NOTE IMDb
6,4/10
9,1 k
MA NOTE
En 1937, Johnny Kovak, un employé d'entrepôt rebelle de Cleveland, monte en grade dans un syndicat de routiers, jusqu'à en devenir le président, mais ses liens avec le crime organisé vont lu... Tout lireEn 1937, Johnny Kovak, un employé d'entrepôt rebelle de Cleveland, monte en grade dans un syndicat de routiers, jusqu'à en devenir le président, mais ses liens avec le crime organisé vont lui causer sa perte.En 1937, Johnny Kovak, un employé d'entrepôt rebelle de Cleveland, monte en grade dans un syndicat de routiers, jusqu'à en devenir le président, mais ses liens avec le crime organisé vont lui causer sa perte.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Tony Mockus Jr.
- Tom Higgins
- (as Tony Mockus)
Avis à la une
This is an unappreciated film, mostly because it's star doesn't exactly have a good reputation as an 'actor'. This film is definately worth catching and it is worthy of repeated viewings. The music too is perfect for the film. It charts the rise of a Union leader from his humble beginnings to his fame. The story sustains the attention of the viewer throughout the picture. Stallone is better in the earlier scenes as a young Johny Kovak. His acting limitations come about as we see him as an older man. All he does his makes his voice a little husky and the make up on him (and other members of the cast) is ineffective. Early in his career, kovak has the dilema of bringing in the mob for help after an unsuccessful strike which results in one of his best men being killed. If he brings them in, he can enforce his will on the big companies and make the union very strong. Without them, he has little chance of the union growing. To the dismay of his best friend, he takes them in. His decision comes back to haunt him. Stallone tailored the script so he can play the good guy, originally Kovak wasn't a nice man. There is a nice scene with him and Brian Dehenny who later would turn up as Rambo's nemesis in first blood. I would certainly recommend fans and non fans of Stallone to catch this movie.
Don't sell this film short! There are more inaccuracies in this film then I care to mention, but the need for the unions of the day to enlist the underworld (mob) for their protection was real. Law enforcement was on the side of whoever could pay the most back in those days and the big business anti-Union folks had all the money. If you work for a living, you have to pay homage to the unions. If not for them we would all still be working for fifty cents a day!!
This movie does do a great job of showing the good that the unions did and how they succumbed to the corruption that power and greed visit on any entity no mater the good intentions. Everyone who sells their labor to a business should watch this film.
This movie does do a great job of showing the good that the unions did and how they succumbed to the corruption that power and greed visit on any entity no mater the good intentions. Everyone who sells their labor to a business should watch this film.
One of the best Stallone films set in the 1930s in which gives a good performance as a worker who joins the Teamsters trade-union in a local factory and being accompanied by a fine supporting cast . It deals with a love between a man, a country, the people he led and the woman he loved . Johnny Kovak (Sylvester Stallone) is an employee who works his way up as organizer and leader of Federation Interstate Truckers . Meanwhile he falls in love and marries a worker (Melinda Dillon) . As he climbs higher and higher thanks his connection with the Mob (Tony LoBianco). As his methods become more corrupt and ultimately senator Madison (Rod Steiger ) begins a campaign to discover the truth about his allegedly greedy practices .
This poignant film packs emotion , thrills , a love story political events and being quite entertaining though contains some ,predictable moments and cliché-ridden . The picture details biographic events about an Union leader , Jimmy Hoffa-lookalike, from his starts until his fall . Jewison cast some largely known actors as Sylvester Stallone , Melinda Dillon , Peter Boyle and a remarkable support cast as Richard Herd , Tony LoBianco , Peter Donat , Kevin Conway, Cassie Yates , Richard Herd and the veteran Henry Wilcoxon and several others . Stallone , also screenwriter along with Eszterhas creates an even more interesting character than Rocky Balboa . Atmospheric musical score including moving sounds by Bill Conti and appropriate cinematography by excellent cameraman Laszlo Kovacs.
The motion picture is well produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course Jesus Christ Superstar . He directed successful movies as Fiddler on the roof , Agnes of God , Moonstruck , Thomas Crown and Cinncinati Kid . However , he also got some flops as Bogus, In country , Only you and Other's people money and his last picture titled The statement . He considers The Hurricane (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being In the Heat of the Night (1967) and A Soldier's Story (1984). Rating : Good, worthwhile seeing for its epic moments and thought-provoking issues .
This poignant film packs emotion , thrills , a love story political events and being quite entertaining though contains some ,predictable moments and cliché-ridden . The picture details biographic events about an Union leader , Jimmy Hoffa-lookalike, from his starts until his fall . Jewison cast some largely known actors as Sylvester Stallone , Melinda Dillon , Peter Boyle and a remarkable support cast as Richard Herd , Tony LoBianco , Peter Donat , Kevin Conway, Cassie Yates , Richard Herd and the veteran Henry Wilcoxon and several others . Stallone , also screenwriter along with Eszterhas creates an even more interesting character than Rocky Balboa . Atmospheric musical score including moving sounds by Bill Conti and appropriate cinematography by excellent cameraman Laszlo Kovacs.
