Ajouter une intrigue dans votre langueSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no ma... Tout lireSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Police Captain Speer
- (as Warren Kemmerling)
- Herman Burmeister
- (as William Derringer)
Avis à la une
A change of director mid-production (Tobe 'Texas Chain Saw Massacre' Hooper replaced by John 'Bud' Cardos) and a last-minute alteration to the plot (the original script's zombie replaced by a nasty extraterrestrial) undoubtedly contributed to The Dark's failure as an effective horror movie. But the worst thing about the film is the fact that it more than lives up to its title by being extremely dark, making it a real strain on the eyes throughout.
It's a shame, because there's a fun film in there trying to get out: Cardos isn't a 'great' director, but he's more than capable of delivering an entertaining B-movie as evidenced by his Kingdom of the Spiders and Mutant. The cast is also pretty good for this kind of fare, with William Devane and Cathy Lee Crosby making affable leads, and Richard Jaeckel suitably stoic as the beleaguered cop on the case Det. Dave Mooney. Also surprisingly good is Roger Kellaway's soundtrack, with dischordant music and eerie whispering voices providing plenty of atmosphere.
4.5 out of 10, rounded up to 5 for the pew pew alien eyeball police massacre at the end.
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
Disjointed, silly B movie. Not without some pleasures though. Keenan Wynn's fearful walk through a darkened underground car park worked for me, and there are a few unintended laughs here and there eg. William Devane's rather strange reaction to the sight of his dead daughter lying on a mortuary slab: he burps, and somewhat skittishly too. I wonder what Lee Strasberg would have thought of that. Perhaps William was expressing his heartfelt feelings toward the movie he found himself in. Actors get up to these tricks, you know.
And then there's Casey Kasem's police pathologist who is asked by a cop what colour the murderer's (still assumed to be human) skin is. Shaggy Kasem's reply of 'It's grey' is pleasantly creepy and recalls similar moments from Kolchak: The Night Stalker. In fact, Carl Kolchak's shadow looms large over this picture, even down to the unexpectedly spectacular denouement featuring a growling monster throwing cops bodily in all directions. VERY Kolchak.
Actually, damn it, I recommend this movie. It's enjoyable trash if you're in the right mood. But be warned - thanks to/in spite of post-production re-cutting (complete with inept Ed Wood type voice-over to fill in the plot holes) IT MAKES NO SENSE WHATSOEVER. Might be part of it's idiotic charm.
Le saviez-vous
- AnecdotesFrom the screenplay stage and all the way through to production, The Dark (1979)'s antagonist was an abused, autistic child who had been locked in an attic for his entire life. In the original script, his house burned down, allowing him to escape and take vengeance on the outside world. Toward the end of the shoot, the film's producers decided to capitalize on the success of Alien, le 8ème passager (1979) and demanded extensive re-shoots to change the killer into an extra-terrestrial.
- GaffesThe murders occur in Santa Monica. Yet the police are driving black & white Los Angeles police cars, bearing L.A.'s "Protect and Serve" motto. They should be driving Santa Monica police cars, which at the time were blue & white.
- Citations
Sherman Moss: I'm not afraid of the dark; I'm afraid of what's in it.
- ConnexionsEdited into The Dark (2018)
Meilleurs choix
- How long is The Dark?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 700 000 $US (estimé)