En route vers le Sud

Henry Moon (Jack Nicholson) is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico . Henry saving himself from lynching by marrying a spinster (Mary Steenburgen , though Meryl Streep and Jessica Lange considered the role) . Moon/Nicholson saved from the hangman , for a fate worse than death . There , then appears his refreshingly offbeat Old Gang (Veronica Cartwright , Tracey Walter , Jeff Morris and Danny DeVito)

This Western comedy contains laughters , action , shootouts , brawls and amusement . Lots of attempts at comedy but it falls flat . Entertaining and funny Western , not for all tastes , with touches of humor here and there . Overacting by Jack Nicholson at an outlandish character attempting to like , including jokes and silly laughs , but only a few work . Feature film debut for Mary Steenburgen , whose role Jane Fonda and Anne Bancroft turned down ; furthermore , a small role for John Belushi as a gunfighter Deputy . Very good support cast such as Christopher Lloyd as Deputy Towfield , Veronica Cartwright as Hermine , Richard Bradford as Sheriff Andrew , Jeff Morris as Abe, Moon's Old Gang , Danny DeVito as Hog , Ed Begley Jr as Haber , Anne Ramsey as Spinster , Tracey Walter as Coogan and Luana Anders as Lorette Anderson. Colorful as well as evocative cinematography by the great Spanish cameraman Nestor Almendros .

The motion picture was middlingly directed by Jack Nicholson , though the studio originally intended for Elliott Gould and Candice Bergen to star in the film, with Mike Nichols directing . However , Nicholson didn't want to star in the film , he insisted the movie was logistically too ambitious for him to divide his attention between acting and directing . Nicholson had previously directed his first film in 1971 titled ¨Drive he said¨ played by his friends Bruce Dern and Karen Black ; he subsequently co-produced and semi-directed with Monte Hellman two strange Westerns titled ¨The shooting ¨and ¨Ride in the whirlwind¨ ; after that , he played ¨Missouri¨ another Western directed by Arthur Penn with Marlon Brando . Nicholson's final filmmaking was ¨The two Jakes¨ .¨Goin' South" rating : Mediocre but entertaining . The picture will appeal to Jack Nicholson hardcore fans .

I saw it when it first came out in the 1970's and thought it deserved more praise than it got. It is mostly an entertainment comedy with such lines as "You weren't that hard to find. You were standing in the middle of town with a rope around your neck." I read someplace where Mary Steenburgen had been working as a waitress in an Arizona dinner and Nicholson stopped in and thought she would be perfect for the part. I think there is some very touching scenes between Nicholson and Steenburgen that are well written and acted. Except for Christopher Lloyd the rest of the cast is wasted. I think the only reason John Belushi is in the movie is because Nicholson wanted to meet him. At that time Saturday Night Live was considered radical chic.

"Goin' South" is a watchable comedy directed by and starring Jack Nicholson. Filmed cheaply with a local crew down in Mexico, the film wasn't received well upon release. "Star Wars" had rendered westerns obsolete and screwball comedies were long out of date.

Still, "Goin' South" holds up pretty well. Nichsolson's performance is amazing and cinematographer Néstor Almendros equals his work on Terrence Malick's "Days of Heaven".

The film works more as a bizarre insight into Jack Nicholson, than a comedy. He turns what should be light slapstick, into a pretty nasty and mean spirited R rated comedy-drama. Watching his filmography from end to end, I'm surprised how consistently wicked and misogynistic his characters are. Here he players an outlaw who's hired by a sexually repressed woman to work in her gold mines. After tying her to a bed and giving her the hump of her life, she renounces her repressed ways and gradually begins to appreciate his animalistic masculinity.

The Jack Nicholson persona seems to constantly be seeking to dominate women. If he can't have his way, he breaks down. "Goin South" is like a happy version of his "Carnal Knowledge", only here he finally gets a girl who submits to his primal charm.

In terms of comedy, the film is similar in tone to the Coen Brothers' "O Brother Where Art Thou?" It's not as visually stylish, but the emphasis on wacky accents is the same. The cast includes Danny Devito, John Belushi and Christopher Lloyd, and many other comic faces pop up.

But it's Jack Nicholson's face that keeps us watching. He's manic, cartoonish, sadistic and riveting. Take a look at the IMDb photo of this film (the DVD cover). The guy looks like a bearded Saddam Hussein, laughing at his hang man's noose like a psychopath. Nicholson's face is a work of art. His eyebrows are constantly twitching, his eyes constantly mischievous, his teeth lighting up his face. Whether you enjoy the film will depend on whether you love his scenery chewing. He puts so much energy and skill into his performance here that he transcends everything else about this film.

6/10- Worth one viewing. I recommend fast forwarding all the exposition and simply watching Jack act. The guy's a pleasure to watch.

It's post-war Texas. Petty criminal Henry Lloyd Moon (Jack Nicholson) is set to hang. Due to the lack of men, there is a local law allowing a woman to marry and take responsibility for such a criminal. Julia Tate (Mary Steenburgen) volunteers to marry him. She needs help to work on a secret gold mine and plans to move away to Philadelphia before being evicted by the approaching railroad.

This law seems problematic. There are unexplored unintended consequences. Nicholson has such a prankster personality that he doesn't accentuates his criminal's threatening personality. Steenburgen doesn't help to heighten the romance. That is this movie's major issue. At no point do I buy this couple loving or even liking each other. Jack Nicholson is trying his hand in directing and he doesn't show much great skills. It's not visually arresting and he seems to just let the actors go. The movie never convinces me of the couple's love and I could never buy any cooperation in the gold. It's almost a relief that he takes a turn but I never believed it. This movie has some central flaws and can't work its way out of them.

If you realize that a movie critique represents an INDIVIDUAL'S opinion which may be very different from your own, you probably also don't take these comments too seriously. But - for what it's worth - here's mine re: Goin' South: I found it very entertaining (and I'm probably fussier than most when it comes to movies). That's what I value most in a film: entertainment. Any negative comments about this flick come from the more erudite crowd which knows or looks deeper for such things. I was even able to get past Nicholson's character's need for a good nose-blowin', which usually really bothers me, but, in this case, I found it utterly hilarious. We're gonna leave out recapping the plot - THAT'S pretty well taken care of not too far from here. But I just couldn't pass up the opportunity to write something good about this picture because I think that it richly deserves it.