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Ajouter une intrigue dans votre langueA martial arts book, which Hsu Yin-Fung carries, is being highly sought by various clans and gangs, but he is in pursuit of someone himself.A martial arts book, which Hsu Yin-Fung carries, is being highly sought by various clans and gangs, but he is in pursuit of someone himself.A martial arts book, which Hsu Yin-Fung carries, is being highly sought by various clans and gangs, but he is in pursuit of someone himself.
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Snake and Crane Arts of Shaolin is mostly known for being a transitional movie for Jackie. He did not play the grim Bruce Lee archetype that Lo Wei tried to mold in him, but was the start of a comedic and lighter hero for Chan. Snake and Crane was a box office failure in Hong Kong, but it got Jackie recognition in Hong Kong. It also showcased his increased intricate and atypical fight choreography with an increase of humor and props.
There is really much to like in this film. Chen Chi-hwa (Half a Loaf of Kung Fu) did an excellent job of direction with beautiful wide-screen shots of gorgeous scenery and elaborate placement of camera position. I wish he directed more films. Jackie's choreographed fight scenes are also very good. Like many of the martial art films of this time, the plot is the rub. Though I did like the first half of the plot.
The film starts with Jackie displaying his various knowledge of weapons including the spear (I cannot believe they lifted music from Monty Python and the Holy Grail for this scene.) The aerobatic display that Chan does (along with others) is far superior to any martial art action done later in the film.
Jackie stars as Su Yin Fong, a sarcastic and most excellent Kung Fu practitioner who has possession of the book "The Eight Steps of the Snake and Crane." A manual of techniques that was thought, along with the Dragon Spear, to be in the possession of Master Lin. It was created and collaborated by eight masters of Shaolin who mysteriously vanished. Or did they? Being in possession of such a prize and openly flaunting it, Su finds himself the target of many ruffians. He is jumped by the Ting Brothers while fishing. He is attacked by the Wu Tang Clan while eating. Later he is attacked by various members of the Black Dragon Clan, Beggar Clan and the Flying Tiger Clan. His only ally is Fong Sie Pin of the Ere May Clan who killed Lady Suon and her minion after Jackie Chan had already defeated them.
Su is also looking for a shoulder-scarred man. He will not let anything stop him from this goal. This includes advances from Tang Pin Nhur (Nora Miao) and her offering of a treasured golden peacock! Now that is a lot of fortitude (or else he is eunuch.) Nora actually has some decent fight scenes in this film. But the plot winds down with too many obvious turns (like who the shoulder-scarred man is and what happened to the Shaolin monks.)
I do feel like this film is worth watching. In addition to the beautiful photography and the actors I have mentioned there are great characters like Lu Lo Qui (with his cursing match against Su), Hong Tu (Gam Ching Lan) who is a pretty petite female pretending to be a male, and Chien Tse (Kam Kong.) If only the plot was stronger (and possibly Lo Wei had less influence on the story) then this film would be mentioned more often and I could create a more cohesive critique. But for historical purposes it will always have its place as a transitional movie in Jackie Chan's illustrious career.
There is really much to like in this film. Chen Chi-hwa (Half a Loaf of Kung Fu) did an excellent job of direction with beautiful wide-screen shots of gorgeous scenery and elaborate placement of camera position. I wish he directed more films. Jackie's choreographed fight scenes are also very good. Like many of the martial art films of this time, the plot is the rub. Though I did like the first half of the plot.
The film starts with Jackie displaying his various knowledge of weapons including the spear (I cannot believe they lifted music from Monty Python and the Holy Grail for this scene.) The aerobatic display that Chan does (along with others) is far superior to any martial art action done later in the film.
Jackie stars as Su Yin Fong, a sarcastic and most excellent Kung Fu practitioner who has possession of the book "The Eight Steps of the Snake and Crane." A manual of techniques that was thought, along with the Dragon Spear, to be in the possession of Master Lin. It was created and collaborated by eight masters of Shaolin who mysteriously vanished. Or did they? Being in possession of such a prize and openly flaunting it, Su finds himself the target of many ruffians. He is jumped by the Ting Brothers while fishing. He is attacked by the Wu Tang Clan while eating. Later he is attacked by various members of the Black Dragon Clan, Beggar Clan and the Flying Tiger Clan. His only ally is Fong Sie Pin of the Ere May Clan who killed Lady Suon and her minion after Jackie Chan had already defeated them.
Su is also looking for a shoulder-scarred man. He will not let anything stop him from this goal. This includes advances from Tang Pin Nhur (Nora Miao) and her offering of a treasured golden peacock! Now that is a lot of fortitude (or else he is eunuch.) Nora actually has some decent fight scenes in this film. But the plot winds down with too many obvious turns (like who the shoulder-scarred man is and what happened to the Shaolin monks.)
