The Wiz
- 1978
- Tous publics
- 2h 14min
NOTE IMDb
5,6/10
19 k
MA NOTE
Une adaptation du « Magicien d'Oz » qui tente de capturer l'essence de l'histoire afro-américaine.Une adaptation du « Magicien d'Oz » qui tente de capturer l'essence de l'histoire afro-américaine.Une adaptation du « Magicien d'Oz » qui tente de capturer l'essence de l'histoire afro-américaine.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 2 victoires et 11 nominations au total
Toney Brealond
- Gold Footman
- (as Tony Brealond)
Avis à la une
Really hard to understand the low rating. I really appreciated this take on a classic tale, and the clever adaptation from rural Kansas to urban NYC. Slow in some spots, but charming and almost haunting (the amusement park, the desolate streets, the street vendor with the scary puppets, etc) with some memorable songs.
look closely at the clever production values as well, especially the Scarecrow who is composed of very distinctly different pieces of garbage (peanut butter cup wrapper nose, mop hair, chicken bucket hat, garbage bag pants, etc.
I give it a 8/10.
look closely at the clever production values as well, especially the Scarecrow who is composed of very distinctly different pieces of garbage (peanut butter cup wrapper nose, mop hair, chicken bucket hat, garbage bag pants, etc.
I give it a 8/10.
I'm sure the idea for "The Wiz" looked good on paper: a modern, all-black musical retelling of "The Wizard of Oz," with the boroughs of New York subbing in for the Emerald City and environs. Indeed, nothing is wrong with the concept--revisions and re-imaginings can work, and have been part of music theater for almost as long as the genre has existed. But for every "West Side Story," we get something like...well, like this.
Dorothy (Diana Ross) here is a 24-year-old Harlem schoolteacher, and as the story opens we are treated to scenes of her Aunt Em telling her to switch her kindergarten students for high schoolers, move out of the house, and basically get on with her life. But Dorothy doesn't want to, because--well, she's scared, I guess. Certainly not because she finds her current job enjoyable or fulfilling, or is better working with younger kids than with teenagers, or doesn't make enough money to afford the rents in New York City. So it's off to Oz, where she metaphorically sorts out her problems by killing witches and associating with strange men. (One of those strange men, the Scarecrow, is played by Michael Jackson--and you can write your own joke from here.)
It's always irritating when the directors of movie musicals hire actors who can't sing (as in "Paint Your Wagon"), but "The Wiz" proves that hiring singers who can't act is just as bad. Ross makes Dorothy so whiny, ineffective, and unappealing that you simply want to slap her. Jackson's not much better, delivering all his lines in the same breathy monotone--although it is nice to watch him back when he was at the threshold of a productive and memorable music career, instead of the disturbing self-caricature he has become. Everyone else hams it up accordingly, especially Richard Pryor as the title character.
Of course, neither director Sidney Lumet nor writers William F. Brown and Joel Schumacher made things any easier for the cast to begin with. Between the three of them, they leave no point unhit with a sledgehammer, and no stereotype unexploited (the worst: the crows who harass the Scarecrow, who bear a resemblance to the ones in "Dumbo" and who, I'm guessing, are all named Jim). With the exception of a celebratory dance after the Wicked Witch's demise, the choreography is rather bland and photographed in an uninvolving manner. The action frequently drags too long, leaving us looking at the time clock on the DVD player when we should be watching the characters.
There is a great book out there by Gregory Maguire called "Wicked" (which itself is now a Broadway musical). It reimagines Oz in a thoughtful and interesting manner. Read it instead.
Dorothy (Diana Ross) here is a 24-year-old Harlem schoolteacher, and as the story opens we are treated to scenes of her Aunt Em telling her to switch her kindergarten students for high schoolers, move out of the house, and basically get on with her life. But Dorothy doesn't want to, because--well, she's scared, I guess. Certainly not because she finds her current job enjoyable or fulfilling, or is better working with younger kids than with teenagers, or doesn't make enough money to afford the rents in New York City. So it's off to Oz, where she metaphorically sorts out her problems by killing witches and associating with strange men. (One of those strange men, the Scarecrow, is played by Michael Jackson--and you can write your own joke from here.)
It's always irritating when the directors of movie musicals hire actors who can't sing (as in "Paint Your Wagon"), but "The Wiz" proves that hiring singers who can't act is just as bad. Ross makes Dorothy so whiny, ineffective, and unappealing that you simply want to slap her. Jackson's not much better, delivering all his lines in the same breathy monotone--although it is nice to watch him back when he was at the threshold of a productive and memorable music career, instead of the disturbing self-caricature he has become. Everyone else hams it up accordingly, especially Richard Pryor as the title character.
Of course, neither director Sidney Lumet nor writers William F. Brown and Joel Schumacher made things any easier for the cast to begin with. Between the three of them, they leave no point unhit with a sledgehammer, and no stereotype unexploited (the worst: the crows who harass the Scarecrow, who bear a resemblance to the ones in "Dumbo" and who, I'm guessing, are all named Jim). With the exception of a celebratory dance after the Wicked Witch's demise, the choreography is rather bland and photographed in an uninvolving manner. The action frequently drags too long, leaving us looking at the time clock on the DVD player when we should be watching the characters.
