Billy Hayes, un étudiant américain, est arrêté pour trafic de drogues en Turquie et jeté en prison.Billy Hayes, un étudiant américain, est arrêté pour trafic de drogues en Turquie et jeté en prison.Billy Hayes, un étudiant américain, est arrêté pour trafic de drogues en Turquie et jeté en prison.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 17 victoires et 14 nominations au total
Paul L. Smith
- Hamidou
- (as Paul Smith)
Avis à la une
First of all im turkish and i have seen this movie for several times. I LIKE it and i simply know what other people think about this movie. If they are turkish, they simply hate the movie and tell that its giving the turkish nation a bad name. If they are not turkish then they start to think about bad things about turks. And thats normal. BUT!!!! The main problem of the movies is not that its not showing true things. The main problem of the movie is that it tells the things that happaned to the main characters happened cause he is AMERICAN. I think thats the wrong thing about this movie. If bad things happen to americans in turkish jails then bad things happen to turkish people in jails too. I dont think that they would harras someone MORE just cause he is AMERICAN. Im turkish and i know that turkish people dont hate americans, like most of the other muslim countries. Also, this movie is 20 years old. I think many things changed in Turkey in this past 20 years. Come to Turkey, then you can Judge as much as you can. truth or fiction. I! LIKE! THIS! MOVIE!
While this film is entertaining to watch and has its level of suspense at various points it is not a truly `true story' much of it according to the real Billy Hayes never happened and his eventual escape is very different from what is depicted in this motion picture. It also tends to demonize the nation of Turkey and presents a distorted view of its people. Is it possible to have sympathy for the main character? He was fully aware of what he was doing and knew the consequences should he be caught so sympathy is on an individual basis. You may have sympathy or may not.
A number of years ago a public service commercial narrated by actor Hal Holbrook frequently ran on Television, which told of Americans being held in foreign prisons. He spoke of one American held in a Turkish prison. Was it Billy Hayes? The commercial ends with the line `When you're busted for drugs over there you're in for the hassle of your life' That's the message this film was intended to send out irregardless if the events in it were true or fictionalized for dramatic purposes. As always purchase or rent a copy to see the uncut unedited version.
A number of years ago a public service commercial narrated by actor Hal Holbrook frequently ran on Television, which told of Americans being held in foreign prisons. He spoke of one American held in a Turkish prison. Was it Billy Hayes? The commercial ends with the line `When you're busted for drugs over there you're in for the hassle of your life' That's the message this film was intended to send out irregardless if the events in it were true or fictionalized for dramatic purposes. As always purchase or rent a copy to see the uncut unedited version.
Artistically, MIDNIGHT EXPRESS is quite well made... I do recall several media reports at the time of the film's release that led to contrary impressions, supporting the deliberate attempt by the filmmakers to do a hatchet job on the setting of this film. The first was Billy Hayes himself, when he first arrived on native soil, having pulled off his alleged escape; he said on TV, "I like the Turks...it's the prison I had a problem with" Easy to understand; few prisons are a joy ride, regardless of nation of origin. From this, I gathered he personally didn't have an animosity against the Turks, although MIDNIGHT EXPRESS goes out of its way to make everything negative about the country and culture. Only the "Western" characters are good and attractive, and the folks selected to play the Turks are corrupt, physically ugly and basically sub-human. The exterior scenes in Turkey itself have a grayish tint, implying the land is a hell-hole, and even the near-universally acclaimed cuisine gets a black eye.
The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.
I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.
The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.
A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
The second thing from the (film's release) period I recall was a discussion on radio that claimed the prison Billy served time in was relatively modern, built in the mid-sixties... and not the Devil's Island PAPILLON setting depicted in the movie. (A 19th-Century British barracks in Malta was used for the prison.) Naturally, some artistic leeway is allowed here, since the movie's purpose is to paint a picture of a living nightmare.
I recall reading the book years ago, and when our hero got his unfair sentence, naturally he was in despair... but at that moment, he felt an almost gallant, resigned acceptance. In contrast, when Billy gave his courtroom speech in the movie (which certainly was a defining moment of the film's ill-naturedness... to quote part of the speech: "For a nation of pigs, it sure seems funny that you don't eat them! Jesus Christ forgave the bastards, but I can't! I hate! I hate you! I hate your nation! And I hate your people! And I f**k your sons and daughters because they're pigs! You're all pigs!"), the three ugly judges actually hung their heads in shame. I wonder if there's a courtroom in any nation that would permit such a prolonged and loud outburst.
The August 30th post mistakenly referred to Turkey as an Arab nation.... so the user must not have seen "Lawrence of Arabia," where the Arabs were the heroes and the Turks were the villains. It's interesting that in the rare Hollywood film where Arabs are portrayed "positively," Turks still come across as barbaric.
A Turkish-American friend has told me, contrary to what others here are thinking that the film couldn't really prejudice the viewer, that the film has achieved one of its purposes, to leave a sore, anti-Turkish taste in mouths. Keeping in mind that Americans are generally ignorant of the ways of many foreign nations, this film continues, even today, of being the only source of information most Americans have about Turkey. As cinematically effective and wonderfully made this film is, there's a disturbing side to MIDNIGHT EXPRESS that makes it mildly resemble a contemporary "Jude Suess," or THE ETERNAL JEW ("Der Ewige Jude").
