Des équipes de pom-pom girls se rendant en bus à une compétition d'État sont kidnappées par d'anciens joueurs de football pour obtenir une rançon.Des équipes de pom-pom girls se rendant en bus à une compétition d'État sont kidnappées par d'anciens joueurs de football pour obtenir une rançon.Des équipes de pom-pom girls se rendant en bus à une compétition d'État sont kidnappées par d'anciens joueurs de football pour obtenir une rançon.
- Réalisation
- Scénario
- Casting principal
Wally Ann Wharton
- Lisa
- (as Ann Wharton)
Lachelle Chamberlain
- Terri
- (as Lachelle Price)
Marilyn Joi
- LaSalle
- (as Tracy King)
Lenka Novak
- Jeanne
- (as Hana Byrbo)
Avis à la une
We all know how titty-flicks are supposed to be right? Well, Cheerleader's Wild Weekend ignores all predetermined conventions. The girls are ugly. They are kidnapped, yet none are raped. Their are no pillow fights or happy moments of jumping. I'm not sure why they tried so hard on the plot, either.
This movie seems to combine the 70's drive-in fascination with the Patty Hearst kidnapping with its fascination for sexy cheerleaders. Three squads of cheerleaders are on their way to a competition and for some reason are sharing a single school bus (even though one is a tough, inner-city squad and another is from an elite private school) when they are all kidnapped and held for ransom by a group of ex-jocks who call themselves the National American Liberation Army. There's the usual sexploitation filler--the captors and the cheerleaders kill time by having a topless beauty contest, lead Kristine DeBell has (offscreen) sex with the good guy kidnapper,and the lone female kidnapper (who is of course a lesbian) seduces one of the other girls in a bathtub. Finally, the three teams ban together to fight back, which mainly involves a long, gratuitous scene where they all strip off their underwear and fashion it into a rope which they use to trip one of the kidnappers. (Someone could have just stuck her foot out, but where's the fun in that?)
This movie is surprisingly politically incorrect. The black kidnapper is the bad guy while the handsome white kidnapper turns out to be a sympathetic good guy. Still it's refreshing to actually see a black villain for a change and he's the best actor in the movie next to Kristine DeBell. DeBell, of course, was the talented and appealing actress whose career was ruined when it was found out that she had earlier appeared in a porno movie (strangely, a similar thing happened to untalented boob-job Michelle Bauer, but that didn't stop her from going on to appear in 500 low-budget movies that were even worse than her early porno efforts--go figure). This is neither the best of the cheerleader movies (try "The Swinging Cheerleaders", "The Pom-Pom Girls", or "Satan's Cheerleaders")nor the best of the Patty Hearst/kidnapping movies (try "The Candy Snatchers", "Sweet Sugar" or "Abduction"), but if you like mixing your poisons, by all means, check it out.
This movie is surprisingly politically incorrect. The black kidnapper is the bad guy while the handsome white kidnapper turns out to be a sympathetic good guy. Still it's refreshing to actually see a black villain for a change and he's the best actor in the movie next to Kristine DeBell. DeBell, of course, was the talented and appealing actress whose career was ruined when it was found out that she had earlier appeared in a porno movie (strangely, a similar thing happened to untalented boob-job Michelle Bauer, but that didn't stop her from going on to appear in 500 low-budget movies that were even worse than her early porno efforts--go figure). This is neither the best of the cheerleader movies (try "The Swinging Cheerleaders", "The Pom-Pom Girls", or "Satan's Cheerleaders")nor the best of the Patty Hearst/kidnapping movies (try "The Candy Snatchers", "Sweet Sugar" or "Abduction"), but if you like mixing your poisons, by all means, check it out.
Outside of some gratuitous nudity, there is precious little to recommend this. This was made by some of the people involved with FLESH GORDON and ALICE IN WONDERLAND, the two mid 70's porno films. Both were released in a hard version and then re-cut and played for years in toned down R versions. CHEERLEADERS features Kristine Debell ( who played Alice ) and Jason Williams ( who played Flesh, and who co-wrote this disaster ), the only other cast member of note is Marilyn Joi. The movie veers wildly between dumb T & A and a ridiculous kidnapping plot, never finding any stable tone or providing any laughs or thrills. In fact, the plot is so ridiculous it's not even worth touching on. The acting is poor all around and the direction is laughable to non existent. Kristine should be the sole reason to watch this but the film fails miserably on this level as well. While top billed, she's barely in this, has very little to say or do, and never gets naked. A huge let down as Kristine was so beautiful back then. She was involved with producer Osco for several years following ALICE and perhaps that relationship allowed her to participate in a T & A film without showing any skin. She would go from this to MEATBALLS and onto bigger things, but her career never caught fire.
10jayfurr
The classification of this movie into "Horror" isn't really appropriate. It's basically a goofy flick with lots of bared flesh and a plot involving the kidnap of a busload of cheerleaders on their way to a competition. There's never any danger and it all has a happy ending. The reason to see it is simple: you like watching goofy mindless 1980's-era teenage exploitation flicks, and they don't come any more to the point than this. The ultimate mid-1980's tour de force!
This is an apparent late 1970's film about a group of "high school" cheerleaders travelling by bus whom gets stopped by a few kidnapped in former football players wanting to use these cheerleaders as some sort of prize. The topic is quite serious but there is a bit of light heartedness along the way.
The acting isn't too bad as there are a lot of women cheerleaders displayed. It is certainly more of a feature film than a straight softcore though of course there are few scenes of explicit nudity (including a lengthy "beauty contest" scene as one of the highlights with several cheerleaders forced to strip and prance around- roughly around the 39:00 marker). Then the brief bathroom scene with the nurse and one cheerleader (44:10).
The conclusion finale heist scene involving the elevator and how things were set up with the ransom money was well done and quite intriguing. A little bit flawed such as how did they know to get the same exact paper bag as the hostages.
In the end it's a decent enjoyable drama comedy for what's it's meant to serve.
The acting isn't too bad as there are a lot of women cheerleaders displayed. It is certainly more of a feature film than a straight softcore though of course there are few scenes of explicit nudity (including a lengthy "beauty contest" scene as one of the highlights with several cheerleaders forced to strip and prance around- roughly around the 39:00 marker). Then the brief bathroom scene with the nurse and one cheerleader (44:10).
The conclusion finale heist scene involving the elevator and how things were set up with the ransom money was well done and quite intriguing. A little bit flawed such as how did they know to get the same exact paper bag as the hostages.
In the end it's a decent enjoyable drama comedy for what's it's meant to serve.
Le saviez-vous
- AnecdotesThe scene with the farmer's pick-up being run off the road was shot without permits.
- GaffesThe establishing shot of the hotel shows it has five stories yet characters refer to the eight floor.
- Citations
George Henderson: Ladies! You're all the prisoners now of The National American Army of Freedom.
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- How long is The Great American Girl Robbery?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Bus 17 Is Missing
- Lieux de tournage
- 109 N. Sycamore Ave. Los Angeles, Californie, États-Unis(The Warwick hotel where ransom is delivered)
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 27 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for The Great American Girl Robbery (1979)?
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