The motion picture is well produced and directed by Norman Jewison . He is a prestigious and veteran filmmaker, his greatest film is of course Jesus Christ Superstar . He directed successful movies as Fiddler on the roof , Agnes of God , Moonstruck , Thomas Crown and Cinncinati Kid . However , he also got some flops as Bogus, In country , Only you and Other's people money and his last picture titled The statement . He considers The Hurricane (1999) the last in a trilogy of racial bigotry movies he's realized, the first two being In the Heat of the Night (1967) and A Soldier's Story (1984). Rating : Good, worthwhile seeing for its epic moments and thought-provoking issues .
F.I.S.T. is one of the few films out there that illustrate Sly Stallone's great acting talents. Stallone really brings his character, Johnny Kovak, to life and gives one of his most memorable performances. This film shows that, having gone a different route, Stallone could have become a much better actor. After this film, Stallone had a few other good films but the majority were crumby sequels, cliché action films, and poor attempts at comedy. It's really a shame he didn't put his talents to better use like he did in his earlier work like Rocky, and Nighthawks.
The film begins in the Great Depression of the 30's and follows the life of Johnny Kovak, a labourer who works at unloading trucks. Who, with his coworkers after being severely mistreated, and underpaid fights back against the company. This leads to Kovak becoming a member of the Union F.I.S.T, the Federation of Innner-State Truckers. At first idealistic, Kovak's morals and values are challenged when he has to get organized crime groups involved to get what's fair.
My only complaint with the film is, in the later scenes were Stallone plays an older Kovak, his portrayal is a bit weak given his limited acting abilities at the time. This, however is only a minor complaint, he still gives a great performance.
The script is good, all the characters are realistic and well fleshed out,and the great director, Norman Jewison puts his talents to good use in F.I.S.T. Also, filled with a fantastic supporting cast (including, Peter Boyle, and Rod Steiger) all these elements come together to make F.I.S.T. a film that is definitely worth seeing.
The film begins in the Great Depression of the 30's and follows the life of Johnny Kovak, a labourer who works at unloading trucks. Who, with his coworkers after being severely mistreated, and underpaid fights back against the company. This leads to Kovak becoming a member of the Union F.I.S.T, the Federation of Innner-State Truckers. At first idealistic, Kovak's morals and values are challenged when he has to get organized crime groups involved to get what's fair.
My only complaint with the film is, in the later scenes were Stallone plays an older Kovak, his portrayal is a bit weak given his limited acting abilities at the time. This, however is only a minor complaint, he still gives a great performance.
The script is good, all the characters are realistic and well fleshed out,and the great director, Norman Jewison puts his talents to good use in F.I.S.T. Also, filled with a fantastic supporting cast (including, Peter Boyle, and Rod Steiger) all these elements come together to make F.I.S.T. a film that is definitely worth seeing.
This is a real hidden gem of a film. Thought provoking, intelligent and times indignant, without resorting to sentimentality.
Contrast this,with the commercially lucrative but artistically meaningless "Crash, Bang, Wallop" movies that Stallone became synonymous with in the 1980s.
Stallone can act when he wants to, and FIST amply demonstrates this wasted potential.
Based (very loosely) on the life of the Teamsters boss, Jimmy Hoffa, FIST charts the rise and fall of a Trade Union leader. A cautionary tale of how noble causes can be sullied by ambition and hubris.
I highly recommend it, if only to convince others that Stallone occasionally turned in a credible performance without the promise of a big pay day.
Contrast this,with the commercially lucrative but artistically meaningless "Crash, Bang, Wallop" movies that Stallone became synonymous with in the 1980s.
Stallone can act when he wants to, and FIST amply demonstrates this wasted potential.
Based (very loosely) on the life of the Teamsters boss, Jimmy Hoffa, FIST charts the rise and fall of a Trade Union leader. A cautionary tale of how noble causes can be sullied by ambition and hubris.
I highly recommend it, if only to convince others that Stallone occasionally turned in a credible performance without the promise of a big pay day.
Le saviez-vous
- AnecdotesNewly a big star, Sylvester Stallone was frequently hounded, screamed at, and sought out to be touched by fans during principal photography on this picture. Thousands of fans from more than one hundred miles away gathered daily to filming locations in Dubuque, Iowa chanting "Rocky! Rocky! Rocky!" from behind rope and police barriers, and frequently only a block away from the on-set filming. Reportedly, Stallone would make about three pilgrimages a day to the security barriers to shake hands with fans, pose for photos taken with their Instamatic cameras, let some of the more daring kiss him. When time did not allow for signing autographs, Stallone apparently would say: "You'd only lose it. A handshake lasts forever!"
- Citations
Babe Milano: Nobody's 100%... Nobody.
- Versions alternativesThe original release in theaters ended showing Johnny Kovak getting shot at the top the staircase in his home. Then, in the last scene, the camera pans to show a close-up of a moving truck with a "bumper sticker" that says "Where's Johnny?". The cable release does not show that last scene. Instead, the closing credits are shown over a crowd of truckers with their fists in the air.
- ConnexionsFeatured in The Directors: The Films of Norman Jewison (1999)
- Bandes originalesSanta Claus Is Coming to Town
Written by J. Fred Coots
Lyrics by Haven Gillespie
Performed by Bing Crosby and The Andrews Sisters
Courtesy of MCA Records
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Détails
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 388 920 $US
- Montant brut mondial
- 20 388 920 $US
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