Un vaisseau spatial perçoit une transmission non-identifiée comme un signal de détresse. Lors de son atterrissage, l'un des membres de l'équipage est attaqué par une mystérieuse forme de vie... Tout lireUn vaisseau spatial perçoit une transmission non-identifiée comme un signal de détresse. Lors de son atterrissage, l'un des membres de l'équipage est attaqué par une mystérieuse forme de vie, ils réalisent rapidement que son cycle de vie vient seulement de commencer.Un vaisseau spatial perçoit une transmission non-identifiée comme un signal de détresse. Lors de son atterrissage, l'un des membres de l'équipage est attaqué par une mystérieuse forme de vie, ils réalisent rapidement que son cycle de vie vient seulement de commencer.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 19 victoires et 22 nominations au total
Résumé
Avis à la une
The characters actually behave like thinking human beings. The soundtrack is great and the direction is superb. Especially when comparing this movie to the modern movies with similar stories that borrowed many of the things that are working well here.
A classic every horror and overall movie fan should watch.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
I first saw this in the late 80s on a vhs n as a kid i found it to be a bit slow but was shaken by the chestburster scene.
The facehugger terrified me as a kid.
Revisited all the four parts in the early 2k on dvds which i own.
Revisited this part again few days back as i am on Alien movie marathon n very impatient to check out Prometheus n Covenant.
I feel that this part is inspired by Bava's Planet of the Vampires.
The ruins with the skeletal remains, the design and shots of the ship itself does have the deja vu effect.
This one is atmospheric n dark, gory at times, it has enuff stuff for sci fi fans, it also has slasher n war like tone.
But the best thing is the feminist tone where in this part the women are not being cast as the helpless victims.
Seems to get better and better as time goes on, maybe because as I mature, I appreciate the fine acting details or is it that there are fewer and fewer films to compare Alien to. Alien is a masterpiece in so many areas (in no order); Editing, photography, acting, direction, art, music, sound, script. In fact Alien ought to be mandatory viewing for every film director whether budding or currently or even as a refresher for well seasoned film makers.
It's so clear Ridley was able to make the film he wanted to make without interference from non creative parties.
All 'Alien' Movies Ranked by IMDb Rating
All 'Alien' Movies Ranked by IMDb Rating
Le saviez-vous
- AnecdotesAccording to Yaphet Kotto, Sir Ridley Scott told him to annoy Sigourney Weaver off-camera, so that there would be genuine tension between their characters. Kotto regretted this, because he really liked Weaver.
- Gaffes(at around 1h 35 mins) A crewman with a black panel of some kind is visible through the smoke as Ripley runs through the corridors at the end of the film.
- Citations
Ripley: Ash, can you hear me?
[slams her hands down on the table]
Ripley: Ash?
Ash: [awakens and starts speaking in an electronic and distorted voice] Yes, I can hear you.
Ripley: What was your special order?
Ash: You read it. I thought it was clear.
Ripley: What was it?
Ash: Bring back life form. Priority One. All other priorities rescinded.
Parker: The damn company. What about our lives, you son of a bitch?
Ash: I repeat, all other priorities are rescinded.
Ripley: How do we kill it, Ash? There's gotta be a way of killing it. How? How do we do it?
Ash: You can't.
Parker: That's bullshit.
Ash: You still don't understand what you're dealing with, do you? The perfect organism. Its structural perfection is matched only by its hostility.
Lambert: You admire it.
Ash: I admire its purity. A survivor... unclouded by conscience, remorse, or delusions of morality.
Parker: Look, I am... I've heard enough of this, and I'm asking you to pull the plug.
[Ripley goes to disconnect Ash, who interrupts]
Ash: Last word.
Ripley: What?
Ash: I can't lie to you about your chances, but... you have my sympathies.
- Crédits fousThe title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the slash in A and the backslash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible.
- Versions alternativesThe 2003 DVD release plasters the 1979 version of the 20th Century Fox logo with the 1980's version.
- ConnexionsEdited into Star Trek: La nouvelle génération: Datalore (1988)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Alien, le huitième passager
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 84 206 106 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 527 881 $US
- 28 mai 1979
- Montant brut mondial
- 109 102 567 $US
- Durée
- 1h 57min(117 min)
- Couleur
- Rapport de forme
- 2.39 : 1