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7,0/10
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Ajouter une intrigue dans votre langueThe sixth and final disciple of a dying martial arts master is instructed to find the master's five former disciples, each specializing in their own unique kung fu style, and defeat any evil... Tout lireThe sixth and final disciple of a dying martial arts master is instructed to find the master's five former disciples, each specializing in their own unique kung fu style, and defeat any evil ones amongst them.The sixth and final disciple of a dying martial arts master is instructed to find the master's five former disciples, each specializing in their own unique kung fu style, and defeat any evil ones amongst them.
- Réalisation
- Scénario
- Casting principal
Phillip Chung-Fung Kwok
- Ho Yuan-Hsin
- (as Chui Kuo)
- …
Meng Lo
- Liang Shen, Toad
- (as Mang Lo)
Lung-Wei Wang
- Judge Wang
- (as Wang Lung-wei)
Ku Feng
- Old Master Yuan (Guest star)
- (as Feng Ku)
Chen-Tu Tan
- Constable
- (as Chen-Tao Tan)
Avis à la une
Most 70s (and 80s) Kong Kong martial arts films barely function as movies; usually there are a few well-planned fight sequences, but the plot is scraped pretty thin to fill in the gaps between those nodes -- like porno films, really.
But this one does several things well. Most overtly, there is the direction and choreography, which confines each combatant to a 'style' -- it's really based on Chinese circus acrobatics and comedic theater, but the effect works.
Second, there is the language of the camera, which uses some impressive techniques(even by today's measure), changing projection speeds from real time time to slow motion, and from unfiltered to filtered views to depict story direction toward the past or toward the future.
Least overt, but most powerful and unexpected, is the construction. The winner of this contest is determined by who 'unfolds' the story. The master (the writer) sets up a game where the lead character doesn't know who he's seeking, which is the same situation we viewers find ourselves in. One by one, he figures out who is who, at the same rate we find out who is who. It all follows a tragedy/noir arc. The ending tends toward irony, a la "The Sting". Much more clever stuff than what we usually get out of this genre.
The 'five venoms' idea is the template for Tarantino's 'deadly viper assassins' from the "Kill Bill" volumes.
But this one does several things well. Most overtly, there is the direction and choreography, which confines each combatant to a 'style' -- it's really based on Chinese circus acrobatics and comedic theater, but the effect works.
Second, there is the language of the camera, which uses some impressive techniques(even by today's measure), changing projection speeds from real time time to slow motion, and from unfiltered to filtered views to depict story direction toward the past or toward the future.
Least overt, but most powerful and unexpected, is the construction. The winner of this contest is determined by who 'unfolds' the story. The master (the writer) sets up a game where the lead character doesn't know who he's seeking, which is the same situation we viewers find ourselves in. One by one, he figures out who is who, at the same rate we find out who is who. It all follows a tragedy/noir arc. The ending tends toward irony, a la "The Sting". Much more clever stuff than what we usually get out of this genre.
The 'five venoms' idea is the template for Tarantino's 'deadly viper assassins' from the "Kill Bill" volumes.
10clurge-2
Be careful with this one. Once you get yer mitts on it, it'll change the way you look at kung-fu flicks. You will be yearning a plot from all of the kung-fu films now, you will be wanting character depth and development, you will be craving mystery and unpredictability, you will demand dynamic camera work and incredible backdrops. Sadly, you won't find all of these aspects together in one kung-fu movie, EXCEPT for Five Deadly Venoms!
Easily the best kung-fu movie of all-time, Venoms blends a rich plot, full of twists and turns, with colourful (and developed) characters, along with some of the best camerawork to come out of the 70s. The success of someone liking the film depends on the viewers ability to decipher which character is which, and who specializes in what venom. One is the Centipede, two is the Snake, three is the Scorpion, four is the Lizard, and five is the Toad. Each character has different traits, characteristics, strengths, and weaknesses. Therein lies the hook, we learn along with the student character, finding out who these different men turn out to be. We are in his shoes (so to speak), and we have to pick who we trust, and who we don't, just like he does. We learn along with him.
Not only is the plot, the characters, and the camerawork great, it's also fun to watch, which in my book makes it more valuable than almost any other movie of it's kind. It's worth quite a few watches to pick up on everything that's going on. Venoms is a lesson on what kung-fu can really do...just don't expect many other kung-fu films to live up to it's gauntlet.
Easily the best kung-fu movie of all-time, Venoms blends a rich plot, full of twists and turns, with colourful (and developed) characters, along with some of the best camerawork to come out of the 70s. The success of someone liking the film depends on the viewers ability to decipher which character is which, and who specializes in what venom. One is the Centipede, two is the Snake, three is the Scorpion, four is the Lizard, and five is the Toad. Each character has different traits, characteristics, strengths, and weaknesses. Therein lies the hook, we learn along with the student character, finding out who these different men turn out to be. We are in his shoes (so to speak), and we have to pick who we trust, and who we don't, just like he does. We learn along with him.
Not only is the plot, the characters, and the camerawork great, it's also fun to watch, which in my book makes it more valuable than almost any other movie of it's kind. It's worth quite a few watches to pick up on everything that's going on. Venoms is a lesson on what kung-fu can really do...just don't expect many other kung-fu films to live up to it's gauntlet.
