Sergeant Pepper's Lonely Hearts Club Band

I saw this movie three times as a teenager. This was before I had listened to the Beatles very much. I loved the movie and I even owned the soundtrack.

At forty-four, I have heard the Beatles, seen the fall of the BeeGees and seen the stubborn persistence of an almost geriatric Aerosmith. They are indeed the "Future Villain Band".

Love the Beatles? You will hate this movie. Interested in a simpler time when the hair of rock stars sits in a quiet mass atop the head as if waiting to attack (check out Barry Gibb...or is it Maurice?)? Interested in hearing music that you grew up with and loved torn to pieces by dupes of producers that no longer cared if what they made was good...only profitable? Then, this is the movie for you as well...

Songs done well: Come Together, Got to Get You into My Life, Strawberry Fields and I'll Never Do You No Harm...

Songs that didn't stink: Lucy in the Sky, You never Give me Your Money and A Day in the Life...

Songs that were killed and the corpses urinated upon: When I'm Sixty-four, Fixing a Hole, Mister Mustard and Because...

Sgt. Pepper's Lonely Hearts Club Band is truly delightful! A classic!

Last night, presented by the American Cinematheque at the Egyptian in Hollywood, we saw Sgt. Pepper on the big screen for the first time in 25 years, and it not only "holds up" (as aging movie geeks like to mutter while their fantasies needlessly crumble), it is as fresh, funny, charming and touching as it was when we saw it in the summer of 1978. Blessings to director Michael Schultz, writer Henry Edwards (where are you, fellah?), obviously very busy producers Robert Stigwood, Dee Anthony and Bill Oakes, bright-eyed DP Owen Roizman and of course that music fellow George Martin and those English blokes who wrote such sensational songs. I hope they still have a little money left over, in addition to all the love and joy. (Don't go hungry, Paul; call if you need a few quid.)

Yes, there are thousands of brilliant films to adore, and of course it's common to find a scapegoat to flog, but the sweetness of this movie is undeniable.

It would be very easy to ramble for a couple of days about the wonders of this eternally surprising cast, but I'll save that for parties at B.D.'s pad or the Heartland gazebo. Simply, just try to watch Billy Preston (those boots!), Sandy Farina (!), George Burns, Steve Martin (!?!?!?!), Alice Cooper, Frankie Howerd, Paul Nicholas, Aerosmith, Donald Pleasance, Dianne Steinberg, The Earth, The Wind and The Fire, Stargard (????) and the rest without smiling or getting one of those weird "tingles."

Particularly, Peter Frampton and the Bee Gees -- Barry, Robin, Maurice (goodnight, Brother Gibb) -- commit themselves to a unique, today almost unknown sense of silly good humour. Admittedly, it's a bit uncomfortable when Barry croons to his brothers that he'd "love to turn them on," (egad!) but -- like the sometimes staid framing and cutting -- it's worth overlooking in appreciation of the bigger picture. If you love Rocky Horror, Shock Treatment, The Magic Christian, The Robe, Python's musical offerings, Visconti's The Leopard, Phantom of the Paradise, The Star Wars Holiday Special, Intolerance, The Muppet Movie, Xanadu, Summer of Sam, Happy Campers, The Conversation, The Wiz, On the Waterfront, Spice World, Infested, Yojimbo & Sanjuro, X-2, Bugsy Malone, Potemkin, Grease, Repo Man, Richard Lester's oeuvre, Pennies From Heaven, American Graffiti, Badlands, The Tigger Movie, Little Odessa, The Tattoo Connection or, heck, Singin' in the Rain, High Society or Disorderlies, there's plenty to enjoy here, and no reason to be a mindless bully or snob about it.

Everybody sings really splendidly, too, and Sandy Farina's presence in her one lead role (to date) is unforgettably lovely.

Nice one, Sandy.

While we're at it, why not commend Carel Struyken for being a really good "Brute," and Patti Jerome, Max Showalter and those disturbing robots for tugging our heartstings in "She's Leaving Home" (this version still moves me more than Tori Amos' nice take).

Who knows what bizarre energies converged behind the scenes to bring this thing together (not to mention landing Etta James, Leif Garrett, Barry Humphries, Tina Turner, Sha-Na-Na, Jose Feliciano and Wolfman Jack on the same risers at the finale), but whatever it was, thank you. (Use that great IMDB "more" clicker to scan the credits.)

Now please release a proper widescreen, ZONE-FREE, global DVD packed with extras ASAP. (I cheerfully volunteer as interviewer for the commentary, since no one else on the whole planet would have the guts.) This version from Brasil is pretty good for a full-screen with no chapter-stops (Steve's freaking through "Maxwell's Silver Hammer" right now), but -- like Shock Treatment, The Fabulous Stains and others, the public deserves a good look at this stuff.

