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4,0/10
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Ajouter une intrigue dans votre langueThe passengers and crew of a ship on a scuba diving trip in the Caribbean stray into the famed Bermuda Triangle, and mysterious and deadly things start happening.The passengers and crew of a ship on a scuba diving trip in the Caribbean stray into the famed Bermuda Triangle, and mysterious and deadly things start happening.The passengers and crew of a ship on a scuba diving trip in the Caribbean stray into the famed Bermuda Triangle, and mysterious and deadly things start happening.
- Réalisation
- Scénario
- Casting principal
Hugo Stiglitz
- Capt. Mark Briggs
- (as Hugo Stiglietz)
René Cardona III
- Dave
- (as Al Coster)
Jorge Zamora
- Simon, the cook
- (as Jorge Zamora 'Zamorita')
Adalberto Arvizu
- Pilot
- (as Alberto Arvizu)
Avis à la une
Cheese and ham, uniquely baked into a mess but somehow watchable. Completely overdubbed and bizarrely so. There are two young children in this. Their overdubbed voices sound like non-actors 10 years older with English as their second language, while dictating a script they are unfamiliar with. Crazy film making. The story is simple and linear but the acting and dialogue, OMG.
The characters are dumb in this. It's strikingly obvious to most characters what the problem is but no one takes the easy step to solve it. Geeez.
The characters are dumb in this. It's strikingly obvious to most characters what the problem is but no one takes the easy step to solve it. Geeez.
Edward (John Huston...yes, that John Huston) charters the Black Whale III to take his family out to some Caribbean waters to search for what he believes is a sunken city. Naturally, they pass into the Bermuda Triangle and strange stuff starts happening (can you guess which actor disappears first, paycheck clenched tightly in hand?). It is up to Capt. Briggs (Hugo Stiglitz) to get everyone to safety. René Cardona Jr. was certainly getting his water freak on during this time period (this, TINTORERA, CYCLONE). The film is slim on thrills but somehow watchable. Cardona throws about every horror cliché at the screen and the crux of the plot rests on a young girl fishing a possessed doll (that may or may not be an old Triangle victim...don't ask) out of the ocean in order for the mayhem to start an hour in. He then throws in some other Triangle incidents randomly like some planes that go missing. There is also some nice underwater footage but Cardona ruins it all with some unnecessary real footage of two sharks being killed. Ugh. On a side note, did something drastically go wrong in John Huston's personal life in 1977? Divorce? Health bills? Loan sharks? Something? Because I can't explain his starring roles that year in this, TENTACLES, and Umberto Lenzi's BATTLE FORCE. We're talking three years removed from CHINATOWN here folks.
Rene Cardona, Jnr was arguably the most recognisable Latin exploitation film maker in the late seventies through mid eighties, and his brand was easily identifiable through his use of fading American character actors and gory special effects. Disappointingly, that brand is conspicuously absent here, with John Huston in a relatively brief supporting role, the only 'marquee' import, and little to none of the gory special effects usually synonymous with a Cardona picture.
The plot concerns the usual spate of mysterious disappearances converging on the Bermuda Triangle, while research vessel inadvertently sails into a maelstrom of intrigue and bizarre occult activity that seems to centre on a creepy-looking doll that is found floating in the ocean. It soon possesses the youngest child and in turn manages to wreak havoc amongst the rest of the crew, until, mysteriously, just a handful of weary survivors remain.
Perennial Cardona leading-men Stiglitz and Garcia make an amiable cinema coupling, and they continue their reliable presence here, with the once-sultry Marina Vlady and former bombshell Claudine Auger largely wasted in shallow supporting roles. Miguel Fuentes as a chiselled, Neanderthal looking mechanic is unintentionally hilarious at times, as he randomly emerges from the small engine room door to taunt the spooked passengers with doomsday prophecies, before returning to the ship's bowels to inhale more petrol fumes and envisage even more facile tales of terror for his next appearance.
While not totally inept - some unsettling suspense, good sets, colour and sound in particular - the special effects are profoundly amateurish and the dialogue is at times, painfully puerile. The possessed doll on which the story centres however does convey a certain Argento 'esque feel which is plainly scary (watch for those unnerving close-ups of the doll's face - creepy). Not your typical Cardona-style picture, and probably more accessible as a result. Average, but worth a look.
The plot concerns the usual spate of mysterious disappearances converging on the Bermuda Triangle, while research vessel inadvertently sails into a maelstrom of intrigue and bizarre occult activity that seems to centre on a creepy-looking doll that is found floating in the ocean. It soon possesses the youngest child and in turn manages to wreak havoc amongst the rest of the crew, until, mysteriously, just a handful of weary survivors remain.
Perennial Cardona leading-men Stiglitz and Garcia make an amiable cinema coupling, and they continue their reliable presence here, with the once-sultry Marina Vlady and former bombshell Claudine Auger largely wasted in shallow supporting roles. Miguel Fuentes as a chiselled, Neanderthal looking mechanic is unintentionally hilarious at times, as he randomly emerges from the small engine room door to taunt the spooked passengers with doomsday prophecies, before returning to the ship's bowels to inhale more petrol fumes and envisage even more facile tales of terror for his next appearance.
While not totally inept - some unsettling suspense, good sets, colour and sound in particular - the special effects are profoundly amateurish and the dialogue is at times, painfully puerile. The possessed doll on which the story centres however does convey a certain Argento 'esque feel which is plainly scary (watch for those unnerving close-ups of the doll's face - creepy). Not your typical Cardona-style picture, and probably more accessible as a result. Average, but worth a look.
