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Fedora

  • 1978
  • Tous publics
  • 1h 56min
NOTE IMDb
6,8/10
5,6 k
MA NOTE
Marthe Keller in Fedora (1978)
Regarder Trailer
Lire trailer1:35
1 Video
25 photos
Showbiz DramaTragedyDramaRomance

Le producteur hollywoodien Barry Detweiler tente de sortir Fedora, une actrice de cinéma célèbre mais recluse, hors de sa retraite.Le producteur hollywoodien Barry Detweiler tente de sortir Fedora, une actrice de cinéma célèbre mais recluse, hors de sa retraite.Le producteur hollywoodien Barry Detweiler tente de sortir Fedora, une actrice de cinéma célèbre mais recluse, hors de sa retraite.

  • Réalisation
    • Billy Wilder
  • Scénario
    • Billy Wilder
    • I.A.L. Diamond
    • Tom Tryon
  • Casting principal
    • William Holden
    • Marthe Keller
    • Hildegard Knef
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    5,6 k
    MA NOTE
    • Réalisation
      • Billy Wilder
    • Scénario
      • Billy Wilder
      • I.A.L. Diamond
      • Tom Tryon
    • Casting principal
      • William Holden
      • Marthe Keller
      • Hildegard Knef
    • 47avis d'utilisateurs
    • 50avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    Trailer
    Trailer 1:35
    Trailer

    Photos25

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    + 17
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    Rôles principaux25

    Modifier
    William Holden
    William Holden
    • Barry Detweiler
    Marthe Keller
    Marthe Keller
    • Fedora
    Hildegard Knef
    Hildegard Knef
    • The Countess
    José Ferrer
    José Ferrer
    • Doctor Vando
    Frances Sternhagen
    Frances Sternhagen
    • Miss Balfour
    Mario Adorf
    Mario Adorf
    • Hotel Manager
    Stephen Collins
    Stephen Collins
    • Young Barry
    Henry Fonda
    Henry Fonda
    • President of the Academy
    Michael York
    Michael York
    • Self
    Hans Jaray
    Hans Jaray
    • Count Sobryanski
    Gottfried John
    Gottfried John
    • Kritos
    Arlene Francis
    Arlene Francis
    • Newscaster
    Jacques Maury
    Jacques Maury
    • Head Usher
    Christine Mueller
    • Young Antonia
    Ellen Schwiers
    Ellen Schwiers
    • Nurse
    Ferdy Mayne
    Ferdy Mayne
    • First Director
    Peter Capell
    Peter Capell
    • Second Director
    Robert Cunningham
    • Assistant Director
    • (as Bob Cunningham)
    • Réalisation
      • Billy Wilder
    • Scénario
      • Billy Wilder
      • I.A.L. Diamond
      • Tom Tryon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs47

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    Avis à la une

    Kirpianuscus

    little gem

    Many reasons for see this little gem. the performances, the atmosphere, the crumbs of old Hollywood, the tragedy of glory in passing time. and a touching story. remembering "Sunset Blvd". but being, for its bitter poetry, so different. for me, the basic motif for see it was the presence in cast of William Holden. and this "key" works. for discover not exactly a world but a form of survive. and its precise limits. a film about the traits of past. and meeting with wise use of suggestion, from illustrious names to small details of biographies for transform the film in a form of trip across Hollywood Golden Age.
    8claudio_carvalho

    The Legend Must Go On

    The former successful and famous Polish actress Fedora (Marthe Keller) commits suicide at the Mortcerf Station, jumping off in front of a train. The broken Hollywood producer Barry 'Dutch' Detweiler (William Holden) attends the funeral at her house in Paris and recalls that he might have caused her death.

    Two weeks ago, Dutch traveled to Greece Island of Corfu seeking Fedora out in the Vila Calypso, located in an isolated island owned by the bitter Countess Sobryanski (Hildegard Knef). Fedora has been living an unsocial reclusive life for the last years in the villa with the countess, the plastic surgeon Doctor Vando (José Ferrer) and her assistant Miss Balfour (Frances Sternhagen), since she abandoned the set of a film that she was shooting in London with Michael York.

