Le Seigneur des anneaux

I really liked this movie, and it is true, too many people compare it to the Peter Jackson films. Even more impressive was that they fitted two books into one film, many people consider that a mistake and that things were missed out, when actually considering the books aren't very easy to adapt, I thought this film wasn't too bad an attempt. The animation was very impressive, a little dated by our standards, but bear in mind people it was made in the 70s and that it is lower budget than that of Disney or Pixar. The music was very well done especially the orks' march to Isanguaard, very haunting indeed. Though speaking of the orks, a very young audience will find them very frightening, and will be deterred by the sight of blood. The film is also overlong and a bit slow, but anyone who's seen the Peter Jackson films will argue that they have the same problem. The voice talents are exceptional, standouts being Christopher Guard as the idealistic Frodo, William Squire as the wise Gandalf(very good but Ian McKellan was better but only marginally) and John Hurt's brave Strider/Aragorn. Some of the scenes in this film are very hard to depict, like the scenes with the Black Riders(the scene in the inn was genuinely creepy), and I must say, that in general, the execution of those scenes were well-above average. In conclusion, despite the flaws, this film is nowhere near as bad as people say it is. My dad and my brother are both die-hard LOTR fans, and they say that this film was very well done. 7/10 Bethany Cox.

I happened upon this movie as an 8-10 year old on a cold, dark November afternoon. I was outside playing all day, freezing, and when I came in around 4pm, I had a cup of hot cocoa and sat down in front of the TV with a blanket. I was surprised to be watching a cartoon that wasn't all happy and silly--and was in fact dark, and moralistic. It captured my imagination. I'm sure it misses the text, and is abbreviated in all the wrong places for the Tolkien purist. But it still captures the spirit of the story, the choice to carry a burden for the good of others, the consequences of selfish, rash decisions, etc. The quality of animation leaves room for complaint. But the one place where this movie clearly rises above the new films is the voice characterizations. John Hurt is great in this. If you don't like how the character is drawn, look away, and just listen to him. His voice is extraordinary. I've seen it again many, many times and it always brings me back to that time, as a kid, thirsty for some magical adventure. It's for this reason I say 'lucky', the film is nostalgic for me so I overlook its shortcomings. But between John Hurt, and Tolkien's fantasy, it still reached me, and still does.

I'm fond of this film and it vexes me that so many "reviewers" rank it below the Peter Jackson trilogy. A filmed novel is always interpretive; in particular an animated film relies on the artist's vision and should be judged on its own terms. Speaking as a purist, this is a finer homage to Tolkien than the updated version. While this film has its flaws it stays truer to the source, especially so far as the characters are concerned.

In the Jackson version Tolkien's Frodo is barely recognizable: from the first scenes he is portrayed as a weakling, constantly wavering, manipulated by forces around him and never standing on his own two feet (this is physically and metaphorically true.) You wonder why fate chose this limp biscuit to carry the one ring to the Cracks of Doom. Jackson unforgivably rewrites Tolkien and robs Frodo of his finest moment when he allows Arwen to rescue him from the Ringwraiths...Bakshi's version respects the original, presenting a Frodo who demands the wraiths "Go back and trouble me no more!" Bakshi sustains Frodo's character as Tolkien conceived it. We see his decline as the weight of his burden increases. Frodo is so pivotal to Lord of the Rings you wonder why Jackson took such liberties (he does so with numerous characters)since character development propels the plot to its inevitable conclusion. Bakshi's film better explores the companionship between Legolas and Gimli in a few judicious scenes that are completely lacking in Jackson's version. Similarly we see Boromir horsing with Pippin and Merry, furthering the idea of fellowship. For my liking the camaraderie is more developed in the animated version than the live action.

Tolkien's poetry is an important ingredient in the novels and Bakshi makes tribute to this in one of my favorite scenes: when Frodo sings the "Merry Old Inn" song, minutes before stumbling into Strider. The cheery tune is chillingly juxtaposed with the darker theme music when seconds later, invisible to his friends but visible to the wraiths, Frodo is dangerously exposed. This is one of the most atmospheric portions of the film and chills me whenever I see it.

The well documented budget/time restrictions limit this film's final impact but had it been completed it may have resonated with more viewers. As it is, it's worth a look. Even its detractors admit that Peter Jackson derived much of his inspiration from this prototype.

As a kid I was quite astonished with the dark and gloomy tone of this film, especially in comparison to Rankin/Bass's take on the same material around the same period. Also at the time I didn't really care for the animation, which I found to be rather cold and creepy (having no idea it was rotoscoped or even what rotoscoping was). However as the years have gone by and the Jackson adaptations come and gone, I feel more and more drawn to this rare piece of absolutism as I would a painting by Vincent Van Gogh or Salvadore Dali.

