Kaala Patthar

Amazing movie, and quite surprising that this is not one of the most highly regarded movies of its time.

The movie tells the story of a coal mine run by a greedy capitalist and the sufferings of the underpaid workers and the constant dangers they face in the depths of a coalmine. The script is extraordinarily strong, the romantic bits are kept at a minimum, and Amitabh Bachchan(AB)'s role of Vijay Pal Singh as the angry self-loathing hero fits like a T.

This is without doubt one of AB's best performances and his dialogues really fire up the movie. Salim-Javed have to be credited for the dialogues, after all they have provided ammo for AB all along with their scripts. Shashi Kapoor(SK) and Shatrughan Sinha(SS) fit into their roles perfectly, and overall the movie is not dominated by a single character.

This is all about the coal mine, and the risks and tragedies that the workers face every day. By the end of the movie, you almost feel like being one among the workers and demanding justice, alongside Vijay.

The screenplay and direction is fantastic. The opening scene with the titles is absolutely brilliant. The ghetto is very well done. The incidents between AB and SS are well portrayed, and very stylish. Characterization is top class. The background score is brilliant.

The bad? The music - i.e. the songs really break up the movie. None of the songs really make the grade and they only act as roadblocks to a free flowing movie. Most of the songs are pointless and not required.

The script really fits the era, the unrest, the anguish, really suits the time the movie was made. Then you put AB in an angry young man - role and all you need to do is wait for the money to roll in. This movie was MADE for the masses.

Amazingly that did not happen for this movie, it never reached the heights that it could have. We will never know why!! Overall... Brilliant. Don't miss it, est if you are an AB fan or a 70s movie buff.

Kaala Patthar review :

A lesser celebrated film of director Yash Chopra; Kaala Patthar was loosely based on the real life Chasnala mining disaster with some wonderful characters written by the legendary Salim Javed.

Amitabh Bachchan is Vijay, an ex army officer who is working as a mine worker in order to forget his past guilt. Shatrughan Sinha in his career best act played Mangal, an escaped convict who takes a job in the mine to evade the cops while Shashi Kapoor is the honest and 'dil ka achcha' engineer who warns the greedy mine owner (Prem Chopra) against the impending flood in the mine.

The performances were universally first rate. Amitabh Bachchan spoke through his eyes and his simmering intensity reaches a crescendo when he yells at Prem Chopra in a superbly executed scene. Shatru's "Teesre baadshah hum hai" is still memorable and oft repeated catchphrase. Prem Chopra was apt as Dhanraj Puri, the loathesome mine owner who treats his employees like slaves. Rakhee, Parveen Babi and Neetu Singh provided the romantic angle to the three heroes.

Kaala Patthar was a technically slick and well executed disaster drama but despite all its positives, didn't work that well with the audience. Maybe, it was the grim subject and lack of comedy which kept them away.

Nevertheless, this is one of Bachchan's finest performance. Whether it is the scene where he grabs a knife from Sharat Saxena or the rescue operation in the climax, Amitabh was simply extraordinary. He as well as Shatrughan Sinha were nominated for the Best actor and best supporting actor at the Filmfare awards that year. Unfortunately, they didnt win the honours. Just like the film!!

Regards, Sumeet Nadkarni.

An ambitious film that suffers, unfortunately, from what might be the worst cinematography in the history of film. Even an American special effects team could not save the film from somtimes sloppy editing and shoddy camera work. However, the film is worth seeing for the issues it brings up regarding worker/management relations. A good story and great acting soften the blow of the weak cinematography. Yash Chopra is a very good director, but this film makes him seem like a hack.

This film has an amazingly ambitious story for its time. a story about poorly treated coal mine workers and a deeply powerfull hero destined to a life of pain and suffering for his mistakes in his past. this film boasts some powerfull performances from Amithab Bachan and Shatrugan sinha. Rakhee plays the soulful doctor destined to help the unfortunate wherever they may be thus on of the most famous lines in bollywood history when Rakhee is trying help The injured Amithab. "please why dont you try uderstand" "Pain is my destiny doctor and I can't avoid it!" Shashi kapoor plays the Dashing young romantic engineer together with Parveen Bhabi the news reporter who plays his girlfriend in the film. The story works well on a whole though technically the film leaves a lot to be desired. Though the scenes in the coal mines are well done. The rest is a bit shoddy in places, but some brilliant acting is what takes this film beyond its rather dull appearance. This film comes with a soulful soundtrack that really works well and some fantastic songs to be rememderd forever... they just don't make stories like this anymore.....shame really

Producer-director Yash Chopra is known in Bollywood as the 'King of Romance' because he has made certain classic romantic movies. However he had made some different movies too. One of them is Kaala Patthar (1979).

