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Doux, dur et dingue

Titre original : Every Which Way But Loose
  • 1978
  • PG
  • 1h 54min
NOTE IMDb
6,3/10
32 k
MA NOTE
Clint Eastwood in Doux, dur et dingue (1978)
Official Trailer
Lire trailer2:19
1 Video
97 photos
ActionComédie

La vallée San Fernando, et les aventures de Philo Beddoe, camionneur devenu boxeur profesionel, et son animal de companie, un orang-outan nommé ClydeLa vallée San Fernando, et les aventures de Philo Beddoe, camionneur devenu boxeur profesionel, et son animal de companie, un orang-outan nommé ClydeLa vallée San Fernando, et les aventures de Philo Beddoe, camionneur devenu boxeur profesionel, et son animal de companie, un orang-outan nommé Clyde

  • Réalisation
    • James Fargo
  • Scénario
    • Jeremy Joe Kronsberg
  • Casting principal
    • Clint Eastwood
    • Sondra Locke
    • Geoffrey Lewis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    32 k
    MA NOTE
    • Réalisation
      • James Fargo
    • Scénario
      • Jeremy Joe Kronsberg
    • Casting principal
      • Clint Eastwood
      • Sondra Locke
      • Geoffrey Lewis
    • 132avis d'utilisateurs
    • 32avis des critiques
    • 41Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos1

    Every Which Way but Loose
    Trailer 2:19
    Every Which Way but Loose

    Photos97

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 90
    Voir l'affiche

    Rôles principaux72

    Modifier
    Clint Eastwood
    Clint Eastwood
    • Philo Beddoe
    Sondra Locke
    Sondra Locke
    • Lynn Halsey-Taylor
    Geoffrey Lewis
    Geoffrey Lewis
    • Orville
    Beverly D'Angelo
    Beverly D'Angelo
    • Echo
    Walter Barnes
    Walter Barnes
    • Tank Murdock
    George Chandler
    George Chandler
    • Clerk at D.M.V.
    Roy Jenson
    Roy Jenson
    • Woody
    James McEachin
    James McEachin
    • Herb
    Bill McKinney
    Bill McKinney
    • Dallas
    William O'Connell
    William O'Connell
    • Elmo
    John Quade
    John Quade
    • Cholla
    Dan Vadis
    Dan Vadis
    • Frank
    Gregory Walcott
    Gregory Walcott
    • Putnam
    Hank Worden
    Hank Worden
    • Trailer Court Manager
    Ruth Gordon
    Ruth Gordon
    • Ma
    Jerry Brutsche
    Jerry Brutsche
    • Sweeper Driver
    Cary Michael Cheifer
    • Kincaid's Manager
    Janet Cole Notey
    Janet Cole Notey
    • Girl at Palomino
    • (as Janet Louise Cole)
    • Réalisation
      • James Fargo
    • Scénario
      • Jeremy Joe Kronsberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs132

    6,331.6K
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    Avis à la une

    7Flint-14

    Guy gets girl, guy loses girl, guy gets ape. Happy ending.

    Fun flick. Caught it for the first time on video. Though it was obviously aimed for the redneck, teenage drive-in crowd, the stellar performance of Clyde raises this to the level of an art house flick. Clint did what Clint does best: fights and wins. The one distraction was the startling unappeal of Sondra Locke. Her lack of talent in acting is only surpassed by her lack of talent in singing. Other cast members included a loyal buddy, Orville, a swearing granny, two blundering cops, and a gang of wimpy bikers.
    Coxer99

    Every Which Way But Loose

    Eastwood steps back from his macho action star image as he has a little fun in this first of two films (Any Which Way You Can is the other)that team the star up with an orangutan named "Clyde." It's not Hope and Crosby, but it is a fun pairing. The film doesn't take itself too seriously. It's having too much to do something silly like that.
    6bkoganbing

    Clint And Clyde

    In Every Which Way But Loose, Clint Eastwood not only shares the screen with lady love Sondra Locke, but with an orangutan named Clyde. He had to call on all his skills to keep the film from being stolen by an ape.

    This and its sequel Every Which Way You Can will never be at the top of Clint's cinema achievements, but it's a nice rollicking comedy about a bare knuckle fighter. If it were set in today's times instead of the Seventies, Eastwood's Philo Beddoe would be on the extreme fighting channel.

    Seeing Clint's living quarters reminded me of John Wayne's similar arrangements in True Grit with Chin Lee and General Sterling Price the cat. Clyde's quite a bit more the handful than a cat. He lives with Geoffrey Lewis who is his second and corner man in the bare knuckle fighting business and handles all the wagers and Lewis's mother a 'helpless' little old lady with a shotgun, deliciously played by Ruth Gordon.

