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"Fingers" is the offbeat, intriguing study of one dysfunctional character, Jimmy (Harvey Keitel), a man who straddles two distinct worlds. In one, he's the reluctant debt collector for his mobster father Ben (Michael V. Gazzo), and a man who won't hesitate to use violence to get the job done. However, he's also an obsessive music lover, and talented pianist with the lofty ambition of performing at Carnegie Hall. He puts off what will prove to be a brutal confrontation at the end to pursue the spaced-out Carol (Tisa Farrow). Writer / director James Toback's unique little movie is more than just the typical NYC gangster picture. It does feature excellent use of NYC locations, and it does have some very brutal moments, but is a decidedly laid back rather than intense experience, with deliberate pacing. The movie is marked by a very erotic quality, whether Jimmy is making the acquaintance of the sexually charged club owner Dreems (Jim Brown, in a captivating low key portrayal), or having an encounter with Julie (Tanya Roberts). We even get a glimpse of Keitel nudity, 14 years before he bared all in Abel Ferrara's "Bad Lieutenant". The movie has a serious, somber mood, yet at the same time is not without some humour. It's a very good vehicle for Keitel, who really throws himself into the twisted main role; other familiar faces such as Danny Aiello, Ed Marinaro, Marian Seldes, Lenny Montana, Tom Signorelli, Frank Pesce, and Zack Norman comprise the supporting cast, and the movie is now notable for co-starring two future 'Sopranos' regulars, Tony Sirico as young mobster Riccamonza and Dominic Chianese as Arthur Fox. But Keitel is truly the one to watch playing an obviously flawed, yet compelling individual with more than his fair share of psycho sexual problems, a certain arrogance, and a tendency towards explosive behaviour who also wants something more out of life. Film fans looking for something a little off the beaten path and deserving of more attention are advised to check out "Fingers", as it refrains from ever being too predictable and tells its story in a very straightforward manner. It's gritty and provocative and rather memorable as well; it's not for all tastes but is rewarding for those who seek it out. Seven out of 10.

Harvey Keitel indeed does his best work here, as lil' Jimmy "Fingers", a prodigy concert pianist turned debt collector, who works for his domineering father. Shot in cruel hues by cinematographer Michael Chapman, and excellently directed by the obsessive James Toback, this film is a rare gem of a find. Even football great Jim Brown has never been better. And you know what, this is one of Jean-Luc Goddard's favourite movies of all time!! Enough said.

This hard to find film is well worth the search. Kietel gives an amazing, painful performance as a brilliant pianist whose self-destructive neurosis seems to keep him from ever achieving greatness. The film has been called mysognyistic most likely due to the portrayal of little Jimmy "Fingers". I'd have to say the film itself deals a fairly rough hand to the character's mysogny. Jimmy's social ineptness with women is painful to watch. He alternates between the utmost charm and just plain disturbing street thugishness. All in all it's a powerful film and one of Kietel's best performances.

Why do we want to spend the hour and a half that it takes to watch this movie in the company of a character so loathsome that we would do anything to avoid him if we met him in real life? Jimmy Fingers is arrogant, self-obsessed, sexually violent and just plain creepy. O.K., there are moments in which we get to see that he has a better side, when he comforts a destitute women who is crying in a doorway, or when he sticks by his small time hoodlum father, in spite of the fact that he is even more repellent than Fingers himself. There is so much in this movie to make you squirm from the no-holds barred, bloody violence and a painful proctological exam to the scenes in which Fingers annoys everyone in earshot by playing loud doo-wop music on his portable tape player and threatening violence towards anyone who objects. With its fine acting and totally unpredictable story-line, this film is undeniable entertaining, but it's appeal is a rather masochistic one.

Troubled pianist Jimmy Fingers (Harvey Keitel) pursues artist Carol (Tisa Farrow) with his radio but she is with Dreems (Jim Brown). He gets his musical skills and madness from his institutionalized mother. He's also a ruthless debt collector for his aging mobster father Ben (Michael V. Gazzo). He's the only one left working for him. His father has a large debt to collect but the arrogant gangster is refusing to pay the over-the-hill Ben.

This is Keitel's Taxi Driver. It is lesser known and not as great. The commonality is the lead. Keitel is masterful. He has so much internal fire. He is a man ready to explode at any moment. Now, times have caught up with filmmaker James Toback recently. He's had a career of extraordinary highs and ugly lows. It doesn't get much lower than he is today. That is beside the point. For this movie, there is greatness and his name is Harvey Keitel.