You have to hand it to Rene Cardona Jr.--maybe his films aren't very good, but he was always able to make them the way he wanted to in Mexico and successfully distribute them internationally (as opposed to today where most Mexican filmmakers manage maybe one acclaimed art film before they're swallowed whole by the Hollywood whale). This film seeks to exploit all the publicity surrounding the Bermuda Triangle at the time. A deep sea diver (John Huston)and his much younger wife and family sail into the Bermuda Triangle to explore some undersea ruins. Along for the ride is his bickering half-brother and sister-in-law and a superstitious crew of Mexican sailors. Strange things begin to happen. They find a creepy doll floating in the sea and give it to the youngest daughter who feeds it raw meat (which, hilariously, no one remarks on)and become possessed by it, accurately predicting the demise of various cast members. There are freak storms, bizarre accidents, and perhaps most creepy they keep hearing distress calls from the ships and planes that have disappeared over the years, including even their own transmissions.
This movie is pretty effective and has a surprising amount of character development. The cast is Cardona's usual mixture of washed-up Americans (Huston), Mexican regulars (Hugo Stiglitz and Andres Garcia) and a little delectable bikini-filler imported from Europe (Gloria Guida). Since this was marketed as a low-budget disaster movie, it is fairly family-friendly (although it's probably too violent and scary for little kids), so don't expect the usual sex and nudity from the director of "Tintorera"--in fact, this is the only movie I've seen with Gloria Guida where she does NOT take her clothes off (she spends most of the movie in bed, literally, after a diving accidentally). It is a testament to the effectiveness of this movie though that I really didn't mind. The only real negative here is the atrocious dubbing: the dubbed dialogue of the black cook, in particular, would be offensive if it wasn't so ridiculous--he comes off like a throw-back to Step'n Fetchit.
Still I would definitely recommend this. Even if it's not much of a compliment, this is definitely Rene Cardona's Jr.'s best movie.
This movie is pretty effective and has a surprising amount of character development. The cast is Cardona's usual mixture of washed-up Americans (Huston), Mexican regulars (Hugo Stiglitz and Andres Garcia) and a little delectable bikini-filler imported from Europe (Gloria Guida). Since this was marketed as a low-budget disaster movie, it is fairly family-friendly (although it's probably too violent and scary for little kids), so don't expect the usual sex and nudity from the director of "Tintorera"--in fact, this is the only movie I've seen with Gloria Guida where she does NOT take her clothes off (she spends most of the movie in bed, literally, after a diving accidentally). It is a testament to the effectiveness of this movie though that I really didn't mind. The only real negative here is the atrocious dubbing: the dubbed dialogue of the black cook, in particular, would be offensive if it wasn't so ridiculous--he comes off like a throw-back to Step'n Fetchit.
Still I would definitely recommend this. Even if it's not much of a compliment, this is definitely Rene Cardona's Jr.'s best movie.
I stumbled upon the 1978 movie "The Bermuda Triangle" in 2021. I had never heard about the movie before. But as I had the chance to sit down and watch it, of course I did. And I must say that I was initially intrigued, because the mystery that surrounds the area of the Bermuda Triangle is very interesting in itself.
However, "The Bermuda Triangle" felt more like a series of randomly filmed segments filmed at the demand of director René Cardona Jr. As he came up with ideas as the filming progressed. There weren't really any real red thread to the course of the movie, which made for a less than mediocre movie experience actually.
Sure, the movie was showing signs of being from 1978, but it was actually sort of charming and fun to watch. The sound felt like it had been restored on the version I watched, and especially the dialogue felt like they had recorded new voice-over, because it sounded very atrocious and felt sort of out of tune with the characters on the screen.
I found little enjoyment in "The Bermuda Triangle", and it was a shame, because I had initially hoped for a bit more from the movie, truth be told.
I am rating this 1978 movie a mere three out of ten stars, mostly because the movie didn't really feel like a proper movie, but more like a random collection of filmed events put together to form a movie of sorts.
However, "The Bermuda Triangle" felt more like a series of randomly filmed segments filmed at the demand of director René Cardona Jr. As he came up with ideas as the filming progressed. There weren't really any real red thread to the course of the movie, which made for a less than mediocre movie experience actually.
Sure, the movie was showing signs of being from 1978, but it was actually sort of charming and fun to watch. The sound felt like it had been restored on the version I watched, and especially the dialogue felt like they had recorded new voice-over, because it sounded very atrocious and felt sort of out of tune with the characters on the screen.
I found little enjoyment in "The Bermuda Triangle", and it was a shame, because I had initially hoped for a bit more from the movie, truth be told.
I am rating this 1978 movie a mere three out of ten stars, mostly because the movie didn't really feel like a proper movie, but more like a random collection of filmed events put together to form a movie of sorts.
Le saviez-vous
- AnecdotesSeveral times, particularly during the first half of the movie, some of the "electronic tonalities" from "Forbidden Planet" (1956) are used as part of the musical score.
- GaffesWhen Gloria Guida (Michelle) is having her legs crushed during the dive on the ruins of Atlantis, a first sequence shows Guida with both legs trapped under a single pillar. When the diving team comes to her rescues, she is then trapped under a pile of rumbles and the sea floor scenery is different.
- Citations
Simon, the cook: [hands Dave a glass of milk] You're as white as that milk.
- ConnexionsEdited into The Bermuda Triangle (2012)
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- How long is The Bermuda Triangle?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El triángulo diabólico de las Bermudas
- Lieux de tournage
- Sociétés de production
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What is the French language plot outline for Le mystère du triangle des Bermudes (1978)?
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