Bakshi always had a flair for adult-oriented animation, and finally with this he found a subject befitting of his style. Lord of the Rings is some overall dark, intriguing material in comparison with The Hobbit and really was deserving of something imaginative and stylistic as only Bakshi's team could deliver. Most everything comes together quite well here with the bizarre rotoscoped animation, the characterizations, the voice performances, and Leonard Rosenman's supercharged score (one of his career best, up there and quite similar to his work on THE CAR and RACE WITH THE DEVIL). It's rather unfortunate that funding ran out and the project had to be hurriedly wrapped, quite a similar heartbreaking story as to what happened with his previous year's WIZARDS.

The film is clearly unfinished in many regards. The most heinous act it commits is to end right in the middle of a major action scene with absolutely no resolution to speak of! Even ignoring its abbreviation of the books, one has to admit that narratively this film is a complete disaster. I can't imagine the marketing for this movie honestly claiming it to only be the first half of the book trilogy brought to screen. Needless to say I'd be surprised if angry audiences didn't get up and boo at the screen en masse back in 1978 witnessing perhaps the biggest cheat or, dare I say even, "rip off" in cinematic history.

Similarly this film has a very rough feel to it in terms of animation and pacing and is entirely inconsistent. Things begin fairly polished and kid-friendly but get darker, drearier, more violent (with some surprisingly graphic gore), and sloppier as the film goes on. By the end we get the vast majority of the film not even properly animated and more or less just treated film material with undercranked smoke and clouds filling in the for the background plates. It's quite similar to the bizarre psychedelic cost saving measures Bakshi made when he took over the second season of the animated 60's "Spiderman" cartoons. This whole Joseph Conradian experience of a descent into hell is pretty overwhelming, oppressive, and possibly even emotionally scarring for young viewers, but it's something I've strangely come to love about this film over time.

Yes, dare I say it, I just love this movie. You can't deny that it has its share of magical moments like Frodo's escape from the Wraiths, Gandalf opening the doors to Moria, and the showdown with the Balrog. Much like David Lynch's DUNE it created a vivid, creative, and whole-hearted realization of a world out of the severe butchery its source material. There's a small, artistic, and very personal loving feel given to this movie which I found lacking in Jackson's trilogy. Bakshi and his overworked team of animators may not have created the best film ever, but they did a lot with the little they had. I just wish they'd been able to see it through.

More than twenty years before Peter Jackson's visionary adaptation of The Lord Of The Rings, there was this 1978 animated effort from director Ralph Bakshi. An ambitious and reasonably faithful version of the story, this has sadly been rather over-shadowed by the Jackson trilogy. Indeed, many reviewers here on the IMDb (mainly those who saw the newer version first) seem to be fiercely unkind to this version.... but if one applies a little common sense, and takes into consideration the time when it was made and the technical possibilities that existed at that time, then they will realise that this is a pretty good film. Indeed, it was shortly after seeing this animated movie back in the early '80s that I sought out Tolkien's book and immediately became a lifelong fan of these richly detailed Middle Earth adventures. So, in some respects, I owe this film a degree of acknowledgement as the film which shaped my literary tastes forever.

Sauron, the Dark Lord of Middle Earth, forges an all-powerful ring that gives him incredible power. Following a great battle during which Sauron is defeated, the ring falls into possession of a king named Isildur…. but instead of destroying it he foolishly chooses to keep it. For centuries the ring passes from hand to hand, eventually coming into the possession of a hobbit named Frodo Baggins who lives in a peace-loving community known as The Shire. Frodo learns from a wizard named Gandalf that his ring is in fact The One Ring, the very same that was forged by Sauron all those centuries ago, and that its master is once again searching for it in order to restore his dark power over the entire land. Frodo embarks on a perilous journey to protect the ring with three other hobbit companions, but every step of the way they are hunted by Sauron's ring-wraiths, the Black Riders. There follow many adventures, during which a company of nine adventurers is formed to guide the ring to the only place where it can be "unmade" – Mount Doom, in the land of Mordor. The film concludes with Frodo and his best friend Sam on the borders of Mordor, closing ever nearer to their horrifying destination. Meanwhile Gandalf and the other members of the company fight off a huge army of orcs at the legendary fortress of Helm's Deep.

This version covers just over half of the original book. A second instalment was planned to bring the story to an end, but was sadly never completed. While the ending feels abrupt, it does at least end at a sensible point in the story. One has to feel a little frustration and regret that no sequel exists in which we might follow these animated heroes to their eventual goal. The animation is passable, with a nice variety of locales and characters presented in interesting detail. The music by Leonard Rosenman is suitably stirring and fits in appropriately with the epic narrative. The voice-overs are decent, too, especially John Hurt as Aragorn and Peter Woodthorpe as Gollum. On the other hand, Michael Scholes - who provides the voice for Sam - is rather campy and goofy, which is not well suited to the character. The Lord Of The Rings is a commendable attempt to visualise the staggering book on which it is based.