Chapitre deux

Shortly after the death of his beloved wife, a witty but man-of-moods writer falls in love with a temperamental and equally witty actress, being encouraged by his full-blooded brother and her romance-hungry best friend who have problems of their own.

This film version of Simon's autobiographical play no doubt rewards his addicts with several bright one-liners and also some permissive, gloomier-than-usual domestic drama, (all sparked by detailed performances), but possibly disappoints others with its thin and slightly uneasy plot, occasional bursts of sentimentality and the unconvincing motivations of its central character.

I cannot believe the review I just read about this movie. It makes me want to be in a relationship. I think Neil Simon's writing for this movie is full of great lines and the speech Marsha Mason gives is so wonderful and she really pulls it off. I have played that part over and over and told several people about it who haven't seen the movie. And I thought the chemistry between Caan and Mason was pretty good and they were believable as a couple. I also thought the supporting actors played good roles--the brother (Bologne) and the friend (Harper). It had some good scenery too. The music score wasn't so good. The move is a little slow--a romance--a chic flic, I guess. I loved the ending.

CHAPTER TWO is a long and rambling film version of one of Neil Simon's best plays. Like BRIGHTON BEACH MEMOIRS and BILOXI BLUES, this story is based on a part of Neil Simon's own life. James Caan plays George Schneider, a fictionalized Simon, a writer who has just returned from a trip around the world after the death of his wife. Sadly, George made the mistake of visiting all of the places he traveled with his late wife and it has apparently not aided his grieving process. At the urging of his brother, Leo (well-played by Joseph Bologna), George agrees to go on a blind date with an attractive divorcée named Jennie McLaine (Marsha Mason). Their first date is actually over the phone but they do eventually come face to face and move into a whirlwind romance which leads to a quick engagement and marriage...perhaps too quick because shortly into his new marriage, George realizes he really hasn't finished grieving over his first wife and begins to push Jennie away. Simon's first wife passed away and he eventually met and married Marsha Mason, so essentially, Mason is playing herself here and not surprisingly does it pretty effectively. However, in attempt to expand the play for the screen, it has become labored and way too long...the scenes of George and Jennie on their honeymoon go on way too long and bring the film to a dead halt. Another problem is James Cann's wooden performance as George. Caan never seems to grasp the rhythm of Simon's writing and makes George a little too melancholy. Bologna is solid, as always, as is an anorexic looking Valerie Harper, who appears as Jennie's best friend, Faye. If you're a Marsha Mason fan, it's worth checking out, others beware...

In short, a classic example of an effort where the dialogue runs the film, not special effects, sex, or some other 'popular' innovation. The repartee is bright, witty, and hilarious. Reminds me of the Walter Matthau-Glenda Jackson films.

The main characters' initial phone exchanges are phenomenal and hilarious. Later, the two supporting characters (played by Joe Bologna and Valerie Harper) have a meaningful exchange after being interrupted during a daytime tryst. Great dialogue. Well worth the two hour running time!! Enjoy.

Autobiographical comedy/drama by Neil Simon. In it a recent widower George Schneider (James Caan) meets and falls in love with a recent divorcee Jennie MacLaine (Marsha Mason). He marries her quickly, but realizes he hasn't gotten completely over his first wife. Is her love for him enough to see them through?

This was based on the real troubles Simon had when he married Mason in the early 1970s. He got over them (not completely though--they divorced in 1981) and wrote "Chapter Two" for the stage. I never saw it on the stage but I remember seeing this movie up the theatre back in 1980. I loved it (with reservations) back then and I still love it (with reservations) now.

The dialogue is virtual non-stop one-liners--real people don't talk like that but it is fun and entertaining to listen to. The dramatic sequences work well especially with Mason giving her all to what must have been a very difficult role for her to play. She's just tremendous (and drop-dead gorgeous) and was understandably nominated for an Academy Award for Best Actress for this role (she lost to Sally Field for "Norma Rae"). The film looks beautiful, moves fairly quickly and there's nice strong support from Joseph Bologna and (especially) Valerie Harper...but there's one big problem. James Caan. He's a wonderful DRAMATIC actor...NOT comedic. He seems very uncomfortable playing a mild-mannered grieving man, and the poor guy has no comedic timing and doesn't know how to tell a joke--most of his lines fall flat.

With a better leading man I might have given it a 10. As it is this is a strong 9. Worth catching...especially for Mason.