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Doux, dur et dingue

Titre original : Every Which Way But Loose
  • 1978
  • PG
  • 1h 54min
NOTE IMDb
6,3/10
32 k
MA NOTE
POPULARITÉ
4 897
1 860
Clint Eastwood in Doux, dur et dingue (1978)
Official Trailer
Lire trailer2:19
1 Video
97 photos
ActionComédie

La vallée San Fernando, et les aventures de Philo Beddoe, camionneur devenu boxeur profesionel, et son animal de companie, un orang-outan nommé ClydeLa vallée San Fernando, et les aventures de Philo Beddoe, camionneur devenu boxeur profesionel, et son animal de companie, un orang-outan nommé ClydeLa vallée San Fernando, et les aventures de Philo Beddoe, camionneur devenu boxeur profesionel, et son animal de companie, un orang-outan nommé Clyde

  • Réalisation
    • James Fargo
  • Scénario
    • Jeremy Joe Kronsberg
  • Casting principal
    • Clint Eastwood
    • Sondra Locke
    • Geoffrey Lewis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    32 k
    MA NOTE
    POPULARITÉ
    4 897
    1 860
    • Réalisation
      • James Fargo
    • Scénario
      • Jeremy Joe Kronsberg
    • Casting principal
      • Clint Eastwood
      • Sondra Locke
      • Geoffrey Lewis
    • 132avis d'utilisateurs
    • 32avis des critiques
    • 41Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos1

    Every Which Way but Loose
    Trailer 2:19
    Every Which Way but Loose

    Photos97

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 90
    Voir l'affiche

    Rôles principaux72

    Modifier
    Clint Eastwood
    Clint Eastwood
    • Philo Beddoe
    Sondra Locke
    Sondra Locke
    • Lynn Halsey-Taylor
    Geoffrey Lewis
    Geoffrey Lewis
    • Orville
    Beverly D'Angelo
    Beverly D'Angelo
    • Echo
    Walter Barnes
    Walter Barnes
    • Tank Murdock
    George Chandler
    George Chandler
    • Clerk at D.M.V.
    Roy Jenson
    Roy Jenson
    • Woody
    James McEachin
    James McEachin
    • Herb
    Bill McKinney
    Bill McKinney
    • Dallas
    William O'Connell
    William O'Connell
    • Elmo
    John Quade
    John Quade
    • Cholla
    Dan Vadis
    Dan Vadis
    • Frank
    Gregory Walcott
    Gregory Walcott
    • Putnam
    Hank Worden
    Hank Worden
    • Trailer Court Manager
    Ruth Gordon
    Ruth Gordon
    • Ma
    Jerry Brutsche
    Jerry Brutsche
    • Sweeper Driver
    Cary Michael Cheifer
    • Kincaid's Manager
    Janet Cole Notey
    Janet Cole Notey
    • Girl at Palomino
    • (as Janet Louise Cole)
    • Réalisation
      • James Fargo
    • Scénario
      • Jeremy Joe Kronsberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs132

    6,331.6K
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    Avis à la une

    7Flint-14

    Guy gets girl, guy loses girl, guy gets ape. Happy ending.

    Fun flick. Caught it for the first time on video. Though it was obviously aimed for the redneck, teenage drive-in crowd, the stellar performance of Clyde raises this to the level of an art house flick. Clint did what Clint does best: fights and wins. The one distraction was the startling unappeal of Sondra Locke. Her lack of talent in acting is only surpassed by her lack of talent in singing. Other cast members included a loyal buddy, Orville, a swearing granny, two blundering cops, and a gang of wimpy bikers.
    Bubbles-21

    A true American art form

    Without this film, the entire genre of Orangutan films, as well as the film career of Tony Danza, would have been inconceivable. We, as Americans, have often felt it necessary to identify a "True American Art Form." Some have suggested jazz, others rap. However, it is quite possible that even those fine examples could be traced to other, non-American, sources. The Orangutan film is, without question, ours and ours alone. For other fine entries in this genre, I recommend "Going Bananas," "Any Which Way You Can," and certain key portions of "Cannonball Run II." When the history of this civilization is written by the super-intelligent species of rats that will no doubt conquer us, the chapter heading will no doubt read "Right Turn, Clyde."
    6bkoganbing

    Clint And Clyde

    In Every Which Way But Loose, Clint Eastwood not only shares the screen with lady love Sondra Locke, but with an orangutan named Clyde. He had to call on all his skills to keep the film from being stolen by an ape.

    This and its sequel Every Which Way You Can will never be at the top of Clint's cinema achievements, but it's a nice rollicking comedy about a bare knuckle fighter. If it were set in today's times instead of the Seventies, Eastwood's Philo Beddoe would be on the extreme fighting channel.

    Seeing Clint's living quarters reminded me of John Wayne's similar arrangements in True Grit with Chin Lee and General Sterling Price the cat. Clyde's quite a bit more the handful than a cat. He lives with Geoffrey Lewis who is his second and corner man in the bare knuckle fighting business and handles all the wagers and Lewis's mother a 'helpless' little old lady with a shotgun, deliciously played by Ruth Gordon.

    Making his living as a bare knuckle fighter, Clint just seems to run into people determined to take him down. That includes an involvement with aspiring country singer Sondra Locke whom he spends a good deal of money on and who then takes a powder on him. She's heading east so Clint, Lewis, and Clyde are as well. Along the way they pick up sharp shooting Beverly D'Angelo who saves them on one occasion.

    The legendary bare knuckle champion is Denver Tank Murdoch and as that 20th century philosopher Ric Flair opined, to be the best you have to beat the best. So Clint is heading to Denver to find both Locke and Walter Barnes who plays Tank Murdoch with his three amigos.

