Le ciel peut attendre

Although made in the very late 1970's, "Heaven Can Wait" is really a throwback to a bygone era of fantasy film-making. Hollywood offerings such as "The Bishop's Wife" (where Carey Grant plays an angel), "Angels in the Outfield", "It's a Wonderful Life", and "Here Comes Mr. Jordan" (which is actually the inspiration behind "Heaven Can Wait") were innocent 100-minute escapist fair whose only mission was to entertain. Some modern offerings include "Mr Destiny", "Maid to Order", and the TV shows "The Flying Nun" and "Touched by an Angel". None of these kinds of films have much in the way of cutting social commentary or even ground-breaking cinematic techniques. However, their entertainment value is very high, being nothing but. "Heaven Can Wait" is this kind of a movie, maybe the perfect "chick flick" as it combines fantasy, football and even a little love story.

The story is relatively simple: Joe Pendleton (Warren Beatty), a quarterback in the twilight of his career, feels destined to make it to the Superbowl. The LA Rams, his team, are in the playoffs. One day during early-morning training after consuming his liver-and-whey shake, he bicycles into a tunnel where two large vehicles taking both lanes are charging from the other direction of the tunnel. Looks like Pendleton will be playing in a Superbowl coached by Vince Lombardi with George "The Gipper" Gipp as one of his teammates. The next thing he knows, he's jogging among clouds with an escort (played by writer-director Buck Henry who also played the hotel attendant in "The Graduate") in a suit and tie trying to get him to stop running around. Pendleton is still in his athletic clothes sporting a soprano saxophone and doing push-ups among the fluffy billows. He doesn't quite realize he's died. Or has he? Turns out the escort made a mistake: Pendleton would have survived, perhaps avoided, the collision, but the escort nabbed him from his body before the resolution of the event, relying on "probability and outcome", a recurring theme of the movie. Pendleton was not due for many decades.

His case is taken up by Mr Jordan (James Mason in one of his later roles) a kind of heavenly supervisor who apparently coordinates peoples' souls. Realizing the mistake, Jordan takes Pendleton back to earth to find him a new body so he can live out the rest of his life as he was meant to. The only one available is the body of millionaire Leo Farnsworth who has just been murdered care of his estranged wife and personal assistant, played brilliantly by Dyan Cannon and Charles Grodin. One of the best scenes is when Pendleton reappears as Farnsworth, and Cannon nearly has a conniption. Pendleton, now as stuffy gazillionaire Farnsworth, must forge a way to get back to the Rams in time for the Superbowl.

The aspect that saves this film from falling too far into sentimental gush or absolute unbelievability is the quality of the acting of the leads (particularly Warren Beatty, Charles Grodin, Dyan Cannon, Julie Christie, James Mason, and Jack Warden as Max, the Rams' trainer) coupled with a fine screenplay. Everything is believable. Certainly the whole concept is just about as far-fetched as the Land of Oz, but you never contemplate that possibility for a moment. For some reason, everything works, and you run with it, not unlike "It's a Wonderful Life". As silly and fantastical as it is, the trip is well worth it.

I couldn't think of any other way to describe it in the summary - so I used the word "classy". That's right, classy. It probably stems from the fact that the movie is done in such good taste - very appealing and witty humor.

The entire cast does an absolutely perfect job in this movie. From Warren Beatty, to James Mason (is James Mason physically capable of putting in a bad performance ? ), to Buck Henry, to Jack Warden.

Perhaps the two best performances are Charles Grodin (the slimy personal assistant to Leo Farnsworth),and Dyan Cannon as the psycho Julia Farnsworth. They are both brilliant in their roles.

Very worth watching. Also worth more than its IMDB 6.9 rating.