After reviewing this intense martial arts movie for the first time in nearly 18 years, I must say it did not lose any of its mysticism, nor any of its eye-popping martial arts action as I had remembered from my youth. The story of a dying martial arts instructor sending his "unfinished" pupil out to find the 5 past members of his Poison Clan, so they do not seek out a fortune which the master's friend keeps hidden. Afraid that his last pupil did not have enough training, he instructs him to befriend one of the five "venoms" so as to defeat the other four.
I can't say enough about the choreography or the camera work. A fine film in its own right and quite possible one of the best martial arts movies ever made. A CLASSIC!!
I can't say enough about the choreography or the camera work. A fine film in its own right and quite possible one of the best martial arts movies ever made. A CLASSIC!!
A dying teacher instructs his final student to check on the activities of five former pupils, each of whom he taught a unique and special style of kung-fu to: The Centipede, Snake, Scorpion, Lizard, and Toad (hence the title). His final student, who knows a little of each style must team up with one of the other good students to destroy the evil ones if there are any.
I can't say I'm a huge fan of martial arts films or the Shaw Brothers. And it's not so much that I don't like them, but just that I don't really know enough to appreciate them. This, however, is one of the first I truly enjoyed and would put on the same level as some of Bruce Lee's work. There are not just plenty of good fight scenes, but a real plot that is a joy to follow.
Its influence has been strong, too. The film was referenced extensively in "Juuken Sentai Gekiranger", in which the Five Venom Fists are based directly upon the Five Deadly Venoms, each reflecting the fighting styles in the film. In turn, they were brought into "Power Rangers: Jungle Fury" as the Five Fingers of Poison. In "Kill Bill" the five assassins of the Deadly Viper Assassination Squad are a reference to the Five Deadly Venoms. I need to watch more Shaw Brothers after seeing how good they can be.
I can't say I'm a huge fan of martial arts films or the Shaw Brothers. And it's not so much that I don't like them, but just that I don't really know enough to appreciate them. This, however, is one of the first I truly enjoyed and would put on the same level as some of Bruce Lee's work. There are not just plenty of good fight scenes, but a real plot that is a joy to follow.
Its influence has been strong, too. The film was referenced extensively in "Juuken Sentai Gekiranger", in which the Five Venom Fists are based directly upon the Five Deadly Venoms, each reflecting the fighting styles in the film. In turn, they were brought into "Power Rangers: Jungle Fury" as the Five Fingers of Poison. In "Kill Bill" the five assassins of the Deadly Viper Assassination Squad are a reference to the Five Deadly Venoms. I need to watch more Shaw Brothers after seeing how good they can be.
There's no romance or other side plot to this movie, it's action and intrigue all the way, making it a real man's kung-fu movie.
An aging master dispatches his last disciple Yan Tieh to stop his five former pupils who's styles represents five venomous animals centipede,snake, scorpion, lizard and the toad. Despite the word "Venom" in the title, none of these pupil uses venoms to kill their opponents. Yan Tieh told by his teacher that he's no match for the five former pupil, must find one he can form an alliance with to defeat the other four. How Yan Tieh and the others find each other is the intrigue to the story, with good kung-fu action spread out throughout the story.
Recognized as a cult classic, this movie has already established itself in the annals of kung- fu action movies. It's known well enough that other movies make reference to the five styles depicted in this story.
It's no artistic masterpiece, with the usual bad dubbing, and corny acting, but the movie is one of the best of its kind, because its so focused on the all the ingredients of kung-fu action movie of its time, and gives an extra concentrated dose of them.
One movie you must watch if you are a kung-fu movie fan.
An aging master dispatches his last disciple Yan Tieh to stop his five former pupils who's styles represents five venomous animals centipede,snake, scorpion, lizard and the toad. Despite the word "Venom" in the title, none of these pupil uses venoms to kill their opponents. Yan Tieh told by his teacher that he's no match for the five former pupil, must find one he can form an alliance with to defeat the other four. How Yan Tieh and the others find each other is the intrigue to the story, with good kung-fu action spread out throughout the story.
Recognized as a cult classic, this movie has already established itself in the annals of kung- fu action movies. It's known well enough that other movies make reference to the five styles depicted in this story.
It's no artistic masterpiece, with the usual bad dubbing, and corny acting, but the movie is one of the best of its kind, because its so focused on the all the ingredients of kung-fu action movie of its time, and gives an extra concentrated dose of them.
One movie you must watch if you are a kung-fu movie fan.
Le saviez-vous
- AnecdotesRanked #11 in Entertainment Weekly's "Top 50 Cult Films of All-Time."
- GaffesNear the end of the film when the Lizard, the Scorpion, the Snake, the Centipede and the Teacher's sixth and final pupil confront each other at the Snake's mansion, the Lizard calls the Centipede "Number 5". The Centipede was actually "Number 1" and was referred to as such throughout the rest of the film and the Toad was actually "Number 5" and was also referred to as such throughout the rest of the film. This is undoubtedly an error in the English dubbing, not in the original Mandarin dialogue.
- ConnexionsEdited into Kill Bill: Volume I (2003)
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