
    Buck Young
    Buck Young
    • Hennessey
    Phillip R. Allen
    Phillip R. Allen
    • Elliot Ness
    Ilene Kristen
    Ilene Kristen
    • Wynona
    Joseph X. Flaherty
    • Frank
    • Réalisation
      • Lewis Teague
    • Scénario
      • John Sayles
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    6,31.6K
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    Avis à la une

    7Falconeer

    It's BEULA BALLBREAKER!!!

    Fans of 1930's "pre-code" gangster flicks will probably love "The Lady In Red," a beautiful and realistic love letter to films such as "Scarface" (1932) and "Public Enemy." Pamela Sue Martin is ultra lovable as Polly, the rebellious farm girl who just seems to attract trouble like a magnet. At the wrong place at the wrong time, Polly is used as a human shield by the Dillinger gang as they speed away from a bank robbery. They ditch her after she serves her purpose, but a chain of events leads Polly down a very winding road that includes sweat shops, prostitution, a prison stint, and culminating with Polly and her friends picking up the machine guns, John Dillinger style, after the authorities do her wrong. Episodic in structure, which is not a problem, as every 'episode' in Polly's journey is more fascinating and just plain wild than the previous chapter. Now people refer to this as a low budget "B" movie, but the production values are very sleek, with stunning attention to period detail; the cars, the clothes, the hairstyles, the sets and the music, are all completely realistic in a way that is seldom seen in even higher budget films. The cinematography is stunning and this movie is gorgeous. The scenes in the brothel are reminiscent of the Storybook era sets of Louis Malle's "Pretty Baby," while the prison episode is more powerful and realistic than the roughest "women in prison" movie...and YES; that is Beula Ballbreaker from "Porky's," as the evil prison matron, turning in a perfectly savage, evil performance as a hate-filled racist lesbian guard. "Lady In Red" is the perfect balance of exploitation and Hollywood productions like "Bonnie & Clyde," but this is actually more fun than "Bonnie & Clyde." It deserves more recognition.
    7Guy_T

    Fun, Thrills, and Wholesale Cheese

    Clearly a product of the Corman School, Sayles's first major screenplay shows that he already knew how to tell a great story from an interesting angle, something he has never forgotten how to do.

    Director Teague keeps the pace rattling along, and hammers the message home fast (he was an occasional assistant to Sam Fuller, of course).

    The plot's quite straightforward, and all the better so - this packs something of the punch of the 30's classic gangster films, but with distinctly 70's sensibilities to violence.

    Where the film becomes more interesting than your average low-budget 'gangster-exploiter', however, is in the telling of the story through her eyes, rather than his (a distinctly 70's approach). Yet it's wonderfully ambiguous, on reflection, as to whether the film champions her willingness to break away and start acting for herself (she's a great strong character), or whether she just goes from one woman in peril situation to the other (which is the plot, basically).

    I've probably over-analyzed it already, but if you've got a spare hour and a half on your hands, give it a chance. A classic of its kind.
    5SnoopyStyle

    a series of unfortunate events

    Polly Franklin (Pamela Sue Martin) is an innocent farm girl obsessed with 42nd Street. She gets caught up with the Dillinger gang's bank robbery. She gets a red dress from a reporter and loses her virginity to him. Her father beats her and she runs away. She is befriended by Rose at a sweatshop but her life descends into prison and forced into prostitution by the ruthless warden.

    It's produced by the Roger Corman family. It's a bit rambling. Pamela Sue Martin used to be a star in the 70s and 80s. I missed most of that since I didn't watch Dynasty. I don't really see the range although she has some charisma. The biggest issue is that this story is simply a series of incidents. Some parts are less compelling than others. This could have been an interesting prison movie but that part is pretty quick. The sweatshop confused me a bit. This needs some better directing.
    10yourmombrokemywagon

    Sure wish they made throwbacks like this one

    Great watch Small shots and the unknown subtley with the signature style from the 70's is completely gone in movies today. Someone's gotta start makin' retro throwback modern 70's movies...with all the cgi crap we have now just imagine how priceless they could make em now!
    searchanddestroy-1

    With a Roger Corman's scent

    Lewis Teague gave us this crime drama from the seventies, and I can still think of BLOODY MAMA or BIG BAD MAMMA, also produced during the same decade. I guess Lewis Teague had some link in common with Corman's "family", so was under influence of the master. This movie is not genuinely a gangster film in the first part, but mostly a drama, only the second part, at long last, will satisfy the gangster element buffs. There is also a bit of women's prison scheme in the first part; again a Corman's production influence. A curiosity but not a masterpiece, not a must see. Good little film to discover if you are curious enough. Note that Robert Conrad played in YOUNG DILLINGER, back in 1965, where he was Pretty Boyd Floyd. And I also like the supporting characters, who arrive late in the story, whom we can feel attached to, and who suddenly die. I love this. And this film with a strong, but also believable, female lead could easily be remade now, in 2024, the modern fashion. This is for me my favourite from director Lewis Teague, with also CUJO. One last thing, Louise Fletcher plays here, but no in the cruel matron prison warden.... As she did in ONE FLEW OVER A CUCUU NEST.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Lewis Teague was paid eleven thousand dollars to direct this film. However, since this movie was made non-union, he had to pay his entire salary as a fine to the Director's Guild.
    • Gaffes
      The reporter, Jake Lingle, who is killed at the end of the film by Robert Forster's character, Turk, was a real person. Lingle was gunned down in 1930, four years before the setting of this film. Lingle was killed by an underpass as shown in the film, however, it was at rush hour with crowds of people around.
    • Citations

      Satin (a prostitute): The day I can't handle the likes of him, I best get me a needle and thread and sew it shut.

    • Versions alternatives
      The 1986 UK VHS released by Eagle Crest Video is only 83 minutes long (86/87 minutes when converted back to NTSC) and uses a print that is missing all shots (and sometimes whole scenes) of sex and nudity, as well as some of the violence (e.g. Dillinger's bloody corpse). Note that these are not BBFC edits - they had already approved the film uncut for cinema release.
    • Connexions
      Featured in Super nanas II (1987)
    • Bandes originales
      Ain't She Sweet
      (uncredited)

      Music by Milton Ager

      Courtesy Warner Bros. Music

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    FAQ16

    • How long is The Lady in Red?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 novembre 1983 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La dama de rojo
    • Lieux de tournage
      • 500 South Mateo Street, Los Angeles, Californie, États-Unis(As Chicago: Polly is approached by men from the industrial squad.)
    • Société de production
      • New World Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 400 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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