Meurtre au 43eme étage

I couldn't believe my luck when I stumbled on to this movie at a local video store in Iceland. It had subtitles and everything. What a find! As many of you know, this is the "lost" John Carpenter movie, and it's nothing short of fantastic. It plays like an homage to the likes of Dario Argento and Alfred Hitchcock, although the Hitchcock influences are more apparent here.

Lauren Hutton moves into a fancy apartment building and starts receiving mysterious phone calls and presents. And we, as the audience, know that this stalker lives in the building across from hers and that he's watching her every move.

Although not much actually happens here, the film's gradual buildup to a terrifying finale is nothing short of brilliant, orchestrated by a very fresh John Carpenter at the height of his creativity.

The cinematography (especially the POV's) makes one think of Dario Argento but the atmosphere (and storyline) reeks of Hitchcock. John Carpenter has admitted to the fact of having been inspired by both.

I strongly recommend this film. If you can locate it, that is.

John Carpenter's "Someone's Watching Me!" is a stylish thriller and I don't care if it's supposed to be heavily influenced by Hitchcock. Point is, Carpenter made a very decent thriller. You can clearly see there was a young director with a lot of talent at work here. The way he makes the camera move and how he chooses his angles. Good stuff. Even though the film doesn't really move along at a fast pace, it never gets boring. Carpenter uses good timing to inject certain scenes with a lot of suspense and he keeps the whole thing steadily going until the rather abrupt, but solid ending (with a very short & sweet – well not that sweet – climax). Decent lead by Lauren Hutton and a fun supporting roll by Adrienne Barbeau as her lesbian colleague. Someone will be watching this film again some time in the future. Someone else will be watching it too, because it's a Carpenter film I'll recommend to anybody who wants to hear about it.

Leigh Michaels (Lauren Hutton) moves into a beautiful apartment building in LA. She also gets a new job, makes friends with lesbian coworker Sophie (Adrienne Barbeau) and makes a new boyfriend with charming Paul Winkless (David Birney). But she starts getting threatening phone calls and letters by a man who seems to know her every move. Sophie and Paul try to help her but they can't and it seems he's getting more and more dangerous.

A good movie for Capenter that's obviously made for TV--there are blackouts every 20 minutes or so. It's not as good as "Halloween" but how could it be? It's more like Hotchcock's "Rear Window" than anything else. It's well-directed by Carpenter with a few nicely placed scenes that will make you jump. The script is very good too with believable characters and a fairly intricate plot. Also it's unusual that Carpenter got a lesbian character in the movie. There's nothing wrong with that at all--it was just a fairly gutsy move for a 1978 TV movie. Hutton is surprisingly very good in her role. You slowly see her character crumble under the pressure. Barbeau is also excellent in her role. Only Birney is off--he seems a little uncomfortable in his role. Still this is a good suspense film from Carpenter. Well worth catching.

I never expected that a TV movie like this early work from John "Thrillmaster" Carpenter could be thrilling and excellent as this one was made. Thanks Mr Carpenter. Excellent entertainment and terrific conclusion.

An early John Carpenter film, I had never even heard of and surprisingly effective bearing in mind its 70s TV origins. So rather leisurely at first and I had bit of a problem with Lauren Hutton's character. She has a rather off putting way of 'joking about', or 'wacky' as she refers to it and also is rather blunt in her rebuttals of invitations from the opposite sex. This slightly awkward introduction to a leading lady with some baggage is compounded in the extraordinary moment when she makes the advances in a very 70s bar. but never mind, this soon gets going, everyone does a sterling job and carpenter really comes into his own as the movie progresses. The final half hour is as good as it gets and is pretty faultless. Effective music, varied and compelling camera work and increasingly believable dialogue. Well worth a watch for anyone and required for Carpenter fans who will see much that is further developed in later films.