    Making his living as a bare knuckle fighter, Clint just seems to run into people determined to take him down. That includes an involvement with aspiring country singer Sondra Locke whom he spends a good deal of money on and who then takes a powder on him. She's heading east so Clint, Lewis, and Clyde are as well. Along the way they pick up sharp shooting Beverly D'Angelo who saves them on one occasion.

    The legendary bare knuckle champion is Denver Tank Murdoch and as that 20th century philosopher Ric Flair opined, to be the best you have to beat the best. So Clint is heading to Denver to find both Locke and Walter Barnes who plays Tank Murdoch with his three amigos.

    He also manages to arouse the anger of John McQuade and his Black Widow Biker gang. These people are the sorriest biker gang ever depicted on the big screen. Everyone and I mean EVERYONE manages to best this crowd of losers. But they never give up.

    Best in the film are Ruth Gordon and Clyde, not necessarily in that order. I've often thought that the Academy Awards should have a best animal performance in a given year. That year the Oscar gold would have been taken by the orangutan. I wish the film had elaborated a little more on when Eastwood and Lewis break into a zoo to get Clyde's male needs satisfied.

    For a lighter and brighter side of Clint Eastwood, don't miss Every Which Way But Loose.
    Bubbles-21

    A true American art form

    Without this film, the entire genre of Orangutan films, as well as the film career of Tony Danza, would have been inconceivable. We, as Americans, have often felt it necessary to identify a "True American Art Form." Some have suggested jazz, others rap. However, it is quite possible that even those fine examples could be traced to other, non-American, sources. The Orangutan film is, without question, ours and ours alone. For other fine entries in this genre, I recommend "Going Bananas," "Any Which Way You Can," and certain key portions of "Cannonball Run II." When the history of this civilization is written by the super-intelligent species of rats that will no doubt conquer us, the chapter heading will no doubt read "Right Turn, Clyde."
    coverme6

    Sounds like something Burt Reynolds would be in!!

    Clint Eastwood finally shows a funny, soft side to his macho persona in this humorous action/comedy about a good-hearted brawler who adopts a sneaky orangutan named Clyde and they embark in a funny journey for reasons God only knows why. With the gritty brawl scenes and the constant redneck humor, this would make the viewer wonder why did old Dirty Harry himself would be in a movie like this? It looks like something from the weird minds of Burt Reynolds and Hal Ne

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Eastwood called Clyde the Orangutan "one of the most natural actors I ever worked with. But you had to get him on the first take because his boredom level was very limited."
    • Gaffes
      When the officer falls down at the lake and lands face-to-face with the rattlesnake, the glass separating the actor and rattlesnake is clearly visible.
    • Citations

      Cholla: [the Black Widows have shown up at Philo's home, Ma Boggs is on the porch, they pull their bikes into her yard and Cholla pulls up on the porch] Say, old lady, where's Philo Beddoe?

      Ma Boggs: How the hell do I know? Get off my porch with that thing. Get off my property!

      Cholla: You're uh... you're not very hospitable.

      Ma Boggs: Hospitable my ass. Get off my porch!

      Cholla: Very well, if you insist.

      [Cholla chains his bike to a support on the front porch, pulling it down... bikers laugh, Ma pulls out a pump-action shotgun]

      Woody: [seeing the gun] Alright lady... put down that gun now!

      [bikers dive out of her way]

      Woody: I'm warning you lady! Put down that gun now!

      [Ma fires and bike next to Woody explodes... she shoots several other bikes as they're attempting to flee]

      Ma Boggs: [during a recoil] Oof!

      Woody: [running after his gang on foot] Wait for me!

      Ma Boggs: [seeing the flaming bikes on her lawn... to herself] First the police, and I told those boys not to leave a vulnerable old lady all alone!

      [goes inside with gun]

      Ma Boggs: Hospitable? Horseshit!

    • Versions alternatives
      The post-1986 VHS prints used the 1984 Warner Bros. Pictures variant as the opening logo.
    • Connexions
      Featured in Sneak Previews: California Suite, Invasion of the Body Snatchers, Uncle Joe Shannon, Every Which Way But Loose, Pinocchio (1978)
    • Bandes originales
      Every Which Way But Loose
      Written by Steve Dorff (as S. Dorff), Milton Brown (as M. Brown) and Snuff Garrett (as T. Garrett)

      Sung by Eddie Rabbitt

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    FAQ19

    • How long is Every Which Way But Loose?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 avril 1979 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Pendenciero rebelde
    • Lieux de tournage
      • Palomino Nightclub - 6907 Lankershim Boulevard, North Hollywood, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Warner Bros.
      • The Malpaso Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 85 196 485 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 10 272 294 $US
      • 24 déc. 1978
    • Montant brut mondial
      • 85 196 485 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 54min(114 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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