La taverne de l'enfer

... and maybe pick up an award or two. This movie is very well-done on every level, and LOT of fun to watch. Stallone's characterization of a lazy goofball who wants everybody else to bust their butts to make his dreams come true for him is just brilliant, possibly his very best performance. Actually, there's not a single bad performance in this whole movie and that's saying a lot, considering that some of the major roles were filled by guys who were professional boxers or wrestlers. In addition, the sets/costumes/lighting give a very good sense of place and time -- only the hairdos on the female leads tip you off that this was made in the late '70s.

Probably Stallone's most under valued work, this film reminds the viewer just what talent he had behind the camera (see also Rocky II to IV). The story follows the three Carboni brothers in 1940s New York, as they each try to make their way through life in the slums of Hells Kitchen. Cosmo (Stallone) plans to turn his tough but dim brother Victor into a champion wrestler, and with the help of their third brother (Assante) they set about making their fortune. There are echoes of Rocky throughout the film, (small time nobody becomes admired champion), but what sets it apart is the humour. There are great lines throughout the film delivered with dead pan perfection from the mostly excellent cast, which also includes Stallone regular Joe Spinell. If you can make it through the hilariously bad opening number (sung by Stallone himself), there's plenty here to appreciate. This film is long overdue a release on DVD... come on Universal, how about it?

If this film had been spoken in Italian and dubbed in English (like all Italian movies of the seventies) it would have scooped all of the European arthouse awards. It is an excellent film that I have watched many times, and one which always reminds me to respect Stallone as a serious and talented writer/director. This film is very funny and very engaging and can hold it's own with classics of the time such as Lina Wertmuller's "Seven Beauties" or Lasse Hallstrom's "My Life As A Dog". It's a shame that Stallone has never equalled this work. First Blood had much to recommend it and can even stand a little analysis as a metaphor for the American Post-Vietnam psyche. Cliffhanger is pure 'leave-your brain-at-the-door' entertainment and Stallone is perfect in the part but he has done nothing (including Copland) that approaches the sheer art of Paradise Alley. I give it nine out of ten

Stallone made this film between "Rocky" and "Rocky II" and it shares alot of similarities with those films. It's the story of three brothers who dream of busting out of the poverty of Hell's Kitchen in New York during the mid-1940's.

Sly plays Cosmo Carboni, the street-wise hustler with no visible means of support but a head full of get-rich-quick schemes who hatches a plan to promote his brutish but gentle-natured brother (who's job is hauling giant blocks of ice all over the city) as a professional wrestler. Armand Assante plays his other brother, a cynical war veteran who was wounded in combat and now works as a mortician.

The story is peppered with colorful Damon Runyon-esque characters and a nicely balanced combination of humor and drama. Stallone writes and directs well, getting good performances from all his actors, and the film has a rich flavor and feeling for the period.

One of Stallone's least-known and least appreciated films, but it's well worth seeking out. Nicely done and entertaining.

Stallones directing debut is a forgotten gem, back when it was released crushed by the critics and snubbed by the audiences. Wrongfully so, because this is great film that especially today makes you wonder whatever happened to Sylvster Stallone the artist. Here he was in all his glory: writer, director, star (even singer of the title song), and maybe that was the reason this film was ignored and critically lambasted back then. When Rocky came out, everybody body loved the writer-actor, but as we know, more sooner then later, people (especially the press) love to turn on the one they once favoured. Paradise Alley is a beautiful fim that needs to be rediscovered. Its made by someone who loves to tell a good, human story, captured in beautiful shots (just watch credit montage - the rooftop contest) Its full of colorful characters, full of warmth and feeling and wonderful humor. This film was a promise Stallone sadly later on never fulfilled, maybe because everyone turned so harsh on this one, which is something I will never understand. After decades of forgettable movies I wish Stallone would finally defy all nay-sayers and go back to stuff like this. He did by starring in Copland, but since then he made horribly choices as an actor, doing movies which didn't even make it to the theatres.