Ajouter une intrigue dans votre langueSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no ma... Tout lireSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Police Captain Speer
- (as Warren Kemmerling)
- Herman Burmeister
- (as William Derringer)
Avis à la une
Yup.
This is one of those movies that makes absolutely no impression on the mind. People talk to each other, occasionally there's a killing of some sort, people talk some more, then it all wraps up without the slightest interesting event occurring. William Devane is wasted in his role, he's excellent at playing sinister characters in other contexts, but here he's squandered.
I'm honestly unsure why this movie exists. It might be the biggest "sci-fi horror" film that doesn't have a single reason to exist. It says nothing. Nothing happens. It accomplishes nothing. Nothing nothing nothing.
The end.
It all starts with an apology (or prologue if you prefer) that attempts to convince the audience that if electric eels can shock than who knows what's out in space(!?) This amounts to freeze framing the 'zombie movie' and superimposing laser bolts from the creature's eyes and an explosion onto the victim. That's great but the characters solving the crimes keep describing horrible mutilations (!?) I would say the acting is terrible but the lines they are given to say are horrendous. We never actually see a spaceship so 'it' apparently fell to earth on it's own. I'm dying to know how and why it's dressed like a mailman (or a factory worker in his coat sans the lunch box). The addition of a mysterious psychic (?) that shows up at inexplicable times means you know your in beer-cinema country.
Take it or leave it. I'm already stuck with my copy.
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
Le saviez-vous
- AnecdotesFrom the screenplay stage and all the way through to production, The Dark (1979)'s antagonist was an abused, autistic child who had been locked in an attic for his entire life. In the original script, his house burned down, allowing him to escape and take vengeance on the outside world. Toward the end of the shoot, the film's producers decided to capitalize on the success of Alien, le 8ème passager (1979) and demanded extensive re-shoots to change the killer into an extra-terrestrial.
- GaffesThe murders occur in Santa Monica. Yet the police are driving black & white Los Angeles police cars, bearing L.A.'s "Protect and Serve" motto. They should be driving Santa Monica police cars, which at the time were blue & white.
- Citations
Sherman Moss: I'm not afraid of the dark; I'm afraid of what's in it.
- ConnexionsEdited into The Dark (2018)
Meilleurs choix
- How long is The Dark?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 700 000 $US (estimé)