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Du rouge pour un truand

Titre original : The Lady in Red
  • 1979
  • 13
  • 1h 33min
NOTE IMDb
6,3/10
1,6 k
MA NOTE
Du rouge pour un truand (1979)
ActionCriminalitéDrameRomanceDrames historiques

La vie d'une fermière naïve bascule après avoir été au mauvais endroit au mauvais moment. Elle déménage à Chicago et se retrouve piégée dans un cercle vicieux de prostitution et de crime.La vie d'une fermière naïve bascule après avoir été au mauvais endroit au mauvais moment. Elle déménage à Chicago et se retrouve piégée dans un cercle vicieux de prostitution et de crime.La vie d'une fermière naïve bascule après avoir été au mauvais endroit au mauvais moment. Elle déménage à Chicago et se retrouve piégée dans un cercle vicieux de prostitution et de crime.

  • Réalisation
    • Lewis Teague
  • Scénario
    • John Sayles
  • Casting principal
    • Pamela Sue Martin
    • Robert Conrad
    • Louise Fletcher
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    1,6 k
    MA NOTE
    • Réalisation
      • Lewis Teague
    • Scénario
      • John Sayles
    • Casting principal
      • Pamela Sue Martin
      • Robert Conrad
      • Louise Fletcher
    • 16avis d'utilisateurs
    • 23avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:43
    Trailer

    Photos29

    Voir l'affiche
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    + 24
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    Rôles principaux31

    Modifier
    Pamela Sue Martin
    Pamela Sue Martin
    • Polly Franklin
    Robert Conrad
    Robert Conrad
    • John Dillinger
    Louise Fletcher
    Louise Fletcher
    • Anna Sage
    Robert Hogan
    Robert Hogan
    • Jake Lingle
    Laurie Heineman
    • Rose Shimkus
    Glenn Withrow
    Glenn Withrow
    • Eddie
    Rod Gist
    • Pinetop
    Peter Hobbs
    Peter Hobbs
    • Pops Geissler
    Christopher Lloyd
    Christopher Lloyd
    • Frognose
    Dick Miller
    Dick Miller
    • Patek
    Nancy Parsons
    Nancy Parsons
    • Tiny Alice
    • (as Nancy Anne Parsons)
    Alan Vint
    Alan Vint
    • Melvin Purvis
    Milt Kogan
    Milt Kogan
    • Preacher
    Chip Fields
    Chip Fields
    • Satin
    Buck Young
    Buck Young
    • Hennessey
    Phillip R. Allen
    Phillip R. Allen
    • Elliot Ness
    Ilene Kristen
    Ilene Kristen
    • Wynona
    Joseph X. Flaherty
    • Frank
    • Réalisation
      • Lewis Teague
    • Scénario
      • John Sayles
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    6,31.5K
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    Avis à la une

    8Igenlode Wordsmith

    Packs a punch

    This picture makes for an interesting companion piece to Michael Mann's recent "Public Enemies"; it covers not only the same era and the same setting but, inevitably, much of the same source material. And compared to earlier black-and-white gangster movies it shares a similar distinctly modern sensibility. Indeed, dubbed a "cheerful exploitation flick", it far outdoes the more recent film in the sheer quantity of sex and nudity on display. Yet oddly enough it manages to avoid the impression of gratuitous indulgence: the lolling female flesh on view is treated as more matter-of-fact (sometimes grotesque) than erotic, and the explicit violence is never casually treated.

    "The Lady in Red" turns out to succeed on a number of levels where "Public Enemies" failed: above all and most vitally in characterization and plot development. We actually care what becomes of the heroine and those she meets, however lurid the scenarios that ensue. Individuals are vividly drawn and memorable, and a vein of black humour periodically enlivens the script; it even conjures up some moments of almost lyrical happiness to provide a far more convincing love affair than Mann can achieve. Every victory over tyranny may seem to leave Polly in the long term worse off, and yet we cheer fiercely at her rebellion. There is no lack of audience identification here.

    The film is also surprisingly sure-footed in its period setting. After the initial reflex jolt at seeing the familiar monochrome settings re-enacted in colour -- unthinking: of course in reality the colour would always have been there, it's just that we never saw it -- "Lady in Red" pulls off the rare trick of presenting a world that seems entirely natural to its era. The cars are not conscious museum pieces, the clothes are not being worn as costumes, the props are not just set dressing: 'period' productions so often give the air of having tried too hard over every glossy detail, or else of importing a patronising grime of deprivation. This one seems to do neither. It even gets away with the potentially heavy-handed use of period cultural references (Elliot Ness, King Kong). After a while -- the ultimate accolade -- you forget that it's in colour.

