La folle escapade

While not as good as the book itself, the movie was well done indeed. This was one of those books I lived in when I first read it, never has Richard Adams come close to what he achieved here, able to pull you the reader right down into the grass roots along with Hazel, Fiver and BigWig. And the animators did him justice...I don't have much to add here that others here haven't, save to say I enjoyed the classic voices used here a lot-from Joss Ackland as the 'Black Rabbit of Inle' to the late, much lamented Harry Andrews as Woundwort. Now THAT guy was as tough and ornery a character actor as ever I saw onscreen, and he did the brutal Woundwort character justice indeed.

Of course I recommend this-***1/2 outta ****, the book being ****.

'Watership Down' is a terrific adaptation of Richard Adams's novel. Like Orwell's 'Animal Farm', this isn't only a film for children but equally important for adults. The soundtrack is captivating and I loved the way Art Garfunkel's song was used. The characters are so richly written that the viewer immediately empathizes and identifies with them. They are brave, endearing, loyal and strong and this is all cleverly downplayed. Fiver and Hazel are the two heroes who are brilliantly voiced by Richard Briers and John Hurt. The overall voice acting is very well done.

Unlike most animated films, 'Watership Down' uses a lot of subtlety. Nothing is overdone. The music flows well, the pacing is smooth and the characters are real (rather than over the top). The animation is simplistic, created with watercolour and ink, giving it a gentle touch. It works effectively.

There story is cleverly layered and there's a lot of intriguing symbolism. The film never shies away from being brutally honest. It shows life the way it is: There's pain, there's death, there's suffering, there's determination and one needs to work hard to have the best of it, to survive. While many have complained that this is no movie for children, I think it depends more on the individual because this film is relevant for everyone. The violent scenes are a bit graphic and the sad scenes are moving but in the end it is uplifting.

There are very few novels that have been so fascinating on screen. 'Watership Down' is among them. It is a magnificently gripping adventurous tale. After 30 years it still remains a powerful story that strongly applies to today's world. I remember seeing it ages ago and then it was a must-have-on-DVD movie for me. I finally got the DVD and had the pleasure to watch revisit it today. A dazzling gem.

British animated film about a bunch of rabbits leaving their old warren (which one psychic rabbit can tell is going to be destroyed) and searching for a new one. The movie recounts their adventures searching for one.

It may sound like a movie ideal for little kids--but it really isn't. It's an excellent adaptation of Richard Adams book which was written more for teenagers and adults. It's an ecological tale of how men are destroying the earth and (inadvertently it seems) killing innocent wildlife. It's also a very interesting story about how a group of rabbits survive on their own.

The animation is excellent--right up there with Walt Disney. The score is great, the script intelligent and the voices used perfectly match the characters. However, as I said, this isn't really for little kids. The story is dead serious and the only humor is provided by the bird Kehaar (who I personally found very annoying although Zero Mostel DOES have fun with the voice). Also, at the end, it gets very violent and quite bloody. When I saw it in a theatre in 1978 one small kid was in tears by the conclusion. So, use your own judgment but I would never let a small kid see this. This is perfect for teenagers and adults. A 10.

The first great animated film to come around in the entire history of motion pictures! It's not only original(shying away from the traditional "Disney" formula), but it's the first animated film to ponder the meaning of life itself! I was really moved by it! With "Disney" films, you know what to expect. This was like watching a Terrence Malick film; beautiful, subtle, spiritual, and important for our lives. The only difference is that it's animated with "cute & cuddly" cartoon characters. This is a film both adults and children alike will enjoy and learn from, because it is a social commentary on facism, and it is a spiritual film. It's spirituality lies in it's initial message, which is about facing death, and avoiding it as well. Not that you can avoid death, but that you can have a sense of self preservation, purpose, and a place in life. The most inspirational line of the movie is "All the world will be your enemy. And when they catch you, they will kill you. But first they have to catch you.". All of your life, you will continue to meet people who like you, and those that will attack you. Be strong, stand tall, "and your people will never be destroyed.". That is basically, in a few words, what the world and the meaning of life is really all about!

Being an Australian, it's rather difficult to sympathise with the plight of rabbits. Following their introduction to our continent in 1859, the European Rabbit population has multiplied at an absolutely phenomenal rate, destroying the natural environment and helping to drive numerous native marsupial species to extinction. They've survived countless attempts to eradicate their numbers, and are now largely resistant to both Myxomatosis and calicivirus. At home, I'm always sure to congratulate my pet dog, Cassie, whenever she trots into the backyard with a rabbit clutched between her teeth. You'll forgive me for launching into a tirade about a troublesome Australian pest, but I'm just trying to convey my general abhorrence towards the species. It would have taken a mighty piece of film-making to make me forget that I hate rabbits, and yet 'Watership Down (1978)' had me utterly engaged from the opening moments. Not only did I care about Hazel, Fiver and Bigwig, but I genuinely fell in love with them, and for 100 minutes I was completely absorbed in their strenuous but noble struggle for survival.

The film is based upon the 1972 novel of the same name by Richard Adams, and was both adapted and directed by Martin Rosen. What struck me most was how incredibly rich the story was, with Adams having created not only a wealth of multi-layered characters, but also an entire rabbit culture and mythology. 'Watership Down' opens with a fascinating Creation story, as the God-like deity Frith (symbolised by the Sun) creates planet Earth and every creature within it. In a double-edged blessing, Frith condemns the mischievous rabbit prince El-ahrairah to forever be hunted, but also to always have the skill and agility to survive: "All the world will be your enemy, Prince of a Thousand Enemies. And when they catch you, they will kill you. But first they must catch you." The events take place in the English countryside, with the title stemming from a hill at Ecchinswell in the county of Hampshire; despite my initial preconceptions, 'Watership Down' was certainly not the story of a sinking ocean liner!

Hazel the rabbit (voiced by John Hurt) may not be physically-imposing, but he is selfless, intelligent and mature, and this makes him a fine leader. His younger brother, Fiver (Richard Briers), is runtish and neurotic, yet he possesses a sort of mystic flair that means his peculiar "feelings" almost always prove significant. After Fiver foresees danger approaching their warren, a small group of rabbits – including the brutish but noble Bigwig (Michael Graham Cox) – flee their home in search of a safer locale. Their journey is certainly not a walk in the park, and allow me to be the one millionth reviewer to warn parents that many scenes in this film are not suitable for young children. As the group trudge across the English countryside, they are greeted with an assortment of creatures who would be more than happy to make a dinner out of them, including hawks, dogs, cats and humans. However, the rabbits' greatest obstacle before happiness is the nasty, tyrannical Chief-Rabbit, General Woundwort (Harry Andrews), a bloated, domineering lump of a villain who is both reminiscent of George Orwell's Napolean and, oddly enough, Orson Welles' Police Captain Hank Quinlan.