Sorry if that sounds like a threat.

Let the pleasure be guilty no more!

A Beatles fan all my life and this was a pleasant surprise as I had avoided it over the years as being pastiche cliched crap, but hey, life is full of surprises. And I like it. Just shows that brilliant music can make a mediocre story look good. Never the other way around. Bee Gees and Frampton were good choices.

Time & death has a funny way of smoothing over harsh criticism. What was deemed a colossal egg upon its release, certainly hated by discophobes and Beatles purists for its sacrilege back in the late 70s, "Sgt. Pepper's Lonely Hearts Club Band" has since become a historical document on its own. Only 35 years later and after the deaths of 3 Bee Gees are we beginning to chill on our Bee Gees hatred and give this monumental group its due. If you watch this movie not as a Beatles tribute but perhaps as a wacky Bee Gees tribute, you'll enjoy yourself. This movie is a forgotten landmark of the 70s.

The Bee Gees are known for their disco hits like "Stayin Alive" and such, but did you know that in the 60s they were a moderately successful psychedelic rock band quite similar to the Beatles? With that in mind, it's not so far fetched to imagine them playing Beatles music, and in fact they do a pretty good job if you can dump all preconceptions. The opening numbers "Sgt. Pepper" and "A Little Help from my Friends" (with Peter Frampton singing) kick the movie off nicely. I thought the best tune was "Nowhere Man" with their silky smooth harmonies. And where else are you going to hear basically the entire Sgt. Peppers & Abbey Road albums in a movie, Beatles or otherwise? Where this movie sags is in the fact that it's barely a movie. It's more like a string of campy music videos loosely stuck together with a somewhat vapid plot. But hey, aren't a lot of musicals like that?

The plot revolves the Lonely Hearts Club Band: The Next Generation, 20 years after the original horn blowers left the stage. Now amped up and rockified, the new band tops the charts and is lured away from its hometown to LA with a record deal while an evil villain "Mr. Mustard" takes over their hometown and turns it into a city of sleaze. Mr. Mustard answers to an even eviller entity known as "F.V.B." (the meaning revealed only at the end). What follows is a very flimsy chain of events, each represented by a Beatles song. There is no dialogue in this film; it's all music.

Production values are high, and you can expect to see some impressive sets, scenery & costumes as well as decent cinematography. In other words, it's not a cheap production. The style is very tongue-in-cheek, much like The Who's musical "Tommy" released 3 years prior. In fact I had to check to see if both films were directed or produced by the same people. They weren't. But if you were entertained by "Tommy" you'll probably get a kick out of this as well.

I recommend getting acquainted with the Bee Gees before watching this movie. There's a good documentary called "The Bee Gees: In Our Own Time" which might open your eyes and prep you for a better experience if you decide to watch this. Only now, decades after the fall of disco and with only 1 Bee Gee still living, the band is finally getting some respectful treatment. Love em or hate em, you gotta admit they took the world by storm for a brief moment in music history.

Notable guest musicians Earth Wind & Fire, Peter Frampton, Alice Cooper, Aerosmith, and a hilariously bizarre appearance by fancy-footed soul singer Billy Preston shooting laser beams of love from his fingertips round out this one-of-a-kind experience (Billy played electric piano on the Beatles' original "Get Back" which he sings here). I like to keep this DVD playing at loud volumes while I'm doing household chores to keep me moving. It may scare off some visitors, but then who needs em?

In 1978, when I was 12 years old, we were living in Moscow, while my father was stationed at the Canadian Embassy. To escape the "fun" of living behind the Iron Curtain, we routinely took the Moscow-Helsinki express and travelled around Scandinavia. Our trip always ended at this huge department store in Helsinki, where we'd order all our non-perishable groceries until our next trip. My brother and I were allowed to purchase one record apiece to take back with us.

So one time, I picked up the soundtrack to this film. I don't think the movie had been released yet. Goodness knows, I didn't know that the movie was going to be a howler. All I know is that I loved the soundtrack. I listened to it over and over, and pored over the photographs on the album cover, trying to get a sense of the movie.

A few years later, I read "The Golden Turkey Awards" and then I started to realize how bad the movie was. I didn't get my chance to see it until 1997. Oh, it stunk! Cheese everywhere, from the awkward love story to the campy antics of the villain and his robots.

And yet, I watch it every time it comes on TV. Finally, I have the movie to go with the soundtrack. And let's face it - I love cheesy movies.