Un vaisseau spatial perçoit une transmission non-identifiée comme un signal de détresse. Lors de son atterrissage, l'un des membres de l'équipage est attaqué par une mystérieuse forme de vie... Tout lireUn vaisseau spatial perçoit une transmission non-identifiée comme un signal de détresse. Lors de son atterrissage, l'un des membres de l'équipage est attaqué par une mystérieuse forme de vie, ils réalisent rapidement que son cycle de vie vient seulement de commencer.Un vaisseau spatial perçoit une transmission non-identifiée comme un signal de détresse. Lors de son atterrissage, l'un des membres de l'équipage est attaqué par une mystérieuse forme de vie, ils réalisent rapidement que son cycle de vie vient seulement de commencer.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 19 victoires et 22 nominations au total
Résumé
Avis à la une
Fantastically atmospheric, chilling and terrifying even now, the story holds up incredibly well. The special effects were incredible for the time, no wonder the franchise is still in demand, though sadly nowhere near the quality of this one or its amazing successor.
The music is fantastic, the direction is incredible, and as for the Alien itself, way ahead of its time. Weaver is phenomenal, but arguably she's upstaged by the creature.
You can't help but remember scenes days after watching it, it definitely has the chill factor.
A cinematic masterpiece. 10/10
I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.
The facehugger terrified me as a kid.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
I feel that this part is inspired by Bava's Planet of the Vampires.
The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.
This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.
But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.
The characters actually behave like thinking human beings. The soundtrack is great and the direction is superb. Especially when comparing this movie to the modern movies with similar stories that borrowed many of the things that are working well here.
A classic every horror and overall movie fan should watch.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
Le saviez-vous
- AnecdotesAccording to Yaphet Kotto, Sir Ridley Scott told him to annoy Sigourney Weaver off-camera, so that there would be genuine tension between their characters. Kotto regretted this, because he really liked Weaver.
- Gaffes(at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film.
- Citations
[last lines]
Ripley: Final report of the commercial starship Nostromo, third officer reporting. The other members of the crew - Kane, Lambert, Parker, Brett, Ash, and Captain Dallas - are dead. Cargo and ship destroyed. I should reach the frontier in about six weeks. With a little luck, the network will pick me up. This is Ripley, last survivor of the Nostromo, signing off.
[to Jonesy the cat]
Ripley: Come on, cat.
- Crédits fousThe title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible.
- Versions alternativesThe 2003 DVD release plasters the 1979 version of the 20th Century Fox logo with the 1980's version.
- ConnexionsEdited into Star Trek: La nouvelle génération: Datalore (1988)
Meilleurs choix
- How long is Alien?Alimenté par Alexa
- Where is the planetoid the Nostromo visits, and does it have a name?
- How does the spaceship create gravity? The spaceship does not seem to be rotating, although rotation is necessary to create gravity in the space.
- Does the Alien species have a name?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Alien, le huitième passager
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 84 206 106 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 527 881 $US
- 28 mai 1979
- Montant brut mondial
- 109 102 567 $US
- Durée1 heure 57 minutes
- Couleur
- Rapport de forme
- 2.39 : 1