After appearing the rare Mike Nichols misstep THE FORTUNE (1975), it took Beatty three long years to return to the screen with the genteel comedy/fantasy HEAVEN CAN WAIT (1978). In addition to essaying the lead role, Beatty also made his debut in the director's chair, with the assistance of legendary comedy writer Buck Henry (who also plays a supporting role in the film). A remake of 1941 semi-classic HERE COMES MR. JORDAN, HEAVEN CAN WAIT may not surpass the delightful whimsy of the original classic, but it emerges as somewhat of a modern classic in it's own right. The film was an instant hit with both critics and audiences, was nominated for an astounding 9 Oscars including "Best Picture," and remains a magical film that is almost impossible not to love.

Beatty not only proves himself to be a perfectly competent film director, and the picture also provides the star with one of his best roles as an actor. Beatty's good-natured football player Joe is the exact type of lovable stud that you cannot help but fall for. The film's screenplay takes Joe from earth to heaven and to back to earth again through an assortment of various bodies, and Beatty's easygoing charisma holds it all together and keeps viewers involved in the story and fixated on the screen. This is a star performance if there ever was one, and Beatty has rarely been more likable.

The rest of the cast is particularly winning. The still silver-tongued James Mason (in a part originally offered to the retired Cary Grant) as the heavenly Mr. Jordan and the endearing gruff Jack Warden are perfect as father figure-types for Beatty's Joe, and Charles Grodin and Dyan Cannon are absolutely terrific as the film's pair of villains. The only performer missing the boat is a blah Julie Christie, who is pleasant but unconvincing in the sadly underwritten role of the ecologist love interest of the body Beatty has temporarily inherited. It seems as though the creators thought dressing Christie in frumpy wardrobe and frizzy hairstyle was enough to give the character depth, but all they succeeded in was making a natural beauty look rather hideous.

The film is a joyous, comedic piece of whimsy that manages to incorporate slapstick comedy, romance, fantasy, and even an underdog sports story without ever feeling bloated or disjointed. The true emotional highpoint comes with Mr. Jordan's farewell to Joe, as well as Max failing to recognize him in his new body. The rather shallow development of Christie's character leaves the film's THE WAY WE WERE-like finale ringing a bit hollow, but it's still an effectively bittersweet coda nonetheless. This film launched a major revival of whimsical comedies that remained popular until the late-eighties, and it easily remains the best effort of this revival.

This remake of "Here Comes Mr. Jordan" has many felicitous moments, foremost among them the performance of the half Jewish/half Irish actor, Jack Warden, as the trainer "Max," a role for which he was justifiably nominated for an Oscar for the best supporting actor. Warden is best remembered for his serious roles --he was one of the jurors in "Twelve Angry Man" and the editor in "All The President's Men" -- but he was a superb comic actor who in the tradition of all great clowns played the most absurd moments with the greatest seriousness. One of the funniest encounter scenes in all film, right up there with the great Jack Benny/Sig Rumann meeting in "To Be or Not To Be," is the moment in this film where Warren Beaty in the body of another man (Fransworth) tries to convince his old pal Warden that he is indeed the football player Joe Pendelton. Warden's reactions, his business with the cigarette lighter, and his final acceptance of Beatty's explanation are alone worth the time it takes to watch this slightly overlong film.

I remember as a kid, I loved this movie. I had seen it in the theatre and liked it so much I saw it again! I think the appeal here is the same as in many of these types of films-it's a sweet whimsical fairytale of a movie that is pure entertainment but manages to be lovely without being corny at the same time.

There aren't to many movies like this around now. Of coarse, not having seen this since I was a child who knows whether I'd still be such a fan but at that time, I wept buckets and since it was one of the first films that I saw that stuck with me, I have fond memories of it.

People shouldn't put this movie down for realism or not having realism etc. It's a fantasy type movie. It's the type of movie you know your wtavhing a movie while you watch it but you cry anyway! I don't think this movie can be dismissed as being lightweight or unimportant. Where would film be without romance? This is up there in that category and many I know feel the same. It's a breath of fresh air and should be seen by anyone who likes warm sentimental (yeah OK sappy!!) movies!