Apocalypse Now

Colonel Kurtz has disappeared within the jungle, with his troupe of fighting fiends ready to rumble, you've been tasked to take him out, but first you have to search and scout, along a river where the residents are disgruntled (to put it mildly). Lots of bloodshed, bullets, ballistics then flow, there's napalm too that conjures up a glow, many lives are lost and taken, in this hell where you're forsaken, but don't ask why - because nobody, really, knows.

Still a spectacular piece of filmmaking that demonstrates on many levels the destruction, physical and mental that armed conflict causes, and yet we perpetually fail to learn from past events.

So just how insane is 'Apocalypse Now'? Well, let's say that it is the kind of film that makes you want to bang your head against the wall. The beginning has no credits or titles; nothing. The whole film seems like it's taking place on a different world, and as the story moves on, sanity itself is shed. There was a French plantation scene that got cut out, and an alternate ending that would have had a massive battle scene outside Kurtz's compound.

'Apocalypse Now' is not a realistic film in the sense that the presentation of the Vietnam War is far from correct: helicopters going in BEFORE the napalm strikes, a USO show in the jungle at night, and the final bridge all lit-up like a Christmas tree. (for more realistic 'Nam War movies, try 'The Deer Hunter' or 'Platoon')

But what 'Apocalypse Now' lacks in historical accuracy, it makes up in artistic and dramatic scripting. Some of the best photography and lighting ever can be found here.

The film also raises some severe philosophical issues, and gives us entirely new ones. When the movie begins, the war is raging around us. It is chaotic and nerve-racking, yet still rational. When we finally get to Kurtz's base, the action has died down, but rational thinking has long since been vanquished to the point of total lunacy. This shows us the truth about men of war in times of war and peace. The voyage down the river has a sense of time travel (a sense that would have been much more apparent had the French Plantation scene remained.) And when you get to the end, keep in mind the old phrase: The King is dead... Long live the king.

Is Kurtz insane? Or are we not yet ready to understand him? These questions and more are up to you as 'Apocalypse Now has no easy answers.

I first saw APOCALYPSE NOW in 1985 when it was broadcast on British television for the first time . I was shell shocked after seeing this masterpiece and despite some close competition from the likes of FELLOWSHIP OF THE RING this movie still remains my all time favourite nearly 20 years after I first saw it

This leads to the problem of how I can even begin to comment on the movie . I could praise the technical aspects especially the sound , editing and cinematography but everyone else seems to have praised ( Rightly too ) these achievements to high heaven while the performances in general and Robert Duvall in particular have also been noted , and everyone else has mentioned the stark imagery of the Dou Long bridge and the montage of the boat traveling upriver after passing through the border

How about the script ? Francis Ford Coppola is best known as a director but he's everyway a genius as a screenwriter as he was as a director , I said " was " in the past tense because making this movie seems to have burned out every creative brain cell in his head , but his sacrifice was worth it . In John Milius original solo draft we have a script that's just as insane and disturbing as the one on screen , but Coppola's involvement in the screenplay has injected a narrative that exactly mirrors that of war . Check how the screenplay starts off all jingoistic and macho with a star turn by Bill Kilgore who wouldn't have looked out of place in THE GREEN BERETS but the more the story progresses the more shocking and insane everything becomes , so much so that by the time reaches Kurtz outpost the audience are watching another film in much the same way as the characters have sailed into another dimension . When Coppola states " This movie isn't about Vietnam - It is Vietnam " he's right . What started off as a patriotic war to defeat communist aggression in the mid 1960s had by the film's setting ( The Manson trial suggests it's 1970 ) had changed America's view of both the world and itself and of the world's view of America

It's the insane beauty of APOCALYPSE NOW that makes it a masterwork of cinema and says more in its running time about the brutality of conflict and the hypocrisy of politicians ( What did you do in the Vietnam War Mr President ? ) than Michael Moore could hope to say in a lifetime . I've not seen the REDUX version but watching the original print I didn't feel there was anything missing from the story which like all truly great films is very basic . In fact the premise can lend itself to many other genres like a western where an army officer has to track down and kill a renegade colonel who's leading an injun war party , or a sci-fi movie where a UN assassin is to eliminate a fellow UN soldier who's leading a resistance movement on Mars , though this is probably down to Joseph Conrad's original source novel

My all time favourite movie and it's very fitting that I chose this movie to be my one thousandth review at the IMDb

After the success of the first two 'Godfather' films in 1972 and 1974 respectively, Francis Ford Coppola embarked on an ambitious attempt to bring home the reality of the war in Vietnam, which had concluded with the fall of Saigon to the Vietcong in 1975… The plot was loosely based on the book 'Heart of Darkness,' a story by Joseph Conrad about Kurtz, a trading company agent in the African jungle who has acquired mysterious powers over the natives…Coppola retains much of this, including such details as the severed heads outside Kurtz's headquarters and his final words, "The horror… the horror…"

In the film, Sheen plays an army captain given the mission to penetrate into Cambodia, and eliminate, with "extreme prejudice," a decorated officer who has become an embarrassment to the authorities… On his journey up the river to the renegade's camp he experiences the demoralization of the US forces, high on dope or drunk with power…

Although, as a result of cuts forced on Coppola, the film was accused of incoherence when first released, it was by the most serious attempt to get to grips with the experience of Vietnam and a victorious reinvention of the war film genre… In 1980 the film won an Oscar for Best Cinematography and Best Sound…

"Apocalypse Now" was re-released in 2001 with fifty minutes restored… As a result, the motion picture can now be seen as the epic masterpiece it is

As I peruse through the hundreds of comments that loyal readers of the IMDB have posted on this film, I find it very interesting how few ,"middle of the road" comments there are. Everyone either loves it, or they hate it. Having seen Apocalypse Now approximately 30 times, and having recently dissected it on DVD (how did we ever live without those magical digital machines?????), I can say without hesitation that I am one of those who have a very special place in my heart for this film. "Why would you like a film that's so confusing?" ask many of my associates. The answer is this: Forget the war, forget the brutality....This is a classic story of society protecting itself from those that refuse to fall in line with the status quo. Brando represents the individual that has his own way of getting the job done. They (Big Brother) sent him out to do the job, he does it too well, without adhering to the accepted "standards" of death and destruction (Am I the only one who's troubled by the fact that we have 'standards' for death and destruction????), so they send the "Conformity Police" out to eliminate the individual. Hmmmmmm....Draw any parallels between this and things you see every day? With the deepest respect to Mr. Coppola, whom I believe is one of the best directors of all time, I think he transcended his original intent of the movie, and probably didn't even realize it until after the movie was released. The subtle sub-text that permeates the entire movie has way too much to it to have been planned and portrayed; instead, it seems to have 'grown' itself, like some wild flower in the middle of a vegetable garden. Again I must reiterate: I think FF Coppola did a bang-up job on this entire production, as did the cast and crew, but the sum of the movie exceeds the individual efforts ten-fold. So if you haven't seen the movie, rent it, watch it, then watch it again, and maybe a few more times, and look for all the generic parallels to everyday life. Only then make a judgment on the quality of the film. Those of you that have seen it, watch it again with the mindset previously described. I think you may just have a whole new appreciation for the film. Or maybe not! No matter whether you love it or hate it, be sure and give credit to Coppola for his masterful story-telling style!