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IMDbPro

Le cavalier électrique

Titre original : The Electric Horseman
  • 1979
  • Tous publics
  • 2h 1min
NOTE IMDb
6,4/10
11 k
MA NOTE
Jane Fonda and Robert Redford in Le cavalier électrique (1979)
Regarder Official Trailer
Lire trailer2:32
2 Videos
37 photos
ComédieDrameOccidentalRomance

Un champion de rodéo sur le retour vole le cheval de son entreprise et s'enfuit dans le désert, avec une fougueuse journaliste à ses côtés.Un champion de rodéo sur le retour vole le cheval de son entreprise et s'enfuit dans le désert, avec une fougueuse journaliste à ses côtés.Un champion de rodéo sur le retour vole le cheval de son entreprise et s'enfuit dans le désert, avec une fougueuse journaliste à ses côtés.

  • Réalisation
    • Sydney Pollack
  • Scénario
    • Robert Garland
    • Paul Gaer
    • Shelly Burton
  • Casting principal
    • Robert Redford
    • Jane Fonda
    • Valerie Perrine
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    11 k
    MA NOTE
    • Réalisation
      • Sydney Pollack
    • Scénario
      • Robert Garland
      • Paul Gaer
      • Shelly Burton
    • Casting principal
      • Robert Redford
      • Jane Fonda
      • Valerie Perrine
    • 53avis d'utilisateurs
    • 33avis des critiques
    • 64Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 1 victoire et 1 nomination au total

    Vidéos2

    Official Trailer
    Trailer 2:32
    Official Trailer
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona

    Photos37

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 32
    Voir l'affiche

    Rôles principaux56

    Modifier
    Robert Redford
    Robert Redford
    • Sonny
    Jane Fonda
    Jane Fonda
    • Hallie
    Valerie Perrine
    Valerie Perrine
    • Charlotta
    Willie Nelson
    Willie Nelson
    • Wendell
    John Saxon
    John Saxon
    • Hunt Sears
    Nicolas Coster
    Nicolas Coster
    • Fitzgerald
    Allan Arbus
    Allan Arbus
    • Danny
    Wilford Brimley
    Wilford Brimley
    • Farmer
    Will Hare
    Will Hare
    • Gus
    Basil Hoffman
    Basil Hoffman
    • Toland
    Timothy Scott
    Timothy Scott
    • Leroy
    James Sikking
    James Sikking
    • Dietrich
    • (as James B. Sikking)
    James Kline
    • Tommy
    Frank Speiser
    • Bernie
    Quinn K. Redeker
    Quinn K. Redeker
    • Bud Broderick
    • (as Quinn Redeker)
    Lois Hamilton
    Lois Hamilton
    • Joanna Camden
    • (as Lois Areno)
    Sarah Harris
    • Lucinda
    Tasha Zemrus
    • Louise
    • Réalisation
      • Sydney Pollack
    • Scénario
      • Robert Garland
      • Paul Gaer
      • Shelly Burton
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs53

    6,410.6K
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    10

    Avis à la une

    6SnoopyStyle

    good actors in problematic story

    Sonny Steele (Robert Redford) was a rodeo star who signed an endorsement deal with a breakfast cereal company. His star has since faded. He drunkenly travels around the country pitching the cereal with Wendell (Willie Nelson), Leroy and his light up electric suit. They replace him with another rider and nobody cares. Hallie Martin (Jane Fonda) is looking to write a story but the company won't let her interview him. He arrives in Las Vegas to ride a race horse on stage but he finds the horse drugged and injured. Charlotta (Valerie Perrine) comes looking for a divorce from Steele. He decides to ride out with the horse and not look back.

    I don't really get the Hallie Martin character. Was the rodeo ever that big? She's putting in a lot of effort to do a story about a washed-out cowboy. I don't know why that's a big story anywhere. Even if he's washed-out, why would that be news? It would make more sense for her to start looking for the story after he rides out with the horse. Robert Redford returns to the big screen after a hiatus. That may be the reason for its success. Willie Nelson has a couple of great songs. The actors keep the movie afloat despite the poor basic concept of the movie.
    6TBJCSKCNRRQTreviews

    The horse fairy-tale

    I like Pollack. I'm not sure there's anything that I wouldn't at least give a chance, as long as he had an important part in the making of it. This is probably the most formulaic thing I've seen of his... which isn't to say that it's necessarily bad. It's just that, well, if you don't see the majority of what happens in this, coming, the likeliest explanation is that you haven't seen one of the many films that follow essentially the same plot. It's not exactly unpredictable. The points of it are also made in a pretty see-through manner, with poignant speeches and the like. But with those in mind, and the fact that this isn't necessarily meant to be taken too seriously, this isn't bad. The direction is effective. Its editing and cinematography are well-done. The acting leaves little to be desired. The writing is good. The characters are at least average. The music is very fitting. That would be the original version, with Willie Nelson performing it, not the other kind. There is a limited amount of language in it, of varying degree, not a lot of which is terribly harsh. The drug/alcohol material is vague, and the sexuality tends to be tastefully done(for being partially set in Las Vegas, this is mighty clean). I recommend this to any lovers of the four-legged animal, Redford, Fonda and/or anyone else who helped create this. 6/10
    rondine

    A simple tale of a simple man who sets himself and a horse, free.

