Minder

Minder is an 80s classic that follows the adventures of the wiley businessman Arthur Daley, always on the lookout for a nice little earner, and ably assisted by Terry McCann, his trusty (although sometimes reluctant) minder. George Cole and Dennis Waterman make for a great team with chemistry to spare, with support by Dave, proprietor of the Winchester Club (who has to endure Arthur clocking up those VATs on the slate). Arthur's dodgy dealing often brings him to the attention of the law or other less than salubrious characters, which usually means that Terry has to sort things out with his fists, and so invariably ends up with his boat race in a right two and eight. Minder is a very entertaining show and always worth a revisit, although the sparkle is tarnished somewhat when Terry leaves to be replaced by Arthur's nephew, Ray (and the least said about the 2000s Shane Ritchie-fronted reboot, the better).

Probably the best comedy/drama to ever come from ITV. Arthur Daley is an entrepreneur. If he can make money, Arthur's interested. Except that he's also the king of dodgy deals, which calls for him to have a bodyguard or a minder. His minder is Terry McCann. He's just out of prison and needs the work. The relationship between Terry and Arthur is sometimes strained to its limit, but they're loyal to eachother. They're forever trying to dodge the law, and always succeed.

George Cole (Arthur) and Dennis Waterman (Terry) made the charcters and I can't imagine anyone else playing them so well. George Cole is an extremely experienced actor, as is Dennis Waterman and this shows throughout each episode. Just little things like raised eyebrows or a quick cheeky grin, give a whole new perspective to the programme. In all Arthur Daley is the man we love to distrust.

I was 8 years old when this started, and when I left home aged 18 it was still on. The theme tune followed me through the 80s - Bagpuss came and went, Dangermouse arrived, a raft of American programmes designed to sell toys (which was a brand new idea then) crashed onto UK shores, the Commodore 64 bleeped and caroused in the corner, acid house music chipped and blooped onto the radio..... and Arthur & Terry were still there. I saw a handful of episodes as child & teenager, and always found the on- screen chemistry pulled me in...... but I did feel that it had become a bit of a dinosaur by 1990. I left home and virtually forgot about it, until ITV4 started re-running it again.

The writing was, and is, simply superb. Secondary characters are strongly developed and given good lines, something non-existent nowadays (see Taggart, Waterloo Road, Monarch Of The Glen) and almost every episode hangs together as a complete thing, ends tied up, viewer satisfaction assured. That takes good writing and good acting. Another, unintentional but wonderful, boon for the programme was that due to 75% of each episode being filmed on location outdoors over 15 years, it captured London in a constant state of flux that is clear and visible, something no other show has. It's fascinating to see London in that era, changing from series to series. And there's that chemistry between Cole and Waterman, which really shines through. That was fairly rare in a TV series back then, but is now like hen's teeth.

Its success with 15-24 year olds today is surprising, yet gratifying. It says, perhaps, that things like story, good acting and love of craft do not age, or lose their brightness.

George Cole and Dennis Waterman team up in an ITV classic. The show combines subtle humour with genuinely entertaining scripts and a whole host of brilliant supporting characters. The show lets stories develop over an hour rather than rushing through them and puts today's so-called comedy dramas in the shade. The early episodes were more serious and hard-edged, but the comedy was apparent even then. As the show progressed Cole took over as the centre of attention, playing cockney geezer Arthur Daley, a TV masterpiece. Waterman's easy going style made for a great double act. Barman Dave is another great character, his members only Winchester pub being the local haunt of all the low level crooks on the manor! The language used in Minder is very funny at times, I love the Cockney slang they use, like 'er indoors' for wife, and 'sobs' for pounds! Of course Cole is the star of Minder, his trademark brown overcoat and trilby hat always raising a smile even before he's made one of his dodgy promises! The show coped very well with Waterman's departure at the end of the 80s, the new chap brought in to replace him fitting in well. ITV nowadays consists mainly of cheap and tacky gameshows and reality programmes, all of them terrible. Minder was an original and in many ways unique show. It should appeal to fans of the Sweeney and those who enjoyed Only Fools and Horses. Minder is actually better than Only Fools, not getting mired down in sentimentality. It's a shame no terrestrial station will repeat it, it'd thrash most of today's programmes.

I recently watched an episode on one of the cable "repeats" channels, and there's no doubt that it's dated a bit in the 20-odd years since it came out; but there are still some priceless lines.

For those of us who saw him in 'The Sweeney', there was little doubt that affable Cockney schmuck Waterman would find another vehicle for his talents; but very few predicted that it would be paired with old George. However, the duo of Arfur and Terry became one of the enduring symbols of the hard days of the early 80's, and the unseen "'er indoors" a byword for the reason most blokes spend their time "down the pub".

Arguably, it was Cole who stole the thunder with his brilliant portrayal of overgrown wide-boy Daley, but it definitely wasn't the same after Waterman left. Truth be told, it was beginning to lose steam even before that, but for the first 6 years or so it was one of the best shows on TV. All the satellite characters, especially Dave and Chisolm, are well-drawn, and Euston Films provided the suitably gritty backdrops they'd already become known for with 'The Sweeney' and 'Special Branch'.

All in all, an 80's delight.