    And finally, despite an escalating violence/body count, this film manages to retain death to genuinely shocking effect. There are no diminishing-return shots of gun porn here; no five-minute jerking, numbing sprays of muzzle-flash after dark. (And, although it had not until now occurred to me, no cars that roll over and burst into flames...) A lot of people wind up dead one way or another: but seen through Polly's eyes, it is neither cheap entertainment nor taken for granted.

    Acting performances are admirable all round in both major and minor roles. The use of music, in particular the evocative "42nd Street" as general theme to the picture in changing moods for each context, is excellently done. This isn't the sort of picture I would have anticipated liking -- the breast count alone is about fifty times greater than anything I'd normally see -- but I found it quite unexpectedly successful... and, I'm afraid, superior on every level to "Public Enemies", with which it has on the surface so much 'modernity' in common.
    8elo-equipamentos

    Upper class and forgotten small gem of crime!!

    Often the crime scene was overpowered by the men, The Woman In Red points out an opposite vision of preestablished status quo, where a young woman after passing by many plights insert herself in world of crime on late twenties, a stunning performance of the gorgeous Pamela Sue Martin arouse attention nothing less than Tarantino that had great regards of the little masterpiece.

    Deeply overshadowed by majors releases at its time, it somehow thru the time arouse awareness of many defenders, watching this picture for first time I'd realize the filthy environment of house of pleasures, the harassment on the industry and on the jail as well a corruptive world where just the strong can survive.

    Thanks for reading.

    Resume: First watch: 2024 / How many: 1 / Source: DVD / Rating: 8.
    5SnoopyStyle

    a series of unfortunate events

    Polly Franklin (Pamela Sue Martin) is an innocent farm girl obsessed with 42nd Street. She gets caught up with the Dillinger gang's bank robbery. She gets a red dress from a reporter and loses her virginity to him. Her father beats her and she runs away. She is befriended by Rose at a sweatshop but her life descends into prison and forced into prostitution by the ruthless warden.

    It's produced by the Roger Corman family. It's a bit rambling. Pamela Sue Martin used to be a star in the 70s and 80s. I missed most of that since I didn't watch Dynasty. I don't really see the range although she has some charisma. The biggest issue is that this story is simply a series of incidents. Some parts are less compelling than others. This could have been an interesting prison movie but that part is pretty quick. The sweatshop confused me a bit. This needs some better directing.
    7grahamsj3

    I liked it

    I first saw this film on TV and with the commercial breaks, it suffered. However, I later saw it without the commercials and it's so much better. It's the story of Gangster John Dillenger and his last girlfriend. Pamela Sue Martin as the moll and Robert Conrad as Dillenger both deliver great performances. I don't know much about John Dillenger, but I wonder if he was as "gentlemanly" as Conrads' portrayal was. Just a thought! However, it is a strong story, with enough violence to be realistic (those were violent times). There's also the romantic element that gives a softness to Dillenger. As I said, I wonder if he was a romantic at all. Anyway, a decent enough flick and well-acted.
    10yourmombrokemywagon

    Sure wish they made throwbacks like this one

    Great watch Small shots and the unknown subtley with the signature style from the 70's is completely gone in movies today. Someone's gotta start makin' retro throwback modern 70's movies...with all the cgi crap we have now just imagine how priceless they could make em now!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Lewis Teague was paid eleven thousand dollars to direct this film. However, since this movie was made non-union, he had to pay his entire salary as a fine to the Director's Guild.
    • Gaffes
      The reporter, Jake Lingle, who is killed at the end of the film by Robert Forster's character, Turk, was a real person. Lingle was gunned down in 1930, four years before the setting of this film. Lingle was killed by an underpass as shown in the film, however, it was at rush hour with crowds of people around.
    • Citations

      Satin (a prostitute): The day I can't handle the likes of him, I best get me a needle and thread and sew it shut.

    • Versions alternatives
      The 1986 UK VHS released by Eagle Crest Video is only 83 minutes long (86/87 minutes when converted back to NTSC) and uses a print that is missing all shots (and sometimes whole scenes) of sex and nudity, as well as some of the violence (e.g. Dillinger's bloody corpse). Note that these are not BBFC edits - they had already approved the film uncut for cinema release.
    • Connexions
      Featured in Super nanas II (1987)
    • Bandes originales
      Ain't She Sweet
      (uncredited)

      Music by Milton Ager

      Courtesy Warner Bros. Music

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    FAQ

    • How long is The Lady in Red?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 novembre 1983 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La dama de rojo
    • Lieux de tournage
      • 500 South Mateo Street, Los Angeles, Californie, États-Unis(As Chicago: Polly is approached by men from the industrial squad.)
    • Société de production
      • New World Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 400 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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