Les femmes de 30 ans

Well, this film was made to fill a niche that no longer exists. Like the old B-movies sort of went away when that area fell to television, this film was soft-core before cable channels filled that niche. And, it does so better, having B-list actresses, rather than D-list and former porn actresses. Most of the actresses did really solid work, especially Karen Black, Marilyn Lightstone, and Helen Shaver. Tom Berenger was awkward to the point of being painful to watch, but I doubt that it is due to bad acting. That is almost certainly the director's vision. The dialogue was also painfully awkward, but that only makes sense. The background of the 1956 Hungarian uprising made for some interest as well. The film is intended to be sexy, so consider that when deciding to view this one.

Like someone else on this page has already said, this movie should not be approached as a serious period piece, but as a soft-core porn flick. The vapid characters have been stripped of all human dimensions except their sex drive. You kind of wonder when exactly Tom Berenger's character found the time to become a philosophy professor, since we almost always see him in a horizontal position, if you know what I mean. But nobody can deny that the film does have some genuinely erotic moments (Susan Strasberg steals the show in that department, as the always "hungry for more" Bobbie). (**)

Tom Berenger plays a young Hungarian having flings with older women.

Pretty much a soft soft soft core porn flick. Really, boy meets girl, boy seduces girl, girl sleeps with boy.

Why are the women such sluts in this film? They will have sex at any opportunity given. Not once does Tom Berenger get turned down for sex. It is quite a boring film but it seems ever 2 minutes Tom Berenger has a new bed buddy. So it ain't that bad. But if you're looking for entertainment, this film aint for you.

My rating.. 1/5.

I caught this playing constantly on cable TV late at night back in the early 80s. Not much of a plot. It's just about hunky Tom Berenger (who was only 29 when he made this) seducing one older woman after another. That's all it is--nothing else...but not bad for what it is.

The woman themselves are all very beautiful, have nice bodies and (surprisingly) are good actresses--Karen Black and Helen Shaver especially. The only disappointment in the film was there were next to no full frontal nude shots of Berenger. The women show everything but not him and--let's face it--back then he WAS very handsome and had a great body. There are only flashes of his "best parts" and (for some reason) even THOSE were clumsily edited out the last time I saw the pic (in the mid 80s)! If you're gonna do a soft core pic let's see everything.

That aside it was a light, enjoyable sex film--nothing more. I give it a 7.

George Kaczender's In Praise of Older Women, from Stephen Vizinczey's novel of the same name, is an extremely controversial film. The Canadian version of the MPAA objected to the nudity and explicit simulated sex in the film and would not release it unless Kaczender removed 2 minutes of footage. Kaczender was willing to remove 10 seconds of footage. Eventually, a compromise was reached and 30 seconds were edited out of the film. IPOW was released in 1978 and won 4 "Genie" Awards.

Regardless, IPOW is nothing more than a classier version of the type of film The Asylum would produce in 2014. Tom Berenger, in his second notable film appearance, plays Andras Vayda, a young man who wants to be a professor and is looking for love. Thing is, he doesn't want to get frisky with women his own age. He seems more interested in seducing women who are 15 years his senior or older. Throughout the movie, he has affairs with a number of older women throughout a 12 year period played by the likes of Karen Black, Marilyn Lightstone, Susan Strasburg, Alexandra Stewart and Helen Shaver (who was actually 2 years younger than Berenger was) while an older voice representing him narrates at times.

Despite being nothing more than soft core pornography, there are some good scenes. Alberta Watson, another one of his conquests, plays a cabaret singer dressed in a French outfit who sings a seductive song that piques his interest. Shaver, who won a "Genie" for her character of Ann MacDonald, offers some light comic relief and Black is as solid as ever as Maya, the gateway to Andras' love of cougars. Berenger shows promise as an actor early on but despite his top billing, cedes to the established actresses. The movie also uses the 1956 Hungarian Revolution as a backdrop and then later his time as a professor in Montreal.

While not a great piece of cinema, it is a good film among 1970's erotica and it's elevated by the big names in the cast, present and future. Certainly worth a look for curiosity sake.