    Dutch brings the screenplay with a version of "Anna Karenina" to offer to Fedora, with the promise that investors would finance the film if Fedora accepts the lead role. Fedora, who is impressively young, is receptive to the offer, but the countess and the doctor tell that she is mentally unstable and paranoid and can not act again.

    When Dutch discovers that Fedora will be secretly sent to a mental institution owned by Dr. Vando in Mortcert, he tries to rescue the actress from the island but he is hit on the head and faints with a concussion. One week later, when he awakes, he learns that Fedora is dead. Dutch travels to Paris and meets Countess Sobryanski that him the truth about Fedora.

    "Fedora" is the swan song of Billy Wilder, with an engaging story; a complex screenplay and many twists about aging, selfishness and loss of youth and identity. The plot has many elements of "Sunset Boulevard", with a washed-up producer looking for a former glamorous Hollywood actress that surprisingly has not aged like she should and might represent his comeback to the glory. The secret about Fedora and her friends is unpredictable. My vote is eight.

    Title (Brazil): Not Available
    7blanche-2

    We had faces then...and we kept them!

    Billy Wilder's second-last film comes full circle from 1950's Sunset Boulevard.

    Fedora begins with a news announcement of the great actress' death. Dutch Detweiler (William Holden) narrates the film, and attends Fedora's lying in state. He recalls what led up to that moment, and the story begins.

    Dutch (William Holden) has a script that is perfect for the actress Fedora (Marthe Keller), a Garbo-like myth wrapped in a legend, who lives a reclusive life in Corfu.

    One day, he sees her in town and reintroduces himself - they knew each other 30 years earlier. He is astounded by her unchanged beauty. She wears gloves because her doctor can't do anything about aging hands. and she asks him for a few dollars. When he asks if she received his script, she says that they hide the mail from her.

    After some spying on Fedora, Dutch comes to the conclusion that she is not being well treated and is imprisoned. Desperate to see her, he tries every way he can to gain entrance to the house, and at one point actually breaks in, only to be knocked out by someone who acts as her chauffeur. When he comes to, he's in his hotel, and a week has passed. And lots has happened.

    Fedora is based on the story in Tom Tryon's book, "Crowned Heads," which is three stories - the first about a Lana Turner-type, the second a combination of Clifton Webb and Ramon Navarro, and the third Fedora, actually based on Dietrich, Garbo, and a few other actresses. The first two stories were kind of sleazy. Fedora is really the best one.

    I remember this did not get good reviews at the time. Billy Wilder had no end of problems with it. It did not get a full release internationally or nationally; it was not publicized; and it was so badly cut that audiences laughed in all the wrong places when it was shown initially.

    It's pathetic to me that a great talent like Billy Wilder was treated so badly by modern Hollywood, but I'm not surprised.

    I think this is an interesting story and if Wilder had been allowed to do what he wanted, it would have been a marvelous film. One of the things that brought it down for me was the abominable performance of Marthe Keller. This role brought an end to her brief Hollywood career.

    What really bothered me was all the dubbing. Neither Knef's nor Keller's voices were used, and it's obvious. The actresses just sound dubbed with very little effort at performances. I may be overly sensitive; that dubbing sound is a big turnoff for me, but maybe not for others.

    I think this plays better on television than it probably did in the theaters, and it's definitely worth seeing for Holden at least, who is Joe Gillis had he lived.

    A series of unfortunate events spoiled what this film could have been, but it's still Billy Wilder, it's still William Holden, and you can't go too wrong.
    8dbdumonteil

    Pictures which never got small!

    "Fedora" was made with German and French money.It speaks volumes about what America thought of the commercial potential of one of its greatest directors.

    As "Buddy Buddy" ,remake of a FRench comedy does not count ,"Fedora" is Wilder's last opus.And it is a good film,nay a splendid one regarded in context,the best last movie Wilder could make ,which is just as well ,because when epitaphs are seen as worthless,the things that came before can sometimes been retropectively tarnished by association."Fedora" stands in little danger to bring this about.It is a last film ,soon,like the others ,to yellow with age but never lose its poignancy.

    Some said it was a poor man's "Sunset Blvd" .There are similarities: flashbacks,real-life actors (Cecil B.De Mille in "Sunset" Henry Fonda and Michael York" in "Fedora" ) and the terror of getting old ,the longing for eternity.There the comparison ends.