There is a great book out there by Gregory Maguire called "Wicked" (which itself is now a Broadway musical). It reimagines Oz in a thoughtful and interesting manner. Read it instead.
This film bombed on its official release for one reason, and for one reason only--it was rated G. During the seventies, hardly anyone DARED to go see a G-rated film because it was considered the epitome of uncool. Fortunately, this film finally went on to gain an impressive audience later on when it was rediscovered in the wake of Jackson mania and has finally been selling its worth. Many these days go berserk trying to dissect it due to these modern "politically correct" times: is it meant to be a spoof, or maybe a "blaxploitation" film? Hey, forget all that nonsense! Gather your childen, kick back and enjoy THE WIZ for what it is--the most daringly imaginative adaptation of the classic children's story ever committed to film.
Roger Ebert, not one of my favorite film critics, surprised me by giving a wonderful (and dead-on accurate) positive review of the film. Some out there think of it as a dated 70s pop/disco/funk/soul feature, but these days that "retro" feel adds to its charm in my opinion--it reminds me of an innocent time from my youth.
I saw this in the theaters as it was first released when I was a child and I've loved it dearly ever since. It has Diana Ross playing Dorothy as a 24-year-old Kindergarten schoolteacher (which I always thought was a charming idea!) with a wide-eyed innocence that is truly touching. Michael Jackson gives a delightfully whimsical performance as the scarecrow, Quincy Jones uses his musical production genius to create a really fantastic and drop-dead gorgeous soundtrack... and in case you're still not convinced, this film is the most expensive movie musical ever made, and WOW, does it ever show! The visuals are imaginative and brilliant, and you'll never forget them.
And best of all, it's been re-released on DVD and the soundtrack on CD! Deservedly so! Now let's all get out there and whoop it up for THE WIZ!
Roger Ebert, not one of my favorite film critics, surprised me by giving a wonderful (and dead-on accurate) positive review of the film. Some out there think of it as a dated 70s pop/disco/funk/soul feature, but these days that "retro" feel adds to its charm in my opinion--it reminds me of an innocent time from my youth.
I saw this in the theaters as it was first released when I was a child and I've loved it dearly ever since. It has Diana Ross playing Dorothy as a 24-year-old Kindergarten schoolteacher (which I always thought was a charming idea!) with a wide-eyed innocence that is truly touching. Michael Jackson gives a delightfully whimsical performance as the scarecrow, Quincy Jones uses his musical production genius to create a really fantastic and drop-dead gorgeous soundtrack... and in case you're still not convinced, this film is the most expensive movie musical ever made, and WOW, does it ever show! The visuals are imaginative and brilliant, and you'll never forget them.
And best of all, it's been re-released on DVD and the soundtrack on CD! Deservedly so! Now let's all get out there and whoop it up for THE WIZ!
I thought that this movie was incredible when I first saw (about 8 years ago), and I still do! Even if it is almost nothing like the Broadway show, that doesn't matter. The film version of "The Sound of Music" wasn't like the play, either. Or what about "Mame"? See what I mean? Not one movie musical is ever like the live show. It shouldn't matter anyway. It's great for what it is, a fun, rock 'n' rollin' good time! Also, the songs in this musical (especially "No Bad News", "Everybody, Rejoice", and "Ease On Down The Road") have to be some of the best I've ever heard! SEE THIS MOVIE!!!!!
Wow.. The reason why this movie is defended is because its overlooked for its value.
#1. It is not a remake of the Wizard Of Oz.The Wizard Of Oz's music is a Classic, so is the Wiz.
#2. The Wiz does try to teach values:
After seeing the movie on a basis i've noticed that it tries to teach:
-Family Togetherness(First Scene of the Movie) -People shouldn't put other people down, otherwise they'll never get __anywhere(When dorothy rescues the crow) -You can always have a heart(Tin Man) [the Wizard of Oz's tin man __relates to the Industry of the Great Depression that needs to grow a __heart] -There's no true courage unless you can stand up for yourself(Lion) -Anything related to Eviline is simple Opression.
There's other symbols as well: Silver slippers instead of ruby. (Silver is rare, very rare for Dorothy's family)
#3. The musician casting for this movie is all Top Notch Motown. Diana Ross, Michael Jackson... every actor was a singer/dancer. You can't beat that in a movie attempting a Broadway approach.
#4. If you just listen to the music instead of hearing it, you would notice the score isn't simple. I have the feeling Quincy Jones has his involvement in it. Also there are way more instruments, more of a get you off your feet feel. "He's the Wiz" from the smooth jazz feel with conflicting and resolving chorus and the switch to march theme. You cannot tell me that is not thoroughly composed! Then the Emerald City Scene, i would rewind that over and over again.
#5. Eviline IMO is a much better bad guy than the Wicked Witch of the West in Wizard Of Oz. She is ugly and mean: someone really hit her with an ugly stick.
#6. "Oh no, not the flying monkeys!"
#7. The crows are breakdancers(at least one of them) from another infamous movie.