The story of Kaala Patthar (black stone) has been set in the a coal mine whose owner is a greedy businessman - Dhanraaj (Prem Chopra). Dhanraaj compels the coal mine workers to work in potentially dangerous conditions. He does not care for their welfare or health or even security of life and interested only in making maximum money out of that coal mine. He hires the services of an engineer - Ravi (Shashi Kapoor) who while working in his mine, is stunned to see that due to the excessive mining, one tunnel is about to go for water-logging and the lives of some 400 workers are in danger. Ravi also happens to see the poor condition of the workers and the lack of even the basic amenities for them which are the minimum requirement not only under the labour laws but also on humanitarian grounds. The doctor in the hospital maintained just for the sake of a legal formality - Sudha (Raakhee) keeps on complaining for medicines and a compounder but her calls fall on deaf ears of the management.

Among the workers, there are some goons too who extort money from the weak and hapless workers. Besides, there are two unique workers also. One is an escaped jailbird Mangal (Shatrughan Sinha) and the other is a courtmartialled naval ship captain Vijay (Amitabh Bachchan) who was labelled a coward when fled away from his ship endangering the lives of 300 passengers and abandoned by his family. Vijay comes closer to Sudha who is able to sniff out that Vijay is actually not what he is visible to the world. Two parallel love stories also run. The first one is a hilarious love story of Ravi with Dhanjraaj's niece - Anita (Parveen Baabi) who is a journalist and the second one is the love story of Mangal with a village girl - Chhanno (Neetu Singh) who sells toys and the things used by married women as a symbol of their marital status (being SUHAAGIN).

As we can easily guess that the continuous extraction of coal from the potentially dangerous tunnel, finally leads to its collapse and lethal water-logging in the climax of the movie. Vijay, Ravi and Mangal do their best to save as many lives as possible but still many lives are lost including that of Mangal.

The movie is less realistic and more formulaic because the script-writers and the director have nowhere compromised on the entertainment front. The movie is damn interesting and the writer-director team should get full marks for not allowing even an ounce of boredom in this movie which is in a league of its own.

The movie starts in a very impressive way when the young engineer Ravi heads towards his destination by riding a motorbike and singing a very very inspiring song - Ek Raasta Hai Zindagi, Jo Tham Gaye To Kuchh Nahin (the life is a path and if you stop somewhere, it's nothing for you). The song runs with the credits and the drama begins soon after the song.

The art director - Sudhendu Roy is the unsung hero of this movie who has done a splendid job by bringing a coal mine area, tunnels, tea stall cum Dhaaba (small restaurant), workers' homes etc. everything as alive on the screen. The complete look of this movie is realistic (though the script is formula-based).

Rajesh Roshan's music is not great but the song mentioned above as well as in the title of this review is a memorable one which Kishore has sung (with Lata also contributing). The other song that stands out is Dhoom Mache Dhoom Aaj Ki Raina sung jointly by Lata, Rafi, Mahendra Kapoor, S.K. Mahan and chorus. Lyrics have come from Saahir's pen.

In the author-backed role, Amitabh Bachchan has portrayed his guilt-complex, anguish and stuffiness with utmost proficiency. The role is apparently subdued but actually a highly emphatic one. Despite being a multi-starrer movie, Kaala Patthar allows Amitabh Bachchan with his soot-stained face, to stand out from the high profile cast.

Among others, Shatrughan Sinha is there with all his theatricals and Shashi Kapoor with all his jolly gimmicks. Prem Chopra has done villainy in his typical style. Ladies did not have much to do but Raakhee has delivered a very mature performance and her chemistry with Amitabh Bachchan is also touching. The emotion in the relationship of Vijay and Sudha is subtle and remains as undercurrent in their interaction. Both Amitabh and Raakhee have performed this part with perfection. The director has not done any injustice to any actor in this multi-starrer movie and all have got ample screen-space and scope to show their mettle. Sanjeev Kumar also impresses in his cameo of the outgoing doctor.

Kaala Patthar was commercially not successful when released. May be because the people were expecting something different from the maker of feelgood movies. However it can be considered a classic now.