    For "Fedora" was ,in 1978,a "modern" film which the European (notably the FRench critic) hailed as a young man's work."Fedora" is absorbing from start to finish:it is ,in turn,a romantic story (the affair with York) an investigation à la "Citizen Kane" ,a thriller and even a Gothic horror movie.William Holden,Hildegarde Knef , Swiss Marthe Keller,Mario Adorf and Jose Ferrer are all excellent.

    The first scene when the heroine throws herself under the train recalls the techniques of the forties/fifties .Whereas "Fedora " is a thoroughly modern film,it manages to display nostalgia for the things we lost when the cinema began to lose its innocence or became intellectual or "got small!"The same nostalgia we felt in "Avanti" .The luminous blue Mediterranean sky is in direct contrast to the darkness of Wilder's earlier films noirs.

    With "Fedora" Wilder came out blaring!
    7ma-cortes

    Underrated Billy Wilder film with intense drama, plot twists and being finely performed

    A shamefully overlooked movie , it is Wilder's testament with a lot of attractive ingredients as brooding drama , thrills , sensitive theme , amazing twist finale, in a word , emotion . It deals with a washed-out producer : William Holden who attempts to hire an old star called Fedora : Marthe Keller , she is nowadays retired and living at a mansion in Corfu along with a cripple countess : Hildegard Knef , their assistant : Frances Sternhagen and a mysterious doctor : Jose Ferrer.

    Dramatic and witty film about cinema world containing realism, illusion, a twisted love story and tragedy . A flashy film and cynical at times , compellingly made by the great maestro Billy Wilder , at his last feature along with Buddy Buddy, but Fedora only superficially does it resemble Sunset Blvd . Colorfully set on Corfu , including nice cinematography by George Fisher , but a perfect remastering being really necessary . It explores deeply the basis of the cinema by thought-provoking and deranged portrayals of tarnished stars and the disastrous attempts to make time stop , providing a narrative assurance beyond the grasp of most filmmakers today.

    Accompanying by a sensitive and stirring musical score by classy composer Miklos Rozsa . This moving motion picture was stunningly directed by the great Billy Wilder , giving one of the most sublime achievements of the Seventies , though it failed at the international boxoffice . Wilder was one of the best Hollywood directors who made various masterpieces and with special penchant for comedy , such as : The Major and the Minor , The Seven Year Itch , Sabrina , Some Like Hot The Apartment , One Two Three , Irma La Douce , Kiss Me Stupid , The Fortune Cookie , Avanti , The Front Page . Although Wilder also made Film Noir and Dramas, such as : The Lost Weekend , Double Indemnity , Five Graves to Cairo , A Foreign Affair , Ace in the Hole , Stalag 17 , The Spirit of St Louis , Witness for the Prosecution , Fedora , among others .

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Prior to a preview in Santa Barbara, United Artists had cut twelve minutes from the movie. Director Billy Wilder refused to allow any further cuts, and the screening went poorly, with the audience laughing during the wrong parts of the film.
    • Gaffes
      In the opening scene set in France in 1977, a woman throws herself in the path of a steam train. The last steam locomotives on mainline French railways were withdrawn in 1974, so this could not have happened as shown.
    • Citations

      The Countess: Remember those days? Moral turpitude? You could have six husbands but you couldn't have an illegitimate child. Now you can have six children and no husband and who cares.

    • Connexions
      Featured in Arbeiten mit Billy Wilder: Ein Gespräch mit Mario Adorf (2014)
    • Bandes originales
      Tenderly
      (uncredited)

      Music by Walter Gross

      Lyrics by Jack Lawrence

      Sung by Nat 'King' Cole

    Meilleurs choix

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    FAQ18

    • How long is Fedora?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 septembre 1978 (France)
    • Pays d’origine
      • France
      • Allemagne de l'Ouest
    • Langues
      • Anglais
      • Grec
      • Français
    • Aussi connu sous le nom de
      • Федора
    • Lieux de tournage
      • Madouri Island, Lefkada, Grèce(Fedora's private island)
    • Sociétés de production
      • Bavaria Atelier
      • Lorimar
      • NF Geria Filmgesellshaft GmbH
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 727 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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    Marthe Keller in Fedora (1978)
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