Fairy Tales

I regrettably saw this movie back to back with the German film "Grimm's Fairy Tales for Adults" and while both films are obviously "for adults", the former actually managed to capture some of the spirit of the original Grimm's Fairy Tales while this film is your typically smutty, painfully unfunny, and crassly stupid "parody" of the already highly bastardized American versions of the classic fairy tales (with a little Mother Goose thrown in for good measure). For instance, in this movie the Old Woman Who Lives in a Shoe (Brenda Fogerty) is a madam, her shoe naturally is a cathouse, and there is a stereotypical 70's black pimp (Sy Richardson). "Snow White", of course, is getting it on with her seven dwarfs (for all you people out there with dwarf fetishes). "Little Bo Peep" has lost her sheep, and apparently her underwear too. Perhaps worst of all, this movie follows the unfortunate 70's trend of being an annoying musical (i.e. "Alice in Wonderland", "The First Nudie Musical") because, of course, there's a great intersection of musical fans and softcore porn fans.

But let me focus on the positive (what little there is). There is a very early if mostly wasted appearance by a young Linnaea Quigley (who gets naked natch'). Evelyn Guerrero, who had a memorable role in "Cheech and Chong's Nice Dreams", has a cameo role (with full-frontal nudity) as one of the "S and M Dancers". And perhaps most memorable is Tai Bonet as "Schrenednaze" (from "Arabian Nights") doing a naked belly dance (for some reason for Mother Goose's "Old King Cole") while rubbing oil all over herself. You just don't see naked belly dancing everyday. But is any of this worth enduring the rest of this movie? Uh, no. Watch "Grimm's Fairy Tale for Adults" instead

I fell in love with this "soft porn" turn at first viewing. It could have been just another slipshod "peepshow" as is the case of most T&A features. Instead, Hurwitz and Perilli decided that anything worth doing is worth doing well. The music is absolutely splendid and memorable and wickedly tongue-in-cheek (I am quite partial to "Beat Him Daddy A to the Bar" and "Little Bo Peep". All of the characters are well realized and fleshed out (so to speak) given the genre. Being an actor myself, I can tell when performers are having fun with their roles...a mainstay of successful comedy. They seem to have been having a blast. Anyone who can get through Tommy Tucker's (Robert Staats)scenes without a hearty belly-laugh (to say the least) is likely dead, humorless, or made of stone. Well done all around. I give it a "10". Highly recommended.

Harry Hurwitz, who also worked with Charles Band on porn documentary 'Auditions', creates a fun-filled version of favourite fairy tales. Though for adults the humour and sex is actually all quite innocent and kind of charming which makes this a watchable and entertaining movie. The songs are cleverly written and produced to a very high standard and also sung very well. Songstress Martha Reeves has a small role and performs one song (later in life Reeves claimed she was duped and did not know it was an adult film - to be fair her scene looks innocent and has her surrounded by cast, including the prince, in traditional dress). All of the acting is very good with Sy Richardson as a pimp (Richardson also worked on Band's soft porn version of 'Cinderella' before becoming famous). Angela Aames as Bo Peep is exceptionally pretty and proves what a shame her untimely death was. Co-writer Frank Ray Perilli worked alongside Albert Band for many years and later with Charles as he was starting out. Plot wise there is not much to add about the film, story is slight at best. This is a really credible film and even now among what would eventually become Full Moon Pictures best.

Nudity in a movie can be mere eye candy, no different to looking at the images on one of the magnificent ceilings painted by artists such as Fragonard, or it can be presented with a sexual significance. It can be shown in various ways, as a totally natural incident appropriate to the scene being sceened, as pure fun, as erotic stimulation, as downright dirty comedy, or as explicit sex - although this is generally regarded as making the film pornographic. It can also be presented musically, and with so many possibilities it is hardly surprising that many filmgoers will enjoy some, but not all, of these forms of presentation. All such material will however usually result in the film in question being classified as for adult viewers only. Back in the 1970's three films incorporating such material were released under titles commonly associated with children's literature. These were "Alice in Wonderland" (1976), "Cinderella" (1977) and "Fairy Tales" (1979). It is therefore particularly important that reviews of these films should make their contents quite clear, as there are reported to have been instances of video hire firms who were sued by irate parents inadvertently borrowing these films for their offspring's entertainment.

Both Cinderella and Fairy Story have been released through the same distributors (Astral) and can best be described as musical comedies for adults which makes liberal use of nudity in fun sequences; they do not fall into the dirty comedy category and, since many of the songs are more humorous and less suggestive than those often encountered in music videos, they are not likely to offend many of the viewers who know what to expect. Some of those who have commented on these films in the Imdb data base have expressed a preference for Cinderella, but I personally preferred Fairy Tales. Both these films are very similar in style, and choosing one in preference to the other is essentially a matter of taste. My preference is largely based on the impression that Fairy Story provides more variety, with new characters drawn from classic children's stories appearing at regular intervals throughout the film. By contrast the story of Cinderella is very well known and even when retold in adult form some of the element of surprise, which is important for films of this type, is lost.

The music and songs in both films are excellent and are such fun that it would be hard not to enjoy them, a sequence in Fairy Tales where Snow White is set upon by her seven little dwarfs is particularly enjoyable (probably it could not even be filmed today as the Society of Dwarfs, or some similar body, might protest forcibly about unflattering representation of those handicapped individuals which it represents), and the presentation of the house in a shoe as the local house of ill fame, with Robert Staats as a copybook ponce, is hilarious. Ultimately I usually find that the success of a film of this type is assured whenever it is very clear that all the cast had a whale of a good time whilst creating it. This is certainly the case here, and I have no hesitation in strongly recommending this film to anyone interested in seeing it. For a film of its genre I would rate it at 9 out of 10.

This 'erotic fairy tale' film rehashes similar plotlines from earlier films, most notably "Cinderella," with the premise of an impotent prince looking for a woman who can excite him. Since all of the 'good' material had been taken by earlier films, "Fairy Tales" pulls from many sources, from nursery rhymes like 'Little Bo Peep' and 'Jack and Jill,' to tales like "Snow White and the Seven Dwarves" and even a cameo by "Little Red Riding Hood."

By jumping around so much, this film keeps your interest. It's fairly humorous and the T&A is harmless. Tommy Tucker's brothel-barker character is the most successful as he beckons passersby to enter 'the big shoe,' assuring that what they do there is "nobody's business but your own."

Where this film loses steam is in the penultimate song sequence, identical to the one in "Cinderella," in which the cast sings the praises of Sleeping Beauty's virtues. Whereas in "Cinderella" the song refers to Cinderella's particular sexual expertise; here Sleeping Beauty's claim to fame is that she's a virgin. And comatose to boot. The prince, King Cole, and the Frog Prince (for whom i felt most sorry in that his plight could have been halted by a simple kiss from a virgin), despite the endless parade of literary babes, all desire Sleeping Beauty because she's never had sex. This sudden assertion of moral purity seems out of place and sort of disgusting in the light of the supposed sexual freedoms of this fantasy world. It brings a strangely didactic tone to this otherwise if-it-feels-good-do-it spectacle.