I do feel like this film is worth watching. In addition to the beautiful photography and the actors I have mentioned there are great characters like Lu Lo Qui (with his cursing match against Su), Hong Tu (Gam Ching Lan) who is a pretty petite female pretending to be a male, and Chien Tse (Kam Kong.) If only the plot was stronger (and possibly Lo Wei had less influence on the story) then this film would be mentioned more often and I could create a more cohesive critique. But for historical purposes it will always have its place as a transitional movie in Jackie Chan's illustrious career.
Nora Miao and Jackie Chan stars again since New Fist of Fury (1976) in this classic martial arts movie.
Eight masters of snake and crane combined their skills and wrote the book containing all their secrets. They entrusted it to master Lin along with the Dragon Spear, and disappeared. Hsu (Jackie Chan) is carrying that book. Everyone seems to know that and wants the book. Unfortunately Hsu turns out to be very well learned in the techniques, and nobody is able to take the book away from him. He's letting everyone know he has the book, because he's looking for a man.
Three different clans, Tang, Black Dragon, and Flying Tiger are after his book. Leader of the Tang clan Tang Sei-Chun (Nora Miao) is looking to get the book to find her father. It turns out that man Hsu is looking for is Chan, the leader of the Black Dragon clan and he's after the book also. Wong, head of Flying Tiger clan who's daughter Un-Chu has been stalking Hsu is interested in the book. They feel that with that book, they can rule the kung fu world.
Sei Chun, and Un Chu has feelings for Hsu, and sides with him. When Hsu gets caught by Wong, Sei Chun gathers her troops to free Hsu. But Hsu escapes on his own, and Chan hearing about this, goes after Hsu. The end result is all three clans converging on location where Hsu shows up. Chan wants to wipe out the other two clans, and full battle between the clans including Hsu ensues. Then surprising secret about the Shaolin masters and Chan is revealed.
Surprisingly entertaining movie featuring Jackie Chan. This movie has real plot to the story.
Few months after this movie was shot, Jackie will be filming his crowning achievement from the '70s, the Drunken Master. The two characters he played couldn't have been more apart. In this, he plays dead strait character, and there's no comic element in this story.
This is one of the better Jackie Chan movie from the '70s, and also a very decent kung fu movie.
Eight masters of snake and crane combined their skills and wrote the book containing all their secrets. They entrusted it to master Lin along with the Dragon Spear, and disappeared. Hsu (Jackie Chan) is carrying that book. Everyone seems to know that and wants the book. Unfortunately Hsu turns out to be very well learned in the techniques, and nobody is able to take the book away from him. He's letting everyone know he has the book, because he's looking for a man.
Three different clans, Tang, Black Dragon, and Flying Tiger are after his book. Leader of the Tang clan Tang Sei-Chun (Nora Miao) is looking to get the book to find her father. It turns out that man Hsu is looking for is Chan, the leader of the Black Dragon clan and he's after the book also. Wong, head of Flying Tiger clan who's daughter Un-Chu has been stalking Hsu is interested in the book. They feel that with that book, they can rule the kung fu world.
Sei Chun, and Un Chu has feelings for Hsu, and sides with him. When Hsu gets caught by Wong, Sei Chun gathers her troops to free Hsu. But Hsu escapes on his own, and Chan hearing about this, goes after Hsu. The end result is all three clans converging on location where Hsu shows up. Chan wants to wipe out the other two clans, and full battle between the clans including Hsu ensues. Then surprising secret about the Shaolin masters and Chan is revealed.
Surprisingly entertaining movie featuring Jackie Chan. This movie has real plot to the story.
Few months after this movie was shot, Jackie will be filming his crowning achievement from the '70s, the Drunken Master. The two characters he played couldn't have been more apart. In this, he plays dead strait character, and there's no comic element in this story.
This is one of the better Jackie Chan movie from the '70s, and also a very decent kung fu movie.
When the Eight Steps of the Snake and Crane manual disappears along with the Shaolin masters who devised it, the martial arts world is said to be in disarray. Hsu (Jackie), a pigtailed wanderer (you know the sort), claims he possesses the coveted book and summarily every goddamn scoundrel wants a piece of it, and a piece of Hsu. That's more than enough to go on in this rather tame yet fulfilling chopsocky. The most redeeming factor: a straight Chan performance that's convincing and barely pretentious, featuring some of his best traditional choreography ever put on celluloid. Back in reality, though, the movie proved yet another major flop for the Lo Wei Motion Picture Co.
His character is arrogant but likeable. This is Jackie Chan at his early best. From the opening credits you know that there is something very special about him... and the film! The Kung-Fu is superb and at the odd occasion very funny. This is a must see for all Jackie Chan fans.