-#1. I do know the plots are similar and the characters are similar. However, Motown has a big involvement: the 100% creativity comes from the music and choreography.
-#2. Some people miss the black family jokes. Example the Lion's full name being the name of an actual Mobile Home/Car house except Devile("FleetWood Coupe Devile, Mama had high ideas") she wished to live a luxurious life but can only do so by naming her children by what she desires. You see this in a few children's names. The good thing is there are very few jokes and they are not corny.
-#3. Yes the guy with the puppets did scare me, not to forget tin man being electrocuted and the chomping trashcans.
If you try to look as this movie as a parody(or remake) of the Wizard of Oz you have the wrong idea. When i first saw this movie I try not to think of the Classical Oz - its more of watching a live musical performance. It's michael jackson in his earlier days! His Prime! Not to forget he didn't do a bad job as being the crow! Why do everyone dispise this movie?
#1. It is not a remake of the Wizard Of Oz.The Wizard Of Oz's music is a Classic, so is the Wiz.
#2. The Wiz does try to teach values:
After seeing the movie on a basis i've noticed that it tries to teach:
-Family Togetherness(First Scene of the Movie) -People shouldn't put other people down, otherwise they'll never get __anywhere(When dorothy rescues the crow) -You can always have a heart(Tin Man) [the Wizard of Oz's tin man __relates to the Industry of the Great Depression that needs to grow a __heart] -There's no true courage unless you can stand up for yourself(Lion) -Anything related to Eviline is simple Opression.
There's other symbols as well: Silver slippers instead of ruby. (Silver is rare, very rare for Dorothy's family)
#3. The musician casting for this movie is all Top Notch Motown. Diana Ross, Michael Jackson... every actor was a singer/dancer. You can't beat that in a movie attempting a Broadway approach.
#4. If you just listen to the music instead of hearing it, you would notice the score isn't simple. I have the feeling Quincy Jones has his involvement in it. Also there are way more instruments, more of a get you off your feet feel. "He's the Wiz" from the smooth jazz feel with conflicting and resolving chorus and the switch to march theme. You cannot tell me that is not thoroughly composed! Then the Emerald City Scene, i would rewind that over and over again.
#5. Eviline IMO is a much better bad guy than the Wicked Witch of the West in Wizard Of Oz. She is ugly and mean: someone really hit her with an ugly stick.
#6. "Oh no, not the flying monkeys!"
#7. The crows are breakdancers(at least one of them) from another infamous movie.
-#1. I do know the plots are similar and the characters are similar. However, Motown has a big involvement: the 100% creativity comes from the music and choreography.
-#2. Some people miss the black family jokes. Example the Lion's full name being the name of an actual Mobile Home/Car house except Devile("FleetWood Coupe Devile, Mama had high ideas") she wished to live a luxurious life but can only do so by naming her children by what she desires. You see this in a few children's names. The good thing is there are very few jokes and they are not corny.
-#3. Yes the guy with the puppets did scare me, not to forget tin man being electrocuted and the chomping trashcans.
If you try to look as this movie as a parody(or remake) of the Wizard of Oz you have the wrong idea. When i first saw this movie I try not to think of the Classical Oz - its more of watching a live musical performance. It's michael jackson in his earlier days! His Prime! Not to forget he didn't do a bad job as being the crow! Why do everyone dispise this movie?
Le saviez-vous
- AnecdotesOriginal director John Badham stepped down when he objected to 33-year-old Diana Ross being cast as a teenage Dorothy. The character was changed to a 24-year-old kindergarten teacher, but by then Sidney Lumet already had replaced Badham.
- GaffesAunt Em comments that Dorothy has never been south of 125th Street in the Manhattan neighborhood of Harlem. However, Dorothy later gives her address as being on Prospect Place, which is in Brooklyn, miles southeast of Harlem.
- Crédits fousFitzstephens, Jack ... Music Editor & Guru
- Versions alternativesWhen this movie debuted on CBS, the network trimmed several scenes to fit in a 3 hour block with commercials. Several omitted scenes includes:
- The arrival of the baby and its family at Aunt Emme's party.
- Some of the dancing and the Poms sequence with the Munchkins (it cut from them going down the stairs to some of them doing acrobatics).
- Portions of "Mean Ole Lion".
- The chase sequence in the subway platform omits how the Scarecrow and the Tin Man are rescued by the Lion.
- The Poppy Girls close-up shot.
- Dance portions in the Emerald City during the Green and Red clothing.
- The entire Emerald City Motel sequence
- Dorothy asking the guards of the gate how to get to Evilynn's. (It cut from RIchard Pryor peeking out to the time clock at the sweat shop).
- ConnexionsEdited into The Arrivals (2008)
- Bandes originalesYou Can't Win, You Can't Break Even
Written by Charlie Smalls
Performed by Michael Jackson (uncredited) and The Four Crows (uncredited)
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- How long is The Wiz?Alimenté par Alexa
Détails
Box-office
- Budget
- 24 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 049 053 $US
- Montant brut mondial
- 21 049 819 $US
- Durée
- 2h 14min(134 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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