Bienvenue Mister Chance

The original "Forrest Gump" came out in 1979 when Hal Ashby's "Being There" was first released. A quietly brilliant, hilarious, heart-wrenching and heart-warming motion picture that showed how great Peter Sellers (Oscar-nominated) was and how limitless his range was. He stars as a gardener at an old mansion in Washington, D.C. who has never been outside of the owner's small piece of property. When the owner dies, he has to leave the only home he has ever known. Sellers has no knowledge of anything except what he sees on television and he has a strange sort of child-like innocence that endears him to all he comes into contact with. After a minor accident, Sellers is taken to the home of a ridiculously wealthy political lobbyist (Melvyn Douglas in his second Oscar-winning performance) who is literally being kept alive as he has a rare form of cancer. Douglas immediately takes a liking to Sellers and so does his much-younger wife (Shirley MacLaine). Sellers is now in the spotlight though as he gets to meet the president (Jack Warden) and slowly starts to gain popularity and political support from those around him. Of course Sellers does not realize any of this as his understanding of such things are beyond his somewhat limited mental capabilities. A simply brilliant film that is carried by Sellers' amazing personal best performance. Everyone else is adequate, but this is Sellers' show. Douglas won the Oscar mainly due to sympathy votes, but surprisingly Sellers would die before Douglas as he passed away less than six months after receiving his Oscar nod of a massive heart attack. As good as Dustin Hoffman was in "Kramer vs. Kramer", I still wish that Sellers would have won the Oscar for this role which is one of the finest performances ever throughout the entire history of the cinema. 5 stars out of 5.

I was amazed after all those Pink Panther films, what a wonderful actor Peter Sellers was. This allows him to stretch himself. He is Chauncy Gardner, a man suddenly bereft of his existence, out on his own. His simplistic view of the world is based on the television that he watches endlessly when he is not doing his job. There is the wonderful scene where he is mugged and he uses his remote control to try to get rid of the muggers. The script gently moves him into a tremendous position of power he doesn't even understand, and yet it keeps him dignified, not a comic buffoon, as he may have been portrayed today. Even when the chariots come crashing down, he has that gentle soul. What we get with him is the genuine article and since he didn't know to exploit, he can't really be seen as anything but the soulful fellow he is. Excellent portrayal of a character.

Even as a kid I loved this movie and upon seeing it again as an adult I found much to re appreciate in this marvelous sleeper of a film. Sellers is in top form as are the supporting cast--the shear farce of it all makes the improbable seem probable--and as a vehicle for political/social commentary it ranks as one of the best dark comedies ever made. The inclusion of all the 70's TV clips make Being There an invaluable period piece and provide the film with some of it's funniest scenes. The movie also provides an interesting portrayal of the trappings of the super wealthy and it's portrayal of the workings of power and money are reminiscent of some of Kubrick's better work. Check out the all seeing eye of the Illuminati on the apex of the pyramid of "Rand's" mausoleum during the funeral scene. Pretty powerful stuff--makes Being There all the more an important and revealing work--as well as spiritual. Like the protagonist, Chauncey Gardner, there's something about this film that makes you feel better about life and , yeah, even about death. Kosinski's, Ashby's and Seller's gift to us all.

Hal Ashby has to be one of the most under-appreciated directors there has ever been, and "Being There" is one of his many fine achievements. It has the benefit of fine source material adapted very well for the screen by the writer of the novel, Jerzy Kosinski, but Asbhy's fine work as director and Caleb Deschanel's brilliant cinematography, in addition to some fine editing and Peter Sellers' absolute best performance elevate this film from good tragicomedy to a minor masterpiece, and a criminally overlooked one, though not nearly as overlooked as Ashby's "Bound for Glory".

I liked "Being There" the first time I saw it, but like many truly great films I did not come to appreciate it fully until after a few more viewings, including a revelatory study in a film class of the shot composition in the film, which still astounds me. There are films where nearly every frame is beautiful, and "Being There" is one of those films.

As a piece of writing, the screenplay for "Being There", Kosinski's only film work, is surprisingly effective and does not suffer from any major flaws. The film, like the novel it is based on, moves at a natural, yet surprisingly swift pace and the film never plods. It is a joy to see the thematic content of "Being There" unfold so I won't go into any detail on that, but it is handled beautifully and the film has extraordinary depth.

This film is a beautiful, intelligent, good-natured look at human nature. It's a unique and special film that stands out as one of the best films ever made for its inventive editing, outstanding shot composition, fine photography, and especially its brilliant lead performance.

10/10

Being There is a film about a simple and mildly retarded gardener, played by Peter Sellers who's entire adult life was gardening for an elderly gentleman and watching television. When the old man dies, Chancey is left homeless and on his own. Due to his past recluse surroundings he is unaware of the every day technology, such as telephone, elevators etc., which leads to some comical situations. He is saved from the streets, by a wealthy woman, Eve Rand, played by Shirley MacLean. When her limo backs into him she takes him home to be treated by her dying husbands physician Dr Allenby played by Richard Dysort. Everyone mistakes Chancey's simple mutterings as profound insight and wisdom. Benjamin Rand played by Melvin Douglas is a wealthy influential business tycoon who is well connected in politics and a personal friend of the President, played by Jack Warden. They also mistake the simple utterance's as insightful.

Although the film is comical at times, it is also very sad, as Chancey lacks awareness of what's going on around him most of the time. He has no reaction, even when Eve Rand, tries to seduce him, which is one of the many humourous scenes.

The filming and directing is good and the film moves along with a good pace, and is very entertaining and a must see for all Peter Sellers fans. Once again Sellers shows the incredible talent, that he was so well known for.