1978 was one of the most, if not the most, prolific years in the history of martial arts movies. By my count about three of these movies were made every day. If you make a list of the best martial arts movies of all times then these movies from 1978 must appear on that list or you know nothing - The 36th Chamber of Shaolin, Crippled Avengers, Heroes of the East, Five Deadly Venoms, Drunken Master, Warriors Two, and Dirty Kung Fu.
So where does Snake and Crane Arts of Shaolin fall in among this plethora? We must pretend, to be objective, that Jackie Chan was just another of the hundreds of capable would be star material stunt men of the era. Is there anything about this movie that makes it worth mentioning along with the other seven named? Short answer, yes.
There are two fight sequences. First is a sword fight sequence at about the 45 minute mark. (I'm pretty sure Jackie took many of these same moves and improved the overall sequence in another of his movies. I'll get back and edit this once confirmed.) Second is the spear fighting sequence in the final fight. Those two fights are on the level of Liu Chia-Liang greatness (the Grandmaster of all martial arts movies). The only problem is the rest of the movie is "meh". I will not be adding this movie to the best of 1978 list but it is certainly rated above average and mandatory viewing for fans of the genre.
Since I mentioned it - I will add my list (up until 1978)
1967 One Armed Swordsman, Dragon Gate Inn, Rape of the Sword
1968 Killer Darts, King of All Swordsmen
1969 Killers Five
1970 The Chinese Boxer
1971 The Eunuch, Lady with a Sword, The Brave and the Evil
1972 The Black Tavern, Five Fingers of Death
1973 Enter the Dragon, Win Them All, One By One
1974 The Savage Five, Shaolin Martial Arts
1975 The Flying Guillotine, The Female Chivalry, The Man from Hong Kong
1976 Challenge of the Masters, Master of the Flying Guillotine, Killer Clans, The Secret Rivals, Dance of Death
1977 The Iron Monkey, Broken Oath, Invincible Armour, Shaolin Plot, Executioners from Shaolin, The Lost Swordship, Judgement of an Assassin, Pursuit of Vengeance
1978 The 36th Chamber of Shaolin, Crippled Avengers, Heroes of the East, Five Deadly Venoms, Drunken Master, Warriors Two, Dirty Kung Fu
So where does Snake and Crane Arts of Shaolin fall in among this plethora? We must pretend, to be objective, that Jackie Chan was just another of the hundreds of capable would be star material stunt men of the era. Is there anything about this movie that makes it worth mentioning along with the other seven named? Short answer, yes.
There are two fight sequences. First is a sword fight sequence at about the 45 minute mark. (I'm pretty sure Jackie took many of these same moves and improved the overall sequence in another of his movies. I'll get back and edit this once confirmed.) Second is the spear fighting sequence in the final fight. Those two fights are on the level of Liu Chia-Liang greatness (the Grandmaster of all martial arts movies). The only problem is the rest of the movie is "meh". I will not be adding this movie to the best of 1978 list but it is certainly rated above average and mandatory viewing for fans of the genre.
Since I mentioned it - I will add my list (up until 1978)
1967 One Armed Swordsman, Dragon Gate Inn, Rape of the Sword
1968 Killer Darts, King of All Swordsmen
1969 Killers Five
1970 The Chinese Boxer
1971 The Eunuch, Lady with a Sword, The Brave and the Evil
1972 The Black Tavern, Five Fingers of Death
1973 Enter the Dragon, Win Them All, One By One
1974 The Savage Five, Shaolin Martial Arts
1975 The Flying Guillotine, The Female Chivalry, The Man from Hong Kong
1976 Challenge of the Masters, Master of the Flying Guillotine, Killer Clans, The Secret Rivals, Dance of Death
1977 The Iron Monkey, Broken Oath, Invincible Armour, Shaolin Plot, Executioners from Shaolin, The Lost Swordship, Judgement of an Assassin, Pursuit of Vengeance
1978 The 36th Chamber of Shaolin, Crippled Avengers, Heroes of the East, Five Deadly Venoms, Drunken Master, Warriors Two, Dirty Kung Fu
Le saviez-vous
- AnecdotesThe song "Ice Floe 9" by Pierre Arvay, from the De Wolfe Music library, is used in the film's opening credits. The same piece was also used for the opening credits of Monty Python : Sacré Graal ! (1975), and also appeared in the extended version of Zombie : Le Crépuscule des morts-vivants (1978).
- GaffesAround 37m, when Hsu Yin-Fung fights Sing Chu, playing the "cartwheel" sequence in slow motion (or pausing the film at the right moment) will reveal that the hole in the ground supposedly created by Chu's punch was there before his fist hit the ground.
- ConnexionsFeatured in Kain's Quest: Iron Angels/Angel (2018)
- Bandes originalesDangerous Days
(Main Theme from the Japanese Theatrical Version)
Written by Gregory Starr
Composed by Tetsushi Hayashi
Courtesy of Nippon Columbia Records
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By what name was Chien Tse, le dragon noir (1978) officially released in Canada in English?
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