L'arme au poing

Forgettable time-waster, without purpose or meaning. It proves that even a few wild car chases and large-scale explosions can't sustain a desperately uninteresting and uninvolving story. The large cast is largely underused. (*1/2)

Michael Winner's films aren't complete without a lot of blood, and this one has enough to fill a bucket or two.

James Coburn is the retired hitman who comes back in to kidnap a certain Karl Stegner, a mysterious and very wealthy man wanted by the IRS and various other federal agencies.

Coburn teams up mainly with OJ Simpson, with some dubious assistance from Sophia Loren, and we have a 70s high-tech sort of caper. Lots of gadgetry, most of it explosive, large quantities of double-crossing and shooting, plenty of pretty shots of the Caribbean from floating gin palaces, and a plot of such ludicrous over-complexity that it's silly.

It was obviously immense fun to make: several very large houses get burned down, bulldozed and otherwise trashed. As do various means of transportation. With lots of explosions and shooting.

It's implausible and it's almost impossible to understand why anyone would do what these people do, but apparently this is what they do. Bullets fly and things blow up.

There is an awful lot of frenetic activity, constantly accompanied by the sound of gunfire with regular scenes of conflagration.

Did I mention that there's a lot of shooting and explosions in this? In case I didn't, there is, as well as a very confusing plot.

It's not a very good movie.

The Quick Pitch: A respected chemist is murdered because of information he has on some faulty pharmaceuticals. The chemist's wife, Adele Tasca (Shopia Loren) wants the government to bring gun-for-hire Jerry Fanon (James Coburn) out of retirement to track down the man responsible. From there on, things get complicated with twist after twist that I'm not going to even try to explain.

Across the internet, I see a lot of people slagging on Firepower. No, it's not great and it's got its share of problems, but it sure is fun. As my title indicates, tell me a movie starts both Loren and Coburn and I'm in. I thought both were quite good given the material they were handed. The supporting cast is interesting, with Anthony Franciosa, Eli Wallach, Vincent Gardenia, and O.J. Simpson (Simpson's line about not killing anyone made me chuckle). Add in plenty of over-the-top explosions, lots of intrigue, and some fantastic looking Caribbean locations, and everything is in place for a good time.

Unfortunately, though, there's a thing called plot that's necessary for a good movie. The problem with Firepower is that the plot is too complicated for its own good. There are so many twists and turns that I defy anyone to keep up and understand everything that's going on. Who is on whose side? What is the mob's role? Who is Fanon's lookalike and why is he in the movie? A simpler plot would have really helped.

One more thing that gave me more than one unintentional laugh, as Fanon and Co are making their escape from the baddie's plantation, they are helped along over and over again by some of the most fortunate coincidences I've ever seen. For example, Fanon is being chased by three guys on horseback with a helicopter overhead. Miraculously, just as the baddies are bearing down on Fanon, a preset explosive detonates, destroying the helicopter. The three biggest chunks of the wreckage just happen to hit the three guys on the horses. How convenient!

5/10

Aging stars try to cash in before the new 1980s action landscape changes it all. Featuring a fickle Sophia Loren, this movie lacks any real passion from its actors - whether it's romance or anger. The actors don't seem to feel anything no matter if they are betrayed, shot, or blowing bad guys up. The signature traits of each actor is missing for some reason: Loren minus the allure. Colburn minus the physicality, Wallach minus the menace. Some great character actors but they don't have enough to work with. The result of pushing out product after Jaws And Star Wars brought broad appeal back to the box office.

Sophia Loren is out for revenge and the FBI wants to get one of the world's richest men who is a Howard Hughes like recluse. This guy put out a hit on her husband who was blown up in a laboratory with a mail bomb. What to do, but call in the FBI in the person of Vincent Gardenia.

But getting the Hughes like gazillionaire ain't easy so the FBI calls in a consultation with the Mafia as represented by Eli Wallach. Lots of Firepower will be needed, but even more brains. The best guy for the job is independent contractor James Coburn who sets out to storm the rich guy's fortress on Antigua.

The nice Caribbean location and the chance to see a few movie names are the only reason to see this ridiculous action thriller. Both Clint Eastwood and Charles Bronson turned this one down and poor James Coburn was left holding the bag. Bronson, who worked with director Michael Winner on any number of projects, left this cold, so you know he was hearing the faint sounds of Thanksgiving.

Even Anthony Franciosa, one of the most underrated players ever, looks ridiculous in this as the doctor feel good to the rich and reclusive. Add to that Billy Barty as a midget mob boss and you get the idea how ridiculous this one is.

Unless you like all the stars like I do and want to see O.J. Simpson get what's coming to him, stay away from Firepower.