    To those people who didn't understand this movie, perhaps they were expecting something other than a simple tale. In this effective movie, Robert Redford plays "Sonny" Steele, a former 5 time rodeo champion who now hocks breakfast cereal for the sinister corporation, Ampco. Although a world champion cowboy, Sonny is no good at selling cereal. When Ampco buys a thoroughbred horse to solidify a merger, Sonny is outraged at how the horse has been mistreated. When he steals the horse in an attempt to set it free & get it back to nature, he is in fact attempting to make right what is also wrong in his own life. Jane Fonda who plays Hallie Martin, a reporter, is also caught up in the hype when she tries to get the story on an exclusive. As she follows his story & his struggle to set the horse free in an appropriate place, she comes to understand Sonny the man. This charm of this movie is its underlying message of a simple life, unfettered by hypocrisy and falseness as the right way to live and the redemptive quality of a man returning to that. Understated directing and a good supporting cast make this a movie worth watching.
    9ejb4501

    Seen this movie 100 times

    OK, first, to the reviewer that suggested "too much Fonda" and would have liked to see Susan St. James or Jennifer Warren in the role of Alice, you are forbidden from ever reviewing again. Fonda was perfect, and more on that later.

    Second, this is not about a cowboy freeing a horse who is about to be drugged, as some reviewers have said. The horse was drugged from the beginning. Sonny noticed it, and that was a contributing factor to his subsequent actions.

    This movie is about a man who strayed far from who he was, and who sought to find himself again. The horse is metaphoric: it is drugged, exploited, and broken, just like the man. So, the man attempts to find himself, as he helps the horse find itself again, so to speak. And, in the process of trying to report the story, the Fonda character attempts to find herself as well, for she has become neurotic, pill-popping, and uptight in her quest to become a star reporter. And, of course, as they travel the countryside, we find America.

    Back to Fonda. Fonda's casting has always been that of the strong but flawed "career" woman, from "Barbarella", to "Klute", to "Electric Horseman". She is independent, doesn't need a man. As the tough and aggressive reporter in personal crisis, she is cast perfectly. St. James has neither the strength nor the necessary equal dose of vulnerability that Fonda can muster. This is about chemistry as well. Redford and Fonda have teamed up before, and the chemistry is proved.

    So this brilliant and simple story illustrates and creatively reinforces the the idea of straying from true nature, and the need to find it again.

    VERY good film.
    9jimw-63592

    Great Movie!

    I was only 11 years old at the time when this movie hit the theatres. A friend of mine and his dad invited me to go see The Electric Horseman. I knew of Robert Redford, but this was the first movie of his that I had seen in a theatre. I really enjoyed it, and I thought how cool Redford was as a modern day cowboy. I have never been a fan of Jane Fonda, but she is a very actress and she did a fine job in this movie. I thought the addition of Willie Nelson and his music really made this a great film. I read once that Redford and Nelson sat next to each other on an airplane flight and Redford asked Willie if he wanted to be in the movie. I also really love the soundtrack and the scenery is incredible. I wish that this movie would come out on Blu ray soon so I can buy it. If you haven't seen it, I highly recommend that you rent it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The name of Sonny Steele's horse in the film is "Rising Star". The star steed was played by a 5-year-old bay thoroughbred called "Let's Merge" after a 6-month equine talent search. Robert Redford bought the horse after production was complete and owned him for 18 years before the horse passed away.
    • Gaffes
      The video footage shown on television of Sonny Steele's speech about the horse doesn't match what Alice would have actually shot. The camera movement, lighting and direction of where Steele was facing while talking is completely different.
    • Citations

      Wendall: I'm gonna get me a bottle of tequila and find me one of them Keno girls that can suck the chrome off a trailer hitch and just kinda kick back.

    • Versions alternatives
      The film's original soundtrack has been changed in different ways for its two DVD releases:
      • The Image DVD replaces Dave Grusin's beautiful "Freedom Epilogue" score music (where the horse is set free) with a reprise of "My Heroes Have Always Been Cowboys" by Willie Nelson, originally heard during the opening credits. This actually works well, though one wonders why a piece of original score had to be changed.
      • The newer Universal release goes a step further, removing "My Heroes Have Always Been Cowboys" from the opening credits (and in fact from the film completely) as well as "Freedom Epilogue" and replaces them both with a very inappropriate generic harmonica-driven instrumental which is meant to sound like a Willie Nelson song.
    • Connexions
      Featured in Sneak Previews: The Electric Horseman, Cuba, Going In Style, The Black Hole, All That Jazz (1979)
    • Bandes originales
      Midnight Rider
      (uncredited)

      Written by Gregg Allman and Robert Payne

      Performed by Willie Nelson

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    FAQ19

    • How long is The Electric Horseman?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 avril 1980 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El jinete eléctrico
    • Lieux de tournage
      • Grafton, Utah, États-Unis
    • Sociétés de production
      • Universal Pictures
      • Columbia Pictures
      • Wildwood Enterprises
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 61 801 971 $US
    • Montant brut mondial
      • 61 801 971 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 1min(121 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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