Modulation de fréquence

I was in radio in the area the movie took place in the late 1970's, most of my friends felt the movie was molded after 94.7 KMET, "The Mighty Met" which at the time was king, with KLOS always nipping at their heels. Sadly, corporate money won out, the MET went "NEW AGE" and KLOS survived. Remember Paraquat, Ace "Space" Young, "The Gonzer" and Jim Ladd to mention a few Met Cats! None of us even thought about "WKRP in Cincinnatti" as a off shoot to "FM" although it was a great show. Myself and many others worked at a station much like "WKRP" at one time or another! "FM" was excellent and reflected a wild time in radio, when there was some pretty weird music out there and some great ones too!

As someone who works in "the business", I did notice that FM has its share of inaccuracies and things that don't quite work...big whoop...do not let those deter you from enjoying a movie that has been underrated and under-appreciated...with a cast that works well together and a killer soundtrack, FM tracks the musings of a station in LA that takes its music and its audience seriously...without commercial interruption...Michael Brandon is superb as the hero, Jeff Dugan... Martin Mull is great as an over-the-top DJ, Eric Swan...Eileen Brennan as Mother, the late Cleavon Little as the Prince of Darkness, and Cassie Yates as Laura Coe make up an air staff that I would love to work with...the bad guys are Albert Driscoll, a company exec who doesn't understand anything beyond the bottom line, Regis Lamar, a "flunky" salesman who is doing what he's being told- even though he tries to understand what the radio people are doing, and Michael J Carlyle, a greasy radio exec not unlike a few in radio...and all through the movie, the fact that it is fun to work in radio is very evident...one note...Alex Karras as the Cowboy is a little bit of miscasting...not sure why he was put in there other than his character was in the book...but overall the quality and flow is excellent...and, as its catchphrase goes, "no static at all"...for those of you who are historians of radio, you will love the dual mikes they use at QSKY...brings back the memories...you're probably going to have to find the movie online somewhere, since it's unusual to locate it in a rental store, but it is a nice addition to a library...and try to find a brand new copy...WITH the poster!

I have the movie on VHS, and share it with some of the younger generations. I had the opportunity to see FM in the theatre, during my Sr. year in High School. Awesome concert footage of Jimmy Buffet and Linda Ronstadt in their prime. In addition to the movie being enjoyable to those discovering FM Radio in its infancy, the Soundtrack was one of the best compilations I've heard. It was released as a two album set, well worth the experience. Martin Mull and Eileen Brennan, turn in wonderful performances, as well as Clevon Little as the Night DJ "The Prince of Darkness". If you want to take a step back in time to the beginnings of FM Radio, this is the ticket.

It may not be a cinematic masterpiece, but the 1978 movie FM has something going for it as, admittedly in its dated late 1970s way, it somehow foresaw the corporate turn that the radio media would take in years to come. And it does so with a wall-to-wall soundtrack of late 70s Top 40 memories that now fall under the rubric of Classic Rock. In essence, this is the classic rock response to the disco onslaught of Saturday NIGHT FEVER.

Michael Brandon is Jeff Dugan, the program director at QSKY radio in Los Angeles who oversees an on-air staff of wild and crazy disc jockeys (Alex Karras; Cleavon Little; Eileen Brennan; Cassie Yates; Martin Mull) that, through playing what the L.A. populace wants to hear and with limited commercial interruptions, has made the radio station Number One in the second largest media market in the nation. Things seem to be looking up, until "the boys upstairs" decide how much better things could be if more commercials were aired between blasts of Steely Dan, Queen, and Boston. Naturally, this doesn't sit well with Dugan and his merry band, but the top brass envision QSKY just becoming one big infomercial. This, however, leads to an insane backlash from the QSKY staff and, eventually, a takeover of the station that nearly results in rioting on the streets.

This is definitely pretty thin stuff for a film that was allegedly the inspiration for CBS-TV's fine sitcom "WKRP In Cincinnati" (though the pilot of that series was being filmed at the same time FM was being filmed, so the resemblance is only coincidental). But while this film is no NETWORK, in terms of films that attack the decay of the media, FM still works in getting its situations across. Maybe the idea that a radio station's staff would rail against corporate interference sounds a bit daft, but the notion that a big conglomerate (Clear Channel, for example) would turn a radio station into one big box in which the music is only the filler between attempts to part listeners from their hard-earned money isn't so easy to laugh at anymore.

FM has a lot going for it. For one, it was the only feature film directed by John A. Alonzo, one of Hollywood's premiere cinematographers; his credits include CHINATOWN, BLACK Sunday, SCARFACE, and parts of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. And for another, that wall-to-wall soundtrack of what we now call classic rock is enhanced by actual concert footage of Jimmy Buffett and Linda Ronstadt. Buffett's performance of "Livingston Saturday Night" reminds one of what he was decades before his Margaritaville was hijacked by Nashville pretenders like Kenny Chesney and Toby Keith. And Linda, normally a very stage-shy performer, asserts herself boldly on searing renditions of "Tumbling Dice" and "Poor, Poor, Pitiful Me", then pays a heartfelt tribute to Elvis by doing the King's 1956 classic "Love Me Tender."

I can't help but give FM a rating of "7" because it reminds one of what the radio was like before corporate interference and MTV began to slowly corrupt and destroy it, and because it is an interesting time capsule of life in Los Angeles at the end of the 1970s.

This is one of my favorite "Radio" themed films, mainly because I work in radio. The characters in this movie remind me of many of my fellow co-works, on many levels.

The film's plot centers on Station Manager and Morning Man Jeff Dugan. Dugan has the right idea, in keeping the station "Q-Sky" as uncommercial as possible. He LOVES playing GOOD music and so dislikes the idea of selling too much airtime to advertisers. Especially when it is the Army that wants to buy airtime, with high spot rotation in prime time hours.

That doesn't sit well with Dugan, and he tries his best to avoid "cashing in" on the deal. Wow, imagine that, a Station Manager who refuses good money! Dugan even attempts to ignore his corporate boss' desire to accept this package. Dugan finally gets so tired of saying "no, no, no!" to the Army and his boss, that he quits.

The rest of the on-air and support staff like Dugan a lot, and they dislike the fact that he quit. So they plot revenge against the same people Dugan was fighting with. Their idea of revenge is to go on strike, on the air. They dump all the commercials and go wall-to-wall music.

If you tried something like this in corporate radio today, kiss your job goodbye. So many radio stations today have taken the approach that Dugan so willingly and unselfishly fought against.

So if you like films about radio, or if you want to get a glimpse of how radio really "should be" today, you might find this film worth watching. This movie includes a good musical soundtrack, with bits of songs that were big in the 70's