Midnight Express can be compared to the likes of Mississippi Burning, Schindler's List and Midnight Cowboy - people who see it love it or hate it - no in between and it inspires a great deal of conversation. I have never met anyone who has seen this film and does not carry a strong opinion of it one way or another.
I love it. I do not consider it a depiction of Turkish life or an accurate retelling of the whole truth. In fact, the truth of the William Hays story is deeply lost in this picture. I consider Midnight Express to be a primarily fictional prison drama, bases largely on real events. The bottom line is that it is a great film.
Politically, I am quite conservative and have a "don't do the crime if you can't do the time" attitude. I had very little sympathy for William Hays in this movie, a young American caught smuggling hash out of Turkey and imprisoned in an absolute hell-hole. Instead, I am fascinated by his adaptation to prison life, the politics among prisoners and officials, the relationship with Brad's family and lawyers and all the other aspects of the films.
The film is very gross, quite violent and filmed in a dark, depressing. atmospheric manner. It is not for the faint of heart or anyone looking for a pleasant experience.
If you are a Randy Quaid fan then Midnight Express is a must see. So much of Randy Quaid's fame arises from the ludicrous Vacation movies and Independence Day, his true talent is unappreciated. See this (an The Last Detail) if you are a Randy fan.
There is a completely unnecessary and inane scene in which the lead character delivers a speech in a Turkish court - cut this scene short and you have a perfect movie.
Midnight Express is controversial and though-provoking. I cannot guarantee that you will like it, but I can guarantee that it will make you think.
**** out of ****
I love it. I do not consider it a depiction of Turkish life or an accurate retelling of the whole truth. In fact, the truth of the William Hays story is deeply lost in this picture. I consider Midnight Express to be a primarily fictional prison drama, bases largely on real events. The bottom line is that it is a great film.
Politically, I am quite conservative and have a "don't do the crime if you can't do the time" attitude. I had very little sympathy for William Hays in this movie, a young American caught smuggling hash out of Turkey and imprisoned in an absolute hell-hole. Instead, I am fascinated by his adaptation to prison life, the politics among prisoners and officials, the relationship with Brad's family and lawyers and all the other aspects of the films.
The film is very gross, quite violent and filmed in a dark, depressing. atmospheric manner. It is not for the faint of heart or anyone looking for a pleasant experience.
If you are a Randy Quaid fan then Midnight Express is a must see. So much of Randy Quaid's fame arises from the ludicrous Vacation movies and Independence Day, his true talent is unappreciated. See this (an The Last Detail) if you are a Randy fan.
There is a completely unnecessary and inane scene in which the lead character delivers a speech in a Turkish court - cut this scene short and you have a perfect movie.
Midnight Express is controversial and though-provoking. I cannot guarantee that you will like it, but I can guarantee that it will make you think.
**** out of ****
Im a turkish boy and im proud of being a turk.that movie may be a good movie but its full of exaggerations.Even Billy Hayes admitted that that movie was full of exegerations.Some ppl have some prejudieces about turkey and turkish people.and i don't like that.For ex i watched the movie called 'sleepers' but i dont think that all Americans rape kids in jail.
Le saviez-vous
- AnecdotesBanned (and never released theatrically) in Turkey until 1992 when the private television channel HBB broadcast it.
- GaffesThe Turkish spoken by the Turkish characters in the film is uniformly broken. The actors are obviously not Turkish; sometimes the language is so broken it is difficult for native speakers to understand what they are saying.
- Citations
Max: The best thing to do is to get your ass out of here. Best way that you can.
Billy Hayes: Yeah, but how?
Max: Catch the midnight express.
Billy Hayes: But what's that?
Max: [laughs] Well it's not a train. It's a prison word for... escape. But it doesn't stop around here.
- Crédits fousThe only opening titles are: Columbia Pictures presents a Casablanca FilmWorks production an Alan Parker film Midnight Express After this, the opening prologue text reads "The following is based on a true story. It began October 6, 1970 in Istanbul, Turkey."
- Versions alternativesSome of the VHS and Betamax copies included text before the end credits run that did not appear on the DVD and Blu-ray copies "On May 18,1978 the motion picture you have just seen was shown to an audience of world press at the Cannes Film Festival.... 43 days later the United States and Turkey entered into formal negotiations for the exchange of prisoners." This dialogue existed on HBO's showing of the movie back in 1985.
- ConnexionsEdited into Running Man (1987)
- Bandes originalesIstanbul Blues
Vocals by David Castle
Written By Oliver Stone, Billy Hayes (as William Hayes)
Arranged and Lyrics by David Castle
Acoustic / Electric Guitars by Patrick McClure
Drums, Percussion by Jerry Summers
Strings by Fritz Sonnleitner and Sid Sharp
Bass by Rick Tierney
Piano, Electric Piano, Clavinet by David Castle
Published by Rick's Music Inc./Gold Horizon Music Corp. (BMI)
(p) 1978 Casablanca Record and FilmWorks, Inc.
© 1978 Columbia Pictures
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- How long is Midnight Express?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Expreso de medianoche
- Lieux de tournage
- Fort St. Elmo, Valletta, Malte(as the Turkish prison)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 300 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 35 000 000 $US
- Montant brut mondial
- 35 000 000 $US
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