Le renard de Brooklyn

After the spaghetti western craze in Italy died out in the mid-1970s, Lee Van Cleef still found himself wanted by Italian filmmakers for several years afterwards, "The Squeeze" being one of his post-westerns. Although Van Cleef was in his 50s when this movie was made, he still had the stuff that made him a star, and he gives a solid performance here. Another good performance in the movie comes from Karen Black, who is pretty convincing as a kind of ditzy neighbor who enters the life of Van Cleef's character. The movie also has better than average production values for an Italian production for the time, with on-location filming in New York City that gives the movie an authentic feeling at times. However, despite all this good stuff, the movie is still somewhat of a struggle to watch. It's very talky, with long stretches with nothing happening. A few more action sequences would have helped considerably. There are a couple of twists in the final few minutes, but it's too little too late. In short, the movie is probably only for die hard fans of Lee Van Cleef during an unusually slow night.

This Italian produced, NYC lensed heist picture is actually quite entertaining with a few nice twists. Retired safe cracker Chris Gretchko (Lee Van Cleef) is lured to a job by the son (Edward Albert) of an ex-buddy. He flies to NYC and finds out he will be lifting $1 million in diamonds for a shady German group. It all goes smoothly until he learns that the group has plans to kill the second he has the safe open. Directed by Antonio Margheriti (as Anthony Dawson), this flick benefits from a clever script, great performances and evocative locations in New York. Van Cleef is his usual gruff self and he plays most scenes off Albert or hippie chick/life saver Karen Black. Lionel Stander appears as Gretchko's old-time fence. Supporting roles include Peter Carsten as the German mob boss, Ron Van Clief as some karate chopping muscle and soon to be character actor Roy Brocksmith (the bald, fat guy from TOTAL RECALL) as the guy who gets ripped off.

...there's quite a bit to dislike in THE RIP-OFF (as the Goodtimes Home Video VHS release tagged this movie): Karen Black overacts hysterically (as do several of the dubbed German supporting players), Edward Albert looks like he was on a margarine diet during shooting, and whoever mixed the substandard musical score into the soundtrack should have been executed. But Lee Van Cleef, Lionel Stander and Robert Alda all perform well above the call of this duty; the dialogue is frequently witty, highlighting a generally intriguing premise (Van Cleef is lured back from pseudonymous exile as a Mexican rancher to perform one last safecracking job in order to keep New York gangsters from killing Albert); and the cheap 16mm location cinematography of New York in early January is oddly compelling. As things go for what's usually termed "European Trash Cinema," this is a nice little curd of cheese worthy of dropping five bucks on at better Wal-Marts everywhere...

Lee Van Cleef at his most facially challenged plays a retired safeman, who comes back from Mexico to New York to do one job for a friend's kid.

Includes most of the cliches one would expect from a "last gig"- film, but redeems itself with nice NY locations, comedy (some intentional) and Lee Van Cleef. Recommended as a time- passer.

Released on video in Finland in the eighties.

For one last heist, grizzled safe-cracker Lee Van Cleef (as Chris) is lured out of retirement by cocky young Edward Albert (as Jeff). Later on, both men are acquainted with sexy Karen Black (as Clarisse). As events proceed, everyone's life is put in danger, and you can count on some deception among the ranks. With these three in the cast, you would expect a good run for the money, but the picture falls flat on its face. It starts off well, and gets bogged down by musical interludes, as the cameras wander around New York City looking for action. At one point, supporting cast member Lionel Stander (as Sam) says, "Shazam!" Alas, there is no magic.

*** The Squeeze (10/25/78) Antonio Margheriti ~ Lee Van Cleef, Edward Albert, Karen Black, Lionel Stander