    He also manages to arouse the anger of John McQuade and his Black Widow Biker gang. These people are the sorriest biker gang ever depicted on the big screen. Everyone and I mean EVERYONE manages to best this crowd of losers. But they never give up.

    Best in the film are Ruth Gordon and Clyde, not necessarily in that order. I've often thought that the Academy Awards should have a best animal performance in a given year. That year the Oscar gold would have been taken by the orangutan. I wish the film had elaborated a little more on when Eastwood and Lewis break into a zoo to get Clyde's male needs satisfied.

    For a lighter and brighter side of Clint Eastwood, don't miss Every Which Way But Loose.
    7hitchcockthelegend

    I think he's spending too much time with Clyde.

    Every Which Way But Loose is directed by James Fargo and written by Jeremy Joe Kronsberg. It stars Clint Eastwood, Sondra Locke, Geoffrey Lewis, Beverly D'Angelo and Manis The Orangutan.

    It surprised the studio executives, even had them sweating about the release, but the adventures of Philo Beddoe (Eastwood) and his pet Orangutan proved to be a smash hit at the box office.

    Beddoe is a trucker who also happens to make money by bare knuckle fighting, and he's very good at it. Clyde the orangutan is a full on personality himself, and between them they wind up being trailed by vengeful coppers and a very incompetent motorcycle gang. Philo's brother Orville (Lewis) is along for the ride and polar opposite love interests come into play via Lynn Halsey-Taylor (Locke) and Echo (D'Angelo).

    Plot is very thin on the ground, we are in fact viewing a series of events that are mined for comedy purpose - which totally work. Action comes by way of the punch ups Philo gets into, with Eastwood as always proving to be one of the better punch throwing actors of his generation, while Lewis shines bright as the best friend and voice of reason to Philo.

    The love story sub-plot involving Lynn and Philo - and its subsequent revelations - feels a touch out of place, since this is such a chilled and relaxed comedy picture. Which is the key, the makers know what they are doing, they are having fun and ask the audience to do the same. The public lapped it up and ensured that a sequel of similar tropes would follow. That also proved to be popular since it was more of the same.

    Open the beer and popcorn and just run with it, it was never meant to be high art etc. 7/10
    9bustercolon

    cultural classic

    Right turn Clyde. A man, a monkey, some hells angels wannabee's and some dude named Orville. What more could you want? Throw in some bare knuckle action of Clint breaking everyones face loose and its a classic. This is without a doubt one of the all time late night classics. The story, (its fluff), revolves around blue collar tough guy Filo Beddo and his buddies. One of which is Clyde, an orangatan and Orville, a greasey tow tuck driver. Which is worse is up to you. The gang gets into some bare knuckle boxing fights for cash and heads out on the road. Running into trouble with a hilarious wannabe biker gang and ending up with a showdown between Tank Murdock and Philo for some sort of tough guy championship. The movie is dated, has some cheasy music, (at least its not disco) lots of fight scenes, some great running gags at bikers, cops, rhinestone cowboys, and generally anyone clint doesnt like, but its very enjoyable and definitely worth a trip to blockbuster.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Eastwood called Clyde the Orangutan "one of the most natural actors I ever worked with. But you had to get him on the first take because his boredom level was very limited."
    • Gaffes
      When the officer falls down at the lake and lands face-to-face with the rattlesnake, the glass separating the actor and rattlesnake is clearly visible.
    • Citations

      Cholla: [the Black Widows have shown up at Philo's home, Ma Boggs is on the porch, they pull their bikes into her yard and Cholla pulls up on the porch] Say, old lady, where's Philo Beddoe?

      Ma Boggs: How the hell do I know? Get off my porch with that thing. Get off my property!

      Cholla: You're uh... you're not very hospitable.

      Ma Boggs: Hospitable my ass. Get off my porch!

      Cholla: Very well, if you insist.

      [Cholla chains his bike to a support on the front porch, pulling it down... bikers laugh, Ma pulls out a pump-action shotgun]

      Woody: [seeing the gun] Alright lady... put down that gun now!

      [bikers dive out of her way]

      Woody: I'm warning you lady! Put down that gun now!

      [Ma fires and bike next to Woody explodes... she shoots several other bikes as they're attempting to flee]

      Ma Boggs: [during a recoil] Oof!

      Woody: [running after his gang on foot] Wait for me!

      Ma Boggs: [seeing the flaming bikes on her lawn... to herself] First the police, and I told those boys not to leave a vulnerable old lady all alone!

      [goes inside with gun]

      Ma Boggs: Hospitable? Horseshit!

    • Versions alternatives
      The post-1986 VHS prints used the 1984 Warner Bros. Pictures variant as the opening logo.
    • Connexions
      Featured in Sneak Previews: California Suite, Invasion of the Body Snatchers, Uncle Joe Shannon, Every Which Way But Loose, Pinocchio (1978)
    • Bandes originales
      Every Which Way But Loose
      Written by Steve Dorff (as S. Dorff), Milton Brown (as M. Brown) and Snuff Garrett (as T. Garrett)

      Sung by Eddie Rabbitt

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    FAQ19

    • How long is Every Which Way But Loose?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 avril 1979 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Pendenciero rebelde
    • Lieux de tournage
      • Palomino Nightclub - 6907 Lankershim Boulevard, North Hollywood, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Warner Bros.
      • The Malpaso Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 85 196 485 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 10 272 294 $US
      • 24 déc. 1978
    • Montant brut mondial
      • 85 196 485 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 54min(114 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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