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Alors qu'il tente de gagner l'affection d'un beau rival, un maître voleur risque la mort pour connaître les intentions secrètes d'une riche et apparemment immortel, mais impitoyable, recluse... Tout lireAlors qu'il tente de gagner l'affection d'un beau rival, un maître voleur risque la mort pour connaître les intentions secrètes d'une riche et apparemment immortel, mais impitoyable, recluse.Alors qu'il tente de gagner l'affection d'un beau rival, un maître voleur risque la mort pour connaître les intentions secrètes d'une riche et apparemment immortel, mais impitoyable, recluse.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Eiko Masuyama
- Fujiko Mine
- (voix)
Tôru Ôhira
- Stuckey
- (voix)
Kôsei Tomita
- Commissioner
- (voix)
Shôzô Îzuka
- Flinch
- (voix)
Shunsuke Shima
- Dietman
- (voix)
Yûji Mikimoto
- Police Officer
- (voix)
- (as Masaru Miyashita)
Kô Nishimura
- Mamo
- (voix)
Bob Bergen
- Lupin (1995 Streamline dub)
- (English version)
- (voix)
David Povall
- Zenigata (1995 Streamline dub)
- (English version)
- (voix)
Commentaire à la une
The first film version of the long-running successful manga series 'Lupin III', 'The Mystery Of Mamo' is non-stop action, adventure, and humour, brought to life with some brilliant animation, an excellent script, and some very good voice acting.
Lupin is the greatest thief since his grandfather Arsene Lupin, but his lifestyle never affords him a moment's peace, especially with maniacally-determined Interpol Inspector Zenigata pursuing him anywhere and everywhere across the globe. Aided by his two friends, Jigen, who prefers a quiet life, sombre samurai warrior Goemon, and on-again-off again girlfriend and equally-skilled thief Fujiko, Lupin finds himself drawn into the world of Mamo, a mysterious billionaire, intent on achieving immortality. But is Mamo exactly what he appears? And how does the fabled Philosopher's Stone fit in?
Now *this* is what animation is *really* about. It's about as far removed from the billion dollar cgi rubbish one usually sees in cinemas as it's possible to be. Every frame in 'Mamo' exudes genuine artistry, whether it's a peaceful Parisian cafe scene, or frenetic car chase through a sewer - yes, a sewer. Every musical motif creates genuine atmosphere, and every line of dialogue is there because it should be - it's not just a collection of lame one-liners for a cynical audience. If you find yourself on the edge of your seat, it's not because you're trying to fend off sleep from Disney-drawn dreck, but because you really find yourself wanting to see what happens next.
There are imperfections within the story - certain plot points that are not entirely followed up, but nothing that ruins the central story. There is also a certain trade-off between characterisation and action, but Lupin III stories are not meant to be deeply introspective character pieces, just a lot of first class fun. They are also an ongoing series, so further revelations are to be had elsewhere.
Probably the most well-known Lupin outing is 'The Castle Of Cagliostro', in many ways a more straightforward adventure with a more traditional action film-type ending. I think they're both excellent, but they're different beasts in temperament. 'The Mystery Of Mamo' takes a left-turn into the surreal, but it's still a cracking film that shouldn't disappoint - and definitely accessible to a Lupin novice.
Lupin is the greatest thief since his grandfather Arsene Lupin, but his lifestyle never affords him a moment's peace, especially with maniacally-determined Interpol Inspector Zenigata pursuing him anywhere and everywhere across the globe. Aided by his two friends, Jigen, who prefers a quiet life, sombre samurai warrior Goemon, and on-again-off again girlfriend and equally-skilled thief Fujiko, Lupin finds himself drawn into the world of Mamo, a mysterious billionaire, intent on achieving immortality. But is Mamo exactly what he appears? And how does the fabled Philosopher's Stone fit in?
Now *this* is what animation is *really* about. It's about as far removed from the billion dollar cgi rubbish one usually sees in cinemas as it's possible to be. Every frame in 'Mamo' exudes genuine artistry, whether it's a peaceful Parisian cafe scene, or frenetic car chase through a sewer - yes, a sewer. Every musical motif creates genuine atmosphere, and every line of dialogue is there because it should be - it's not just a collection of lame one-liners for a cynical audience. If you find yourself on the edge of your seat, it's not because you're trying to fend off sleep from Disney-drawn dreck, but because you really find yourself wanting to see what happens next.
There are imperfections within the story - certain plot points that are not entirely followed up, but nothing that ruins the central story. There is also a certain trade-off between characterisation and action, but Lupin III stories are not meant to be deeply introspective character pieces, just a lot of first class fun. They are also an ongoing series, so further revelations are to be had elsewhere.
Probably the most well-known Lupin outing is 'The Castle Of Cagliostro', in many ways a more straightforward adventure with a more traditional action film-type ending. I think they're both excellent, but they're different beasts in temperament. 'The Mystery Of Mamo' takes a left-turn into the surreal, but it's still a cracking film that shouldn't disappoint - and definitely accessible to a Lupin novice.
Histoire
Le saviez-vous
- AnecdotesThis was Lupin III creator Monkey Punch's favorite film in the series. Following his passing, Nippon Television aired the film on Friday, April 19 2019 at 9:00 p.m., which concluded with a dedication to his memory.
- GaffesWhen Lupin tells Goemon and Jigen that they should travel towards the ocean, his lips don't move at all, despite his face being clearly visible throughout. This error was repeated in the Toho and Manga dubs, but was corrected for the Streamline and Geneon dubs - Lupin does not say anything in the Streamline dub, while a related line is given to Goemon in the Geneon dub.
- Citations
Mamo: Obviously, eternal life would be wasted on a vulgarian like that man there.
Arsene Lupin III: That's not true. I eat meat!
- Crédits fousIn the closing credits, in a corner of the screen Lupin and Zenigata run from the missile barrage; this scene is intercut with previous scenes from the film.
- Versions alternativesThe masters for this film provided by TMS for Pioneer Entertainment to release on US DVD in 2003 were edited to remove certain product logos, such as real-world cigarette brands. The earlier VHS release by Streamline Pictures in 1995 did not have such alterations.
- Among the deleted items for the Pioneer DVD release include a shot of Stuckey, the US government representative, reading a "Lupin" comic book, with an ad that shows Lupin with DC Comics characters Superman, Wonder Woman, Aquaman, Batmanm and Robin. The ad itself was a real 1978 "Clark Bar" promotion ad that ran in DC and Marvel comics of the time, but the film's producers pasted Lupin onto it.
- ConnexionsEdited into Cliff Hanger (1983)
- Bandes originalesRupan Ondo
(Dance Song for Lupin)
Published by Teichiku Records
Performed by Haruo Minami
Lyrics by Monkey Punch
Music by Yuji Ohno
Lyrical complement by Daizaburô Nakayama (uncredited)
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- How long is Lupin the 3rd: The Mystery of Mamo?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Edgar de la Cambriole: Le Secret de Mamo
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 500 000 000 JPY (estimé)
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Lupin III: Le Secret de Mamo